Two Shots adapts the extra chapter of the same name, while All or Nothing adapts Chapter 174 of the same name and a scene of the final chapter of the manga, which also matches with the conclusion of the final episode of the anime series. Two Shots tells the story of how Kurama and Hiei met, while All or Nothing covers a story of the main characters coming back together to solve a hostage crisis in the spirit world.
Unfortunately the movie Yu Yu Hakusho - Two Shots / All or Nothing is not yet available on Netflix. Follow us on Facebook to see when Yu Yu Hakusho - Two Shots / All or Nothing becomes available on Netflix!
Art | Yuko Kobayashi | Background Designer |
Directing | Shinya Sugai | Layout |
Production | Hitomi Uehara | Associate Producer |
Editing | Junichi Uematsu | Editor |
Visual Effects | Emi Ikebuchi | Key Animation |
Visual Effects | Tomomi Ikeda | Key Animation |
Art | Yoshihiro Sono | Art Direction |
Visual Effects | Keisuke Watanabe | Key Animation |
Visual Effects | Yoshihiro Nagamori | Key Animation |
Visual Effects | Tomomi Yabuki | Animation Director |
Visual Effects | Yukiko Kakita | Color Designer |
Visual Effects | Yukei Yamada | Key Animation |
Production | Fumihito Fukuju | Associate Producer |
Visual Effects | Tsutomu Yamamoto | Key Animation |
Visual Effects | Hiroyuki Horiuchi | Key Animation |
Directing | Kazuki Takashima | Layout |
Production | Mayumi Yokomizo | Associate Producer |
Sound | Akiko Muto | Sound Effects |
Visual Effects | Mari Kitayama | Character Designer |
Visual Effects | Akira Gonpei | CG Animator |
Production | Chiaki Kakuma | Associate Producer |
Writing | Yoshihiro Togashi | Original Story |
Sound | Matsuko Mawatari | Theme Song Performance |
Art | Yuji Ikeda | Art Direction |
Visual Effects | Asuka Mamezuka | Key Animation |
Visual Effects | Masashi Ito | Key Animation |
Visual Effects | Yuko Fuji | Key Animation |
Writing | Noriyuki Abe | Storyboard |
Visual Effects | Toshiharu Sugie | Key Animation |
Visual Effects | Keisuke Watanabe | Character Designer |
Camera | Toshiyuki Fukushima | Director of Photography |
Visual Effects | Kana Yoshino | Key Animation |
Production | Kyoya Wachi | Associate Producer |
Production | Naoko Sagawa | Executive Producer |
Directing | Takashi Igari | Director |
Visual Effects | Reika Hoshino | Key Animation |
Production | Kazumichi Ueda | Executive Producer |
Art | Norihiko Yokomatsu | Background Designer |
Art | Yuki Kasahara | Art Direction |
Visual Effects | Yoshimi Iwata | Key Animation |
Directing | Noriyuki Abe | Director |
Sound | Yusuke Morita | Sound Director |
Visual Effects | Emi Nakamura | Key Animation |
Visual Effects | Renki Harada | Key Animation |
Visual Effects | Yukie Kodama | Key Animation |
Visual Effects | Kenshin Ariga | Key Animation |
Visual Effects | Hirotaka Marufuji | Animation Director |
Visual Effects | Yoshiyuki Tomita | Key Animation |
Visual Effects | Fumiaki Kouta | Key Animation |
Visual Effects | Yuko Watanabe | Key Animation |
Visual Effects | Shinya Kameyama | Key Animation |
Production | Ken Hagino | Producer |
Visual Effects | Shinichi Yoshikawa | Key Animation |
Visual Effects | Maki Fukui | Animation Director |
Visual Effects | Kousei Kudo | Key Animation |
Visual Effects | Hiroaki Imaki | Animation Director |
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