Following a bomb scare in the 1960s that locked the Webers into their bomb shelter for 35 years, Adam now ventures forth into Los Angeles to obtain food and supplies for his family, and a non-mutant wife for himself.
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Sound | Steve Dorff | Original Music Composer |
Production | Renny Harlin | Producer |
Editing | Don Brochu | Editor |
Production | Claire Rudnick Polstein | Executive Producer |
Production | Amanda Stern | Executive Producer |
Writing | Hugh Wilson | Screenplay |
Production | Sunil Perkash | Executive Producer |
Production | Hugh Wilson | Producer |
Camera | José Luis Alcaine | Director of Photography |
Directing | Hugh Wilson | Director |
Production | Denise Chamian | Casting |
Directing | Trudy Ramirez | Script Supervisor |
Costume & Make-Up | Ronnie Specter | Makeup Artist |
Costume & Make-Up | Mark Bridges | Costume Design |
Costume & Make-Up | Tammy Kusian | Hairstylist |
Costume & Make-Up | Ben Nye Jr. | Makeup Department Head |
Costume & Make-Up | Heidi Seeholzer | Makeup Artist |
Art | Bob Ziembicki | Production Design |
Crew | Adam Shankman | Choreographer |
Sound | Steve Tyrell | Music Supervisor |
Production | Mary Kane | Unit Production Manager |
Crew | Patricia M. Peters | Utility Stunts |
Production | Erik Holmberg | Production Executive |
Production | Mary Kane | Co-Producer |
Camera | Dominic Napolitano | First Assistant "B" Camera |
Production | Larry Ring | Assistant Location Manager |
Crew | Claire O'Brien | Post Production Supervisor |
Camera | Anthony Gaudioz | "A" Camera Operator |
Crew | Brad Bovee | Utility Stunts |
Camera | Glenn Kaplan | Second Assistant "A" Camera |
Camera | David Luckenbach | "B" Camera Operator |
Camera | Cash Cockerill | Camera Loader |
Directing | Louis D'Esposito | First Assistant Director |
Directing | Michael Viglietta | Second Assistant Director |
Art | Michael Taylor | Set Decoration |
Crew | Joey Preston | Utility Stunts |
Production | Jody Levin | Executive In Charge Of Post Production |
Art | Ted Berner | Art Direction |
Art | Shepherd Frankel | Assistant Art Director |
Production | Boyd Wilson | Location Manager |
Production | Jim Small | Assistant Location Manager |
Production | Rachel E. Prentiss | Production Accountant |
Crew | A.J. Nay | Stunt Coordinator |
Camera | Jay Levy | First Assistant "A" Camera |
Production | Kara Katsoulis | Casting Associate |
Production | Elizabeth Ervin | Production Supervisor |
Editing | Joe Binford Jr. | First Assistant Editor |
Art | Aimee Rousey | Art Department Coordinator |
Editing | Erin Michelle Hopkins | First Assistant Editor |
Production | Diana Zock | Production Coordinator |
Art | P.K. MacCarthy | Storyboard Artist |
Costume & Make-Up | Kimberly Adams | Assistant Costume Designer |
Art | Paul Ford | Leadman |
Art | Philip Calhoun | Set Dresser |
Art | Mark Goerner | Production Illustrator |
Art | Chris Fielding | Set Dresser |
Art | Colin De Rouin | Set Designer |
Art | Kinney Booker | Set Dresser |
Art | Kevin Hughes | Property Master |
Sound | Mark Hopkins McNabb | Sound Mixer |
Camera | Alex Klabukov | Grip |
Camera | Armen Gharagozian | Grip |
Costume & Make-Up | Karla Stevens Flanigan | Costumer |
Lighting | Kevin Massey | Electrician |
Sound | Richard E. Yawn | Sound Effects Editor |
Sound | Donald L. Warner Jr. | Dialogue Editor |
Camera | John W. Murphy | Dolly Grip |
Sound | Jay Nierenberg | Sound Effects Editor |
Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
Sound | Randy McDonald | Utility Sound |
Camera | Scott Hillman | Best Boy Grip |
Crew | David Waine | Special Effects Coordinator |
Camera | Peter Sorel | Still Photographer |
Sound | Paul Aulicino | First Assistant Sound Editor |
Sound | Matthew C. May | Assistant Sound Editor |
Sound | Glenn Hoskinson | Sound Effects Editor |
Sound | David Jobe | Foley Mixer |
Sound | Bruce Fortune | Dialogue Editor |
Costume & Make-Up | Jill Crosby | Hairstylist |
Production | Cody Zwieg | Production Secretary |
Crew | Eileen Peterson | Unit Publicist |
Sound | Robert Troy | Dialogue Editor |
Sound | Steve Mann | Foley Editor |
Sound | Michael J. Broomberg | Foley Artist |
Costume & Make-Up | Beatrice De Alba | Hairstylist |
Sound | Lance Brown | Sound Designer |
Sound | Bernard Weiser | Dialogue Editor |
Sound | Christopher Moriana | Foley Artist |
Camera | Coleman L. Hart | Grip |
Crew | Paul Prokop | Production Controller |
Sound | Becky Sullivan | Supervising ADR Editor |
Camera | Bobby Huber | Key Grip |
Camera | Ray Garcia | Grip |
Camera | Frank A. Montesanto | Grip |
Sound | Bruce Stambler | Supervising Sound Editor |
Sound | Michael Dressel | Foley Supervisor |
Costume & Make-Up | Bob Morgan | Costume Supervisor |
Lighting | Rick Wilhoit | Best Boy Electric |
Lighting | Gordon Hayes | Rigging Gaffer |
Visual Effects | David Waine | Special Effects Supervisor |
Sound | Kim Secrist | Sound Effects Editor |
Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
Crew | Jennifer Law-Stump | Digital Effects Supervisor |
Crew | Timothy P. Ryan | Transportation Co-Captain |
Visual Effects | David Taritero | Visual Effects Producer |
Art | Mark Balda | Construction Foreman |
Editing | Bob McMillian | Color Timer |
Sound | Kathy McCart | Sound Recordist |
Art | David Peck | Construction Foreman |
Production | Carla Fry | Executive In Charge Of Production |
Sound | Gary Ritchie | Sound Recordist |
Crew | Courtney Pakiz | Stand In |
Crew | Don Tardino | Transportation Coordinator |
Editing | Gary Burritt | Negative Cutter |
Visual Effects | Ariel Velasco-Shaw | Visual Effects Supervisor |
Sound | Chris Ledesma | Music Editor |
Sound | Michael Herbick | Sound Re-Recording Mixer |
Crew | John Starr | Craft Service |
Crew | Michael T. Carter | Studio Teacher |
Art | Bill Holmquist | Construction Coordinator |
Crew | Rob McCabe | Stand In |
Sound | Steven F. Nelson | Sound Effects Editor |
Art | James Lennox | Location Scout |
Writing | Bill Kelly | Screenplay |
Crew | James Brown | Transportation Co-Captain |
Camera | Jennifer Bell | Second Assistant "B" Camera |
Lighting | Randy Glass | Gaffer |
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