Following a bomb scare in the 1960s that locked the Webers into their bomb shelter for 35 years, Adam now ventures forth into Los Angeles to obtain food and supplies for his family, and a non-mutant wife for himself.
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Editing | Don Brochu | Editor |
Production | Sunil Perkash | Executive Producer |
Production | Claire Rudnick Polstein | Executive Producer |
Production | Renny Harlin | Producer |
Directing | Hugh Wilson | Director |
Sound | Steve Dorff | Original Music Composer |
Production | Hugh Wilson | Producer |
Writing | Hugh Wilson | Screenplay |
Production | Amanda Stern | Executive Producer |
Camera | José Luis Alcaine | Director of Photography |
Art | Bob Ziembicki | Production Design |
Costume & Make-Up | Tammy Kusian | Hairstylist |
Production | Denise Chamian | Casting |
Costume & Make-Up | Ben Nye Jr. | Makeup Department Head |
Costume & Make-Up | Heidi Seeholzer | Makeup Artist |
Directing | Trudy Ramirez | Script Supervisor |
Costume & Make-Up | Mark Bridges | Costume Design |
Costume & Make-Up | Ronnie Specter | Makeup Artist |
Sound | Steve Tyrell | Music Supervisor |
Directing | Louis D'Esposito | First Assistant Director |
Directing | Michael Viglietta | Second Assistant Director |
Crew | Adam Shankman | Choreographer |
Crew | Patricia M. Peters | Utility Stunts |
Production | Mary Kane | Unit Production Manager |
Crew | A.J. Nay | Stunt Coordinator |
Production | Jody Levin | Executive In Charge Of Post Production |
Production | Mary Kane | Co-Producer |
Production | Erik Holmberg | Production Executive |
Camera | Jay Levy | First Assistant "A" Camera |
Production | Jim Small | Assistant Location Manager |
Production | Rachel E. Prentiss | Production Accountant |
Camera | Dominic Napolitano | First Assistant "B" Camera |
Production | Diana Zock | Production Coordinator |
Editing | Erin Michelle Hopkins | First Assistant Editor |
Camera | David Luckenbach | "B" Camera Operator |
Art | Ted Berner | Art Direction |
Art | Michael Taylor | Set Decoration |
Crew | Brad Bovee | Utility Stunts |
Crew | Joey Preston | Utility Stunts |
Production | Boyd Wilson | Location Manager |
Production | Kara Katsoulis | Casting Associate |
Crew | Claire O'Brien | Post Production Supervisor |
Production | Larry Ring | Assistant Location Manager |
Camera | Glenn Kaplan | Second Assistant "A" Camera |
Camera | Cash Cockerill | Camera Loader |
Editing | Joe Binford Jr. | First Assistant Editor |
Camera | Anthony Gaudioz | "A" Camera Operator |
Art | Shepherd Frankel | Assistant Art Director |
Production | Elizabeth Ervin | Production Supervisor |
Art | Aimee Rousey | Art Department Coordinator |
Art | Colin De Rouin | Set Designer |
Art | Philip Calhoun | Set Dresser |
Art | Mark Goerner | Production Illustrator |
Art | Chris Fielding | Set Dresser |
Art | P.K. MacCarthy | Storyboard Artist |
Costume & Make-Up | Kimberly Adams | Assistant Costume Designer |
Art | Kevin Hughes | Property Master |
Art | Kinney Booker | Set Dresser |
Art | Paul Ford | Leadman |
Costume & Make-Up | Bob Morgan | Costume Supervisor |
Sound | Mark Hopkins McNabb | Sound Mixer |
Camera | Alex Klabukov | Grip |
Camera | Armen Gharagozian | Grip |
Sound | David Jobe | Foley Mixer |
Lighting | Kevin Massey | Electrician |
Sound | Michael Dressel | Foley Supervisor |
Sound | Donald L. Warner Jr. | Dialogue Editor |
Sound | Paul Aulicino | First Assistant Sound Editor |
Costume & Make-Up | Karla Stevens Flanigan | Costumer |
Camera | Coleman L. Hart | Grip |
Sound | Richard E. Yawn | Sound Effects Editor |
Sound | Bruce Fortune | Dialogue Editor |
Art | David Peck | Construction Foreman |
Crew | John Starr | Craft Service |
Production | Carla Fry | Executive In Charge Of Production |
Camera | Bobby Huber | Key Grip |
Camera | Scott Hillman | Best Boy Grip |
Sound | Lance Brown | Sound Designer |
Sound | Matthew C. May | Assistant Sound Editor |
Camera | John W. Murphy | Dolly Grip |
Camera | Frank A. Montesanto | Grip |
Sound | Bruce Stambler | Supervising Sound Editor |
Costume & Make-Up | Jill Crosby | Hairstylist |
Lighting | Gordon Hayes | Rigging Gaffer |
Crew | Paul Prokop | Production Controller |
Sound | Robert Troy | Dialogue Editor |
Costume & Make-Up | Beatrice De Alba | Hairstylist |
Lighting | Rick Wilhoit | Best Boy Electric |
Sound | Kim Secrist | Sound Effects Editor |
Sound | Becky Sullivan | Supervising ADR Editor |
Sound | Christopher Moriana | Foley Artist |
Production | Cody Zwieg | Production Secretary |
Camera | Peter Sorel | Still Photographer |
Crew | David Waine | Special Effects Coordinator |
Crew | Eileen Peterson | Unit Publicist |
Sound | Bernard Weiser | Dialogue Editor |
Sound | Steve Mann | Foley Editor |
Sound | Glenn Hoskinson | Sound Effects Editor |
Sound | Michael J. Broomberg | Foley Artist |
Sound | Randy McDonald | Utility Sound |
Camera | Ray Garcia | Grip |
Visual Effects | David Waine | Special Effects Supervisor |
Sound | Jay Nierenberg | Sound Effects Editor |
Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
Editing | Bob McMillian | Color Timer |
Sound | Gary Ritchie | Sound Recordist |
Art | Mark Balda | Construction Foreman |
Crew | Don Tardino | Transportation Coordinator |
Crew | Rob McCabe | Stand In |
Crew | Courtney Pakiz | Stand In |
Sound | Chris Ledesma | Music Editor |
Editing | Gary Burritt | Negative Cutter |
Sound | Michael Herbick | Sound Re-Recording Mixer |
Crew | Timothy P. Ryan | Transportation Co-Captain |
Visual Effects | Ariel Velasco-Shaw | Visual Effects Supervisor |
Visual Effects | David Taritero | Visual Effects Producer |
Sound | Kathy McCart | Sound Recordist |
Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
Art | Bill Holmquist | Construction Coordinator |
Crew | Michael T. Carter | Studio Teacher |
Crew | Jennifer Law-Stump | Digital Effects Supervisor |
Sound | Steven F. Nelson | Sound Effects Editor |
Art | James Lennox | Location Scout |
Writing | Bill Kelly | Screenplay |
Crew | James Brown | Transportation Co-Captain |
Camera | Jennifer Bell | Second Assistant "B" Camera |
Lighting | Randy Glass | Gaffer |
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