The world of Eternia in the aftermath of Skeletor's war on Castle Grayskull, which he has won after seizing Grayskull and the surrounding city using a cosmic key developed by the locksmith Gwildor. The Sorceress is now Skeletor's prisoner and he begins to drain her life-force as he waits for the moon of Eternia to align with the Great Eye of the Universe that will bestow god-like power upon him.
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Directing | Gary Goddard | Director |
Sound | Bill Conti | Original Music Composer |
Writing | David Odell | Screenplay |
Camera | Hanania Baer | Director of Photography |
Editing | Anne V. Coates | Editor |
Production | Menahem Golan | Producer |
Production | Yoram Globus | Producer |
Production | Edward R. Pressman | Executive Producer |
Crew | Janet Brady | Stunts |
Art | Wenden K. Baldwin | Title Designer |
Art | Joe Griffith | Conceptual Design |
Art | Kathe Klopp | Set Decoration |
Art | Claudio Mazzoli | Conceptual Design |
Costume & Make-Up | Lawrence Richter | Wardrobe Supervisor |
Visual Effects | Eusebio Torres | Animation |
Visual Effects | Bill Neil | VFX Director of Photography |
Art | Robert Howland | Art Direction |
Crew | Dennis Michelson | Visual Effects Editor |
Visual Effects | Garry Waller | Visual Effects Supervisor |
Production | Victoria Thomas | Casting |
Art | Kyle Seidenbaum | Title Designer |
Camera | Skip Cook | Key Grip |
Visual Effects | Mauro Maressa | Animation |
Crew | Michael Backauskas | Visual Effects Editor |
Visual Effects | Rexford L. Metz | VFX Director of Photography |
Directing | Adrienne Hamalian-Mangine | Script Supervisor |
Costume & Make-Up | Julie Weiss | Costume Design |
Visual Effects | Deborah Gaydos | Animation |
Visual Effects | Paulette Smook Marshall | Special Effects Supervisor |
Art | Lynn Christopher | Assistant Art Director |
Camera | Dan Elsasser | Camera Operator |
Camera | Rick Davis | Dolly Grip |
Crew | Brent Boates | Visual Effects Art Director |
Sound | Mark Goodermote | Boom Operator |
Art | Mike Johnson | Set Decoration |
Sound | Paula Erickson | Music Supervisor |
Visual Effects | Michael Van Himbergen | Visual Effects Coordinator |
Visual Effects | Ellen Kitz | Special Effects Supervisor |
Sound | George Berndt | ADR Supervisor |
Sound | Stanley B. Gill | Sound Recordist |
Art | William Stout | Production Design |
Art | Mary K. Perko | Art Department Coordinator |
Sound | Stephen A. Hope | Music Editor |
Camera | Ken Sax | Still Photographer |
Lighting | Ron McCausland | Rigging Grip |
Sound | Robert R. Rutledge | Supervising Sound Editor |
Art | Edward Eyth | Conceptual Design |
Sound | Jenny Weyman-Cockle | ADR Editor |
Art | Daniel Gluck | Set Decoration |
Sound | Mary Jo Devenney | Boom Operator |
Sound | Dean Okrand | Sound Re-Recording Mixer |
Camera | Michael E. Little | First Assistant Camera |
Sound | John A. Larsen | Supervising Sound Editor |
Sound | Robert Martel | Foley Editor |
Lighting | James Rosenthal | Gaffer |
Sound | Marilyn McCoppen | ADR Editor |
Editing | Helen Hahn | Negative Cutter |
Visual Effects | Glenn Chaika | Animation |
Sound | Anna Behlmer | Sound Recordist |
Costume & Make-Up | Todd McIntosh | Makeup Department Head |
Costume & Make-Up | Zandra Platzek | Hairstylist |
Costume & Make-Up | June Westmore | Makeup Artist |
Costume & Make-Up | Michael Westmore | Makeup Designer |
Costume & Make-Up | Angelo Di Biase | Hairstylist |
Costume & Make-Up | Robin Beauchesne | Makeup Artist |
Sound | Chris Carpenter | Sound Re-Recording Mixer |
Crew | Terry Windell | Visual Effects Art Director |
Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
Costume & Make-Up | Lori Benson | Hairstylist |
Sound | Ed Novick | Sound Designer |
Production | Evzen Kolar | Associate Producer |
Production | Elliot Schick | Co-Producer |
Production | Alan Gershenfeld | Production Manager |
Production | Cynthia R. Woodard | Location Manager |
Production | Stephen Milburn Anderson | Location Manager |
Production | Bart Heimburger | Location Manager |
Crew | Alain Jakubowicz | Post Production Supervisor |
Production | Elliot Schick | Production Manager |
Production | Renee Milliken | Casting Assistant |
Production | Michael Flynn | Associate Producer |
Crew | Michael Alden | Post Production Supervisor |
Crew | Douglas S. Turner | Armorer |
Costume & Make-Up | Douglas S. Turner | Costume Coordinator |
Crew | Loren Janes | Stunt Coordinator |
Lighting | Mark Buckalew | Best Boy Electric |
Crew | Tony Brubaker | Stunts |
Crew | Charles Croughwell | Stunts |
Directing | Frederic B. Blankfein | First Assistant Director |
Crew | James D. McGeachy | Armorer |
Crew | Anthony De Longis | Stunt Double |
Art | Michael Reinhart | Construction Foreman |
Crew | Walter Scott | Stunt Coordinator |
Crew | Lillian Glass | Dialogue Coach |
Art | Douglas E. Maxwell | Leadman |
Art | Leo Rijn | Sculptor |
Editing | Christopher Cibelli | Assistant Editor |
Camera | Brian H. Reynolds | Key Grip |
Directing | John Eyler | Second Assistant Director |
Visual Effects | Richard Edlund | Visual Effects Supervisor |
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