A white lawyer finds his values shaken when he is paired with an angry Indigenous activist who insists on kidnapping the head of a logging company to teach him the price of his destruction.
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Camera | François Protat | Director of Photography |
Production | Stephen J. Roth | Producer |
Production | Ian McDougall | Producer |
Production | Stephen Alix | Executive Producer |
Editing | Michael Rea | Editor |
Directing | Ryszard Bugajski | Director |
Writing | M.T. Kelly | Novel |
Crew | Branko Racki | Stunt Coordinator |
Art | Tom de Grey | Head Carpenter |
Crew | Ricardo Spinacé | Scenic Artist |
Camera | Jon Cassar | Steadicam Operator |
Camera | Russel Bowie | Camera Trainee |
Crew | Christopher Raucamp | Second Unit Cinematographer |
Crew | Rick Forsayeth | Stunts |
Costume & Make-Up | Linda Leduc | Wardrobe Assistant |
Art | Carolyn A. Loucks | Assistant Set Decoration |
Art | Thierry Bannon | Set Dresser |
Camera | Jon Cassar | Camera Operator |
Lighting | Richard Allen | Gaffer |
Camera | Michael O'Connor | Key Grip |
Production | Fred Kamping | Location Manager |
Art | Kim Hamin | Painter |
Crew | Matthew Wolchock | Transportation Coordinator |
Production | Shelley Gillen | Associate Producer |
Costume & Make-Up | Marie-Angèle Protat | Key Makeup Artist |
Crew | Andrew Palmer | Carpenter |
Crew | Ted Ross | Special Effects |
Camera | Michael Carella | Assistant Camera |
Sound | Clark McCarron | Sound Mixer |
Editing | Ronald Sanders | Consulting Editor |
Production | Tina Gerussi | Casting Assistant |
Crew | Shelley Cook | Stunts |
Writing | Robert Forsyth | Screenplay |
Art | Gareth Wilson | Set Decoration |
Art | Botch Bannon | Set Dresser |
Crew | Henri Fiks | Second Unit Cinematographer |
Art | Perri Gorrara | Production Design |
Art | Coco Pie Brizard | Set Dresser |
Crew | David Valyear | Carpenter |
Lighting | Craig Wright | Best Boy Electric |
Editing | Chris Hinton | Color Timer |
Crew | Marco Bianco | Stunts |
Directing | Ron Oxley | Third Assistant Director |
Camera | Pauline Heaton | Underwater Camera |
Production | Stephen J. Roth | Executive Producer |
Crew | Frank Mizzi | Transportation Captain |
Sound | Dale Sheldrake | ADR Editor |
Crew | John Stoneham Jr. | Stunts |
Art | Shirley Gulliford | Assistant Property Master |
Camera | Ron Forward | Best Boy Grip |
Art | Norman Sponhcia | Set Dresser |
Costume & Make-Up | Ivan Lynch | Wig Designer |
Production | Chris Comrie | Assistant Production Coordinator |
Sound | Donald Quan | Orchestrator |
Directing | Barbara Gordon | Script Supervisor |
Writing | Shelley Gillen | Script Editor |
Camera | Tony Guerin | First Assistant Camera |
Camera | Carrie Laurin | Camera Trainee |
Sound | Andy Malcolm | Foley Artist |
Production | Joyce Fundytus | Assistant Location Manager |
Art | Ken Watkins | Art Direction |
Editing | Patricia Lambkin | First Assistant Editor |
Costume & Make-Up | Kathy Vieira | Costume Design |
Costume & Make-Up | Jane Fieber | Wardrobe Assistant |
Art | Ane Christensen | Property Master |
Camera | Michael Sinyi | Assistant Camera |
Sound | Dino Pigat | Sound Re-Recording Mixer |
Art | Ed Doerksen | Construction Coordinator |
Production | Deirdre Bowen | Casting Director |
Directing | Karen Lee Hall | Second Assistant Director |
Costume & Make-Up | Eva Coudouloux | Assistant Makeup Artist |
Camera | Craig Ibbotson | Underwater Camera |
Costume & Make-Up | Sandra Caputi | Hairdresser |
Crew | Dwayne Jeffries | Carpenter |
Camera | Fred Armstrong | Grip |
Sound | Matthew Stark | Boom Operator |
Production | Melody Comrie | Production Coordinator |
Sound | Al Ormerod | Sound Re-Recording Mixer |
Directing | Ian McDougall | Second Unit Director |
Sound | Fred Brennan | Dialogue Editor |
Sound | James A. Gore | Assistant Foley Artist |
Camera | Brad Creassar | Additional First Assistant Camera |
Directing | William Spahic | First Assistant Director |
Sound | Shane Harvey | Original Music Composer |
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