The year is 2087, the setting is the moon. Pluto Nash, the high-flying successful owner of the hottest nightclub in the universe, finds himself in trouble when he refuses to sell his club to lunar gangster Mogan, who just happens to be helping the mysterious Rex Crater mastermind a plan to take over the entire moon.
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| Production | Louis A. Stroller | Producer |
| Writing | Neil Cuthbert | Screenplay |
| Editing | Paul Hirsch | Editor |
| Editing | Alan Heim | Editor |
| Directing | Ron Underwood | Director |
| Sound | John Powell | Original Music Composer |
| Production | Martin Bregman | Producer |
| Production | Michael Bregman | Producer |
| Camera | Oliver Wood | Director of Photography |
| Visual Effects | Nick Davis | Visual Effects Supervisor |
| Production | Guylaine Boucher | Assistant Production Coordinator |
| Production | Michael Klawitter | Co-Producer |
| Production | Jim Kontos | Unit Manager |
| Directing | Frank Capra III | First Assistant Director |
| Crew | Michael Scherer | Stunt Coordinator |
| Production | Danielle Boucher | Production Coordinator |
| Production | Bruce Berman | Executive Producer |
| Directing | Anne Alloucherie | Second Assistant Director |
| Art | Bill Brzeski | Production Design |
| Crew | Alan Oliney | Stunt Coordinator |
| Art | Shepherd Frankel | Supervising Art Director |
| Production | Christina Kontos | Production Manager |
| Production | Frank Capra III | Co-Producer |
| Costume & Make-Up | Ha Nguyen | Costume Design |
| Camera | Michel Bernier | First Assistant "B" Camera |
| Sound | Patrick Rousseau | Sound Mixer |
| Sound | Louis Piché | Boom Operator |
| Camera | François Daignault | "B" Camera Operator |
| Camera | Rob Morey | First Assistant "A" Camera |
| Art | Jean Kazemirchuk | Assistant Art Director |
| Camera | François Daignault | Steadicam Operator |
| Camera | Claude Beauchamp | Second Assistant "A" Camera |
| Art | Raynald Langelier | Assistant Art Director |
| Art | Annette Bélanger | Art Department Coordinator |
| Camera | William D. Barber | "A" Camera Operator |
| Art | Wayne Shepherd | Leadman |
| Art | Viviane Vallée | Art Department Coordinator |
| Camera | Jean Kavanagh | Clapper Loader |
| Art | Brana Rosenfeld | Set Decoration |
| Art | Gilles Aird | Art Direction |
| Art | Jason Weil | Art Direction |
| Art | Philip Toolin | Production Illustrator |
| Crew | Garry Elmendorf | Special Effects Coordinator |
| Art | Marie-Agnés Reeves | Storyboard Artist |
| Costume & Make-Up | Vera Steimberg | Makeup Artist |
| Art | Will Blount | Property Master |
| Crew | Melissa Bretherton | Visual Effects Editor |
| Art | Félix Larivière-Charron | Set Designer |
| Art | Michele Laliberte | Set Designer |
| Art | Russell Moore | Set Designer |
| Art | Charlotte Rouleau | Set Designer |
| Art | Marie-Claude Guay | Set Dresser |
| Art | John Dexter | Set Designer |
| Art | A. Todd Holland | Set Designer |
| Art | Tom Southwell | Storyboard Artist |
| Art | Isabelle Côté | Graphic Designer |
| Crew | Tricia Miles | Post Production Supervisor |
| Costume & Make-Up | Gillian Chandler | Makeup Artist |
| Art | Ed Natividad | Production Illustrator |
| Art | Timothy Burgard | Storyboard Artist |
| Costume & Make-Up | Simonetta Mariano | Wardrobe Coordinator |
| Directing | Monique Champagne | Script Supervisor |
| Costume & Make-Up | Lizzie McGovern | Assistant Costume Designer |
| Costume & Make-Up | Jocelyne Bellemare | Key Makeup Artist |
| Art | Simon Murton | Production Illustrator |
| Editing | Jim Flynn | First Assistant Editor |
| Art | Colin De Rouin | Set Designer |
| Art | Elise de Blois | Set Dresser |
| Costume & Make-Up | Adrien Morot | Special Effects Makeup Artist |
| Art | James Carson | Production Illustrator |
| Lighting | James B. Crawford | Gaffer |
| Art | Dianne Wager | Set Designer |
| Art | Vincent Aird | Set Dresser |
| Art | Michael Anthony Jackson | Storyboard Artist |
| Costume & Make-Up | Charlene Amateau | Costume Supervisor |
| Art | Joseph Lang Browns | Set Designer |
| Art | Céline Lampron | Set Designer |
| Art | Robert Parle | Set Dresser |
| Art | Claire Alary | Assistant Property Master |
| Costume & Make-Up | Bruno Gatien | Prosthetic Makeup Artist |
| Camera | Bruce McBroom | Still Photographer |
| Sound | Branden Spencer | First Assistant Sound Editor |
| Editing | Mo Henry | Negative Cutter |
| Costume & Make-Up | Stacey Morris | Hairstylist |
| Production | Céline Daignault | Location Manager |
| Production | Gregory D. Hemstreet | Production Accountant |
| Sound | Brion Paccassi | Sound Recordist |
| Lighting | John Lewin | Gaffer |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Sound | Bill Meadows | Sound Recordist |
| Sound | Craig S. Jaeger | Foley Supervisor |
| Camera | Jonathan Wenk | Still Photographer |
| Crew | Deborah Simmrin | Unit Publicist |
| Camera | Keith Kerr | Best Boy Grip |
| Production | Julie Breton | Extras Casting |
| Sound | Andy Koyama | Sound Re-Recording Mixer |
| Editing | David Orr | Color Timer |
| Sound | James Moriana | Foley Artist |
| Production | Pota Manolakos | Production Accountant |
| Crew | Thomas A. Davila | Production Controller |
| Sound | Chris Carpenter | Sound Re-Recording Mixer |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Sound | Jeffrey Wilhoit | Foley Artist |
| Sound | Peter Staubli | Foley Editor |
| Camera | Patrick Lima | Dolly Grip |
| Sound | Gayle Wesley | First Assistant Sound Editor |
| Sound | Bunny Andrews | Music Editor |
| Sound | Frank Fleming | Sound Recordist |
| Costume & Make-Up | Manon Joly | Hairstylist |
| Production | Mary Colquhoun | Casting |
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