Industrialist François Delambre is called late at night by his sister-in-law, Helene Delambre, who tells him that she has just killed her husband, André. Reluctant at first, she eventually explains to the police that André invented a matter transportation apparatus and, while experimenting on himself, a fly entered the chamber during the matter transference.
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Production | Robert L. Lippert | Producer |
Sound | Paul Sawtell | Original Music Composer |
Camera | Karl Struss | Director of Photography |
Directing | Kurt Neumann | Director |
Writing | James Clavell | Screenplay |
Production | Kurt Neumann | Producer |
Editing | Merrill G. White | Editor |
Writing | George Langelaan | Story |
Sound | Harry M. Leonard | Sound |
Art | Theobold Holsopple | Art Direction |
Art | Walter M. Scott | Set Decoration |
Art | Lyle R. Wheeler | Art Direction |
Sound | Eugene Grossman | Sound |
Visual Effects | L.B. Abbott | Visual Effects |
Costume & Make-Up | Ben Nye | Makeup Artist |
Sound | Don Isaacs | Sound Editor |
Art | Eli Benneche | Set Decoration |
Sound | Dick Jensen | Sound Editor |
Sound | Bernhard Kaun | Conductor |
Costume & Make-Up | Helen Turpin | Hairstylist |
Editing | Orven Schanzer | Assistant Editor |
Art | Wayne Fitzgerald | Title Designer |
Costume & Make-Up | Adele Balkan | Costume Design |
Directing | Kathleen Fagan | Script Supervisor |
Crew | James B. Gordon | Special Effects |
Lighting | Earl Gilbert | Lighting Technician |
Crew | Clarence Marks | Dialogue Coach |
Directing | Jack Gertsman | Assistant Director |
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