After leaving Washington D.C. hospital, plastic surgeon Ben Stone heads for California, where a lucrative practice in Beverly Hills awaits. After a car accident, he's sentenced to perform as the community's general practitioner.
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| Writing | Daniel Pyne | Screenplay |
| Writing | Jeffrey Price | Screenplay |
| Production | Susan Solt | Producer |
| Writing | Peter S. Seaman | Screenplay |
| Production | Deborah D. Johnson | Producer |
| Camera | Michael Chapman | Director of Photography |
| Editing | Priscilla Nedd-Friendly | Editor |
| Directing | Michael Caton-Jones | Director |
| Production | Marc Merson | Executive Producer |
| Directing | J. Stephen Buck | First Assistant Director |
| Art | Eva Anna Andry | Art Direction |
| Art | Jason Bedig | Leadman |
| Art | Daniel R. Bentley | Assistant Property Master |
| Crew | Claudia Gilligan Ivanjack | Scenic Artist |
| Art | Mike Schenk | Property Master |
| Camera | Michael Genne | Camera Operator |
| Camera | Sandy Williams | Key Grip |
| Sound | Jay Dranch | Sound Editor |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Camera | Jamie Barber | First Assistant Camera |
| Production | Steph Benseman | Location Manager |
| Directing | Lynne Twentyman | Script Supervisor |
| Art | Mort Zwicker | Construction Coordinator |
| Sound | Albert Gasser | Sound Editor |
| Editing | Donah Bassett | Negative Cutter |
| Costume & Make-Up | Bron Roylance | Makeup Artist |
| Sound | Andy Rovins | Boom Operator |
| Sound | Cliff Latimer | ADR Editor |
| Sound | Christopher Flick | Foley Editor |
| Sound | Craig Weintraub | Assistant Sound Editor |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Sound | Ken King | Production Sound Mixer |
| Camera | Charles W. Wayt | Dolly Grip |
| Sound | Adam Milo Smalley | Music Editor |
| Sound | Ann Ducommun | Assistant Sound Editor |
| Editing | Ray Martin | Color Timer |
| Lighting | Richard Quinlan | Chief Lighting Technician |
| Crew | Charles Croughwell | Stunt Coordinator |
| Sound | Ed Callahan | Sound Editor |
| Sound | John Duvall | Foley Editor |
| Costume & Make-Up | Mark Bridges | Assistant Costume Designer |
| Sound | Christine Danelski | Foley Editor |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Costume & Make-Up | Rick Provenzano | Hairstylist |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Costume & Make-Up | Allen Payne | Additional Hairstylist |
| Sound | Martin Maryska | Sound Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Directing | Lucille OuYang | Second Second Assistant Director |
| Sound | Melissa Lytle | Assistant Sound Editor |
| Sound | Richard King | Supervising Sound Editor |
| Production | Pavel Cerny | Location Manager |
| Production | Owens Hill | Casting |
| Art | Lawrence Miller | Production Design |
| Writing | Laurian Leggett | Adaptation |
| Costume & Make-Up | Richard Hornung | Costume Design |
| Art | Cloudia Rebar | Set Decoration |
| Costume & Make-Up | Hallie D'Amore | Makeup Artist |
| Production | Robert P. Cohen | Unit Production Manager |
| Writing | Neil B. Shulman | Book |
| Costume & Make-Up | Lisa Meyers | Hairstylist |
| Production | Neil B. Shulman | Associate Producer |
| Art | Dale Allen Pelton | Art Direction |
| Sound | Carter Burwell | Original Music Composer |
| Production | Marion Dougherty | Casting |
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