In 1839, the slave ship Amistad set sail from Cuba to America. During the long trip, Cinque leads the slaves in an unprecedented uprising. They are then held prisoner in Connecticut, and their release becomes the subject of heated debate. Freed slave Theodore Joadson wants Cinque and the others exonerated and recruits property lawyer Roger Baldwin to help his case. Eventually, John Quincy Adams also becomes an ally.
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Crew | Eric Chambers | Stunts |
Production | Steven Spielberg | Producer |
Directing | Steven Spielberg | Director |
Production | Colin Wilson | Producer |
Costume & Make-Up | Ve Neill | Makeup Department Head |
Editing | Michael Kahn | Editor |
Production | Debbie Allen | Producer |
Sound | John Williams | Original Music Composer |
Camera | Janusz Kamiński | Director of Photography |
Camera | Daryl Tucker | Camera Department Production Assistant |
Art | Trish Luberti | Set Decoration |
Art | Christopher Burian-Mohr | Art Direction |
Art | William James Teegarden | Art Direction |
Writing | David Franzoni | Writer |
Art | Tony Fanning | Art Direction |
Production | Scott Watanabe | Accountant |
Sound | Ed Fassl | Sound Editor |
Production | Victoria Thomas | Casting |
Sound | Charles L. Campbell | Supervising Sound Editor |
Sound | Louis L. Edemann | Supervising Sound Editor |
Sound | Howard Neiman | Sound Editor |
Sound | Chuck Neely | Sound Editor |
Sound | Kenneth Wannberg | Music Editor |
Crew | M. James Arnett | Stunt Coordinator |
Art | Rosemary Brandenburg | Set Decoration |
Sound | Jeff Clark | Sound Editor |
Lighting | David Devlin | Gaffer |
Sound | Bruce Richardson | Sound Editor |
Camera | Andrew Cooper | Still Photographer |
Sound | Ron Judkins | Production Sound Mixer |
Art | Rick Carter | Production Design |
Directing | Janna Stern | Script Supervisor |
Sound | Leonard T. Geschke | Sound Editor |
Costume & Make-Up | Ruth E. Carter | Costume Design |
Lighting | Roger Meilink | Rigging Gaffer |
Sound | Richard C. Franklin | Sound Editor |
Sound | Ronald Eng | Sound Editor |
Sound | Gary Krivacek | Sound Editor |
Art | Ray Fisher | Leadman |
Costume & Make-Up | Bill Corso | Makeup Department Head |
Production | Tere López | Casting |
Visual Effects | Craig Lyn | Modeling |
Editing | Michael Trent | Assistant Editor |
Crew | Jeremy Strong | Production Intern |
Crew | Mark Stefanich | Stunts |
Crew | Frank Ferrara | Stunts |
Crew | Henry Kingi | Stunts |
Crew | Denise Barker | Stunts |
Crew | Keith Woulard | Stunts |
Crew | Irving E. Lewis | Stunts |
Production | Paul Deason | Associate Producer |
Production | Bob Cooper | Co-Executive Producer |
Production | Bonnie Curtis | Associate Producer |
Crew | Chuck Zito | Stunts |
Production | Tim Shriver | Co-Producer |
Crew | Alphonse Walter | Stunts |
Crew | Mary Fallick | Stunts |
Crew | John Escobar | Stunts |
Crew | Seth Arnett | Stunts |
Crew | Terrence Walters | Stunts |
Crew | David Noble | Stunts |
Crew | Donna Wilson | Stunts |
Crew | David Williams | Stunts |
Production | Walter F. Parkes | Executive Producer |
Crew | Gene Williams | Stunts |
Crew | William Washington | Stunts |
Crew | Ingrid Walters | Stunts |
Crew | Sharon Schaffer | Stunts |
Crew | Robert Apisa | Stunts |
Crew | Jimmy Ortega | Stunts |
Crew | Richard L. Duran | Stunts |
Production | Laurie MacDonald | Executive Producer |
Crew | Kevin L. Jackson | Stunts |
Crew | Pat Romano | Stunt Coordinator |
Crew | Lisa Davis | Stunts |
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