In 1839, the slave ship Amistad set sail from Cuba to America. During the long trip, Cinque leads the slaves in an unprecedented uprising. They are then held prisoner in Connecticut, and their release becomes the subject of heated debate. Freed slave Theodore Joadson wants Cinque and the others exonerated and recruits property lawyer Roger Baldwin to help his case. Eventually, John Quincy Adams also becomes an ally.
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Crew | Eric Chambers | Stunts |
Directing | Steven Spielberg | Director |
Production | Debbie Allen | Producer |
Costume & Make-Up | Ve Neill | Makeup Department Head |
Production | Colin Wilson | Producer |
Production | Steven Spielberg | Producer |
Sound | John Williams | Original Music Composer |
Editing | Michael Kahn | Editor |
Camera | Janusz Kamiński | Director of Photography |
Camera | Daryl Tucker | Camera Department Production Assistant |
Art | Trish Luberti | Set Decoration |
Art | Christopher Burian-Mohr | Art Direction |
Art | Tony Fanning | Art Direction |
Writing | David Franzoni | Writer |
Art | William James Teegarden | Art Direction |
Production | Scott Watanabe | Accountant |
Sound | Kenneth Wannberg | Music Editor |
Sound | Bruce Richardson | Sound Editor |
Sound | Chuck Neely | Sound Editor |
Sound | Ronald Eng | Sound Editor |
Art | Rosemary Brandenburg | Set Decoration |
Sound | Charles L. Campbell | Supervising Sound Editor |
Sound | Leonard T. Geschke | Sound Editor |
Sound | Ed Fassl | Sound Editor |
Crew | M. James Arnett | Stunt Coordinator |
Camera | Andrew Cooper | Still Photographer |
Lighting | David Devlin | Gaffer |
Sound | Ron Judkins | Production Sound Mixer |
Costume & Make-Up | Ruth E. Carter | Costume Design |
Sound | Louis L. Edemann | Supervising Sound Editor |
Sound | Jeff Clark | Sound Editor |
Art | Rick Carter | Production Design |
Lighting | Roger Meilink | Rigging Gaffer |
Sound | Richard C. Franklin | Sound Editor |
Sound | Gary Krivacek | Sound Editor |
Sound | Howard Neiman | Sound Editor |
Production | Victoria Thomas | Casting |
Directing | Janna Stern | Script Supervisor |
Art | Ray Fisher | Leadman |
Costume & Make-Up | Bill Corso | Makeup Department Head |
Production | Tere López | Casting |
Visual Effects | Craig Lyn | Modeling |
Editing | Michael Trent | Assistant Editor |
Crew | Jeremy Strong | Production Intern |
Crew | Alphonse Walter | Stunts |
Crew | David Williams | Stunts |
Crew | Mark Stefanich | Stunts |
Crew | William Washington | Stunts |
Crew | Chuck Zito | Stunts |
Crew | Gene Williams | Stunts |
Crew | Ingrid Walters | Stunts |
Crew | Terrence Walters | Stunts |
Crew | Keith Woulard | Stunts |
Crew | Donna Wilson | Stunts |
Crew | Mary Fallick | Stunts |
Crew | Richard L. Duran | Stunts |
Production | Walter F. Parkes | Executive Producer |
Production | Laurie MacDonald | Executive Producer |
Crew | John Escobar | Stunts |
Crew | Lisa Davis | Stunts |
Crew | Seth Arnett | Stunts |
Crew | Robert Apisa | Stunts |
Production | Tim Shriver | Co-Producer |
Crew | Denise Barker | Stunts |
Crew | Pat Romano | Stunt Coordinator |
Crew | Jimmy Ortega | Stunts |
Production | Paul Deason | Associate Producer |
Production | Bob Cooper | Co-Executive Producer |
Production | Bonnie Curtis | Associate Producer |
Crew | Sharon Schaffer | Stunts |
Crew | Irving E. Lewis | Stunts |
Crew | Henry Kingi | Stunts |
Crew | Kevin L. Jackson | Stunts |
Crew | Frank Ferrara | Stunts |
Crew | David Noble | Stunts |
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