A variation on paroptic vision (the ability to see with the skin, without the aid of the eyes), telepathy, colour theory and the theremin. The various sequences introduce the hypothesis of an imaginary cinema. The film is presented as a series of rushes, suggesting an unfinished film in progress.
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Art | Emmanuelle Gary | Assistant Director of Photography |
Directing | Érik Bullot | Director |
Sound | Marc Parazon | Sound |
Art | Arnaud Deshayes | Assistant Art Director |
Camera | Éva Sehet | Director of Photography |
Editing | Arnaud Deshayes | Editor |
Crew | Mikaël Barre | Mixing Engineer |
Sound | Frédéric Chopin | Music |
Editing | Julia Mingo | Color Grading |
Sound | François Sales | Music |
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