Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema -- specifically, how martial arts crossed borders and become an international phenomenon -- with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal, on the set of Drunken Monkey (2003).
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| Production | William Pfeiffer | Executive Producer |
| Production | Keiko Hagihara Bang | Executive Producer |
| Editing | Law Kar-Ying | Editorial Consultant |
| Crew | Duncan Jepson | Legal Services |
| Production | Olivia Cheung | Production Accountant |
| Sound | Eric Kwong Chi-Leung | Sound Recordist |
| Production | Michelle Lord | Executive In Charge Of Production |
| Editing | Reon Wong | Archival Footage Research |
| Production | Teresa Lim | Production Assistant |
| Camera | Brad Dillon | Additional Camera |
| Production | Karen Law | Production Coordinator |
| Crew | Alan Chan | Legal Services |
| Production | Anita Chan | Production Assistant |
| Camera | David Peters | Additional Camera |
| Editing | Jon Chang | Assistant Editor |
| Editing | Michelle Villanueva | Assistant Editor |
| Directing | Ian Taylor | Director |
| Editing | Rob Tinworth | Editor |
| Writing | Ian Taylor | Writer |
| Production | Samanna Lui | Producer |
| Camera | Hamdani Milas | Director of Photography |
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