When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.
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Production | Michael Balcon | Producer |
Writing | Roy Horniman | Novel |
Editing | Peter Tanner | Editor |
Camera | Douglas Slocombe | Director of Photography |
Directing | Robert Hamer | Director |
Sound | Ernest Irving | Original Music Composer |
Writing | Robert Hamer | Screenplay |
Writing | John Dighton | Screenplay |
Production | Hal Mason | Production Supervisor |
Production | Michael Relph | Associate Producer |
Production | Leigh Aman | Unit Production Manager |
Editing | John Jympson | Assistant Editor |
Writing | Nancy Mitford | Screenplay |
Directing | Norman Priggen | Assistant Director |
Costume & Make-Up | Daphne Martin | Hairstylist |
Costume & Make-Up | Harry Frampton | Makeup Artist |
Camera | Jeff Seaholme | Camera Operator |
Costume & Make-Up | Anthony Mendleson | Costume Design |
Costume & Make-Up | Pearl Orton | Hairstylist |
Costume & Make-Up | Ernest Taylor | Makeup Artist |
Art | William Kellner | Art Direction |
Crew | Sydney Pearson | Special Effects |
Editing | Roy Baker | Assistant Editor |
Art | Bert Davey | Assistant Art Director |
Costume & Make-Up | Barbara Barnard | Hairstylist |
Editing | Seth Holt | Editorial Services |
Sound | Wolfgang Amadeus Mozart | Music |
Sound | Stephen Dalby | Sound Director |
Sound | Ernest Irving | Conductor |
Crew | Geoffrey Dickinson | Special Effects |
Directing | Phyllis Crocker | Continuity |
Sound | John W. Mitchell | Sound Recordist |
Sound | Philharmonia Orchestra | Music |
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