When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.
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Directing | Robert Hamer | Director |
Writing | Roy Horniman | Novel |
Writing | John Dighton | Screenplay |
Production | Michael Balcon | Producer |
Sound | Ernest Irving | Original Music Composer |
Camera | Douglas Slocombe | Director of Photography |
Editing | Peter Tanner | Editor |
Writing | Robert Hamer | Screenplay |
Writing | Nancy Mitford | Screenplay |
Production | Michael Relph | Associate Producer |
Costume & Make-Up | Anthony Mendleson | Costume Design |
Art | William Kellner | Art Direction |
Costume & Make-Up | Barbara Barnard | Hairstylist |
Costume & Make-Up | Harry Frampton | Makeup Artist |
Costume & Make-Up | Pearl Orton | Hairstylist |
Costume & Make-Up | Ernest Taylor | Makeup Artist |
Costume & Make-Up | Daphne Martin | Hairstylist |
Production | Leigh Aman | Unit Production Manager |
Production | Hal Mason | Production Supervisor |
Directing | Norman Priggen | Assistant Director |
Crew | Sydney Pearson | Special Effects |
Editing | Roy Baker | Assistant Editor |
Editing | John Jympson | Assistant Editor |
Editing | Seth Holt | Editorial Services |
Art | Bert Davey | Assistant Art Director |
Camera | Jeff Seaholme | Camera Operator |
Sound | Stephen Dalby | Sound Director |
Directing | Phyllis Crocker | Continuity |
Crew | Geoffrey Dickinson | Special Effects |
Sound | Ernest Irving | Conductor |
Sound | Wolfgang Amadeus Mozart | Music |
Sound | John W. Mitchell | Sound Recordist |
Sound | Philharmonia Orchestra | Music |
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