After returning from her husband's requiem mass, Clarice gets into an argument with her daughter Andrea about the family's dark past.
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Production | Fillipe Gomes | Casting |
Camera | Alex Frelser | Director of Photography |
Camera | Gwyniver Aranha | Director of Photography |
Camera | Eduardo Becker | First Assistant Camera |
Camera | Caio Rodrigo | Still Photographer |
Art | Andrey Icaro | Assistant Art Director |
Sound | Lwidge de Oliveira | Boom Operator |
Directing | João Ives | Director |
Directing | Letícia Silva | Continuity |
Production | Fillipe Gomes | Producer |
Sound | Lwidge de Oliveira | Sound Designer |
Sound | Luana Campos | Foley Artist |
Editing | Sarah Ahab | Colorist |
Camera | Raquel Fernandes | Second Assistant Camera |
Sound | Lwidge de Oliveira | Foley Artist |
Directing | Karla Cunha | Second Assistant Director |
Art | Emilly Alves | Art Direction |
Crew | Lwidge de Oliveira | Mixing Engineer |
Crew | Rayssa Almeida | Loader |
Sound | Rayssa Almeida | Sound Technical Supervisor |
Sound | Edson Adrianno | Sound Technical Supervisor |
Editing | Sarah Ahab | Editor |
Sound | Luana Campos | Sound Technical Supervisor |
Costume & Make-Up | Nahiara Baddini | Makeup & Hair Assistant |
Sound | Lwidge de Oliveira | Music |
Sound | Rayssa Almeida | Foley Artist |
Directing | Vinícius Dórea | Director |
Directing | Juan Lucas | First Assistant Director |
Production | Valtenis Rosa | Producer |
Costume & Make-Up | Marília Gonçalves | Makeup & Hair Assistant |
Sound | Lwidge de Oliveira | Sound Director |
Sound | Eduardo Becker | Foley Artist |
Writing | João Ives | Screenplay |
Writing | Vinícius Dórea | Screenplay |
Writing | Letícia Silva | Screenplay |
Writing | Lwidge de Oliveira | Original Story |
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