When Rudy Baylor, a young attorney with no clients, goes to work for a seedy ambulance chaser, he wants to help the parents of a terminally ill boy in their suit against an insurance company. But to take on corporate America, Rudy and a scrappy paralegal must open their own law firm.
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| Production | Michael Douglas | Producer |
| Writing | John Grisham | Novel |
| Directing | Francis Ford Coppola | Director |
| Editing | Barry Malkin | Editor |
| Writing | Francis Ford Coppola | Screenplay |
| Writing | Michael Herr | Screenplay |
| Production | Fred Fuchs | Producer |
| Production | Steven Reuther | Producer |
| Camera | John Toll | Director of Photography |
| Camera | David Leonard | Grip |
| Production | Jason White | Extras Casting Assistant |
| Production | Katherine E. Beyda | Production Supervisor |
| Crew | Richard Drown | Stunts |
| Camera | Chris Toll | Second Assistant Camera |
| Production | Georgia Kacandes | Co-Producer |
| Production | Georgia Kacandes | Unit Production Manager |
| Crew | Kathy Orloff | Unit Publicist |
| Crew | Steve Picerni | Stunts |
| Directing | David Kelley | Second Assistant Director |
| Art | Brick Mason | Storyboard Artist |
| Costume & Make-Up | Eileen McCahill | Set Costumer |
| Art | Jeffrey Kushon | Leadman |
| Camera | Mike Thomas | First Assistant Camera |
| Directing | Roman Coppola | Second Unit Director |
| Sound | Nelson Stoll | Sound Mixer |
| Crew | Andy Gill | Stunts |
| Production | Gary Marcus | Associate Producer |
| Directing | Gary Marcus | First Assistant Director |
| Sound | Bob Baron | ADR Mixer |
| Sound | Douglas Murray | ADR Recordist |
| Sound | Alicia Stevenson | Foley Artist |
| Lighting | James Plannette | Chief Lighting Technician |
| Art | Jeffrey Paul Johnson | Assistant Property Master |
| Sound | Erich Stratmann | Apprentice Sound Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Editing | Melissa Kent | Co-Editor |
| Sound | Scott Kinzey | Boom Operator |
| Crew | Scott Wilder | Stunts |
| Art | Jeffrey D. McDonald | Assistant Art Director |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Costume & Make-Up | Susan Thomas | Costume Assistant |
| Editing | Megan B. Agosto | Assistant Editor |
| Sound | E. Larry Oatfield | Dialogue Editor |
| Sound | Dawn Fintor | Foley Artist |
| Production | Scott Elias | Location Manager |
| Sound | David Betancourt | Foley Mixer |
| Sound | Emilie A. Bernstein | Orchestrator |
| Costume & Make-Up | Daniela Moore | Set Costumer |
| Sound | Roy Waldspurger | First Assistant Sound Editor |
| Sound | Paul J. Zydel | ADR Mixer |
| Sound | David McDonald | ADR Recordist |
| Camera | Ben Beaird | First Company Grip |
| Art | Wayne Fitzgerald | Title Designer |
| Camera | Darryl Wilson | Grip |
| Crew | David Sousa | Animal Wrangler |
| Lighting | Nick Thomas | Assistant Chief Lighting Technician |
| Crew | Dennis W. Milliken | Transportation Coordinator |
| Production | Christopher Gray | Extras Casting |
| Crew | Lee Stepp | Transportation Captain |
| Production | Mads Hansen | Assistant Production Coordinator |
| Camera | Robert D. Yeoman | Second Unit Director of Photography |
| Camera | Jeff Kunkle | Dolly Grip |
| Editing | Phil Hetos | Color Timer |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Directing | Michael Amundson | Second Unit First Assistant Director |
| Sound | Elmer Bernstein | Original Music Composer |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Sound | Jennifer L. Ware | Sound Effects Editor |
| Art | Phillipa Sledge | Art Department Coordinator |
| Sound | Mark Levinson | Supervising ADR Editor |
| Costume & Make-Up | Lois Burwell | Makeup Artist |
| Costume & Make-Up | Arturo Rojas | Hairstylist |
| Sound | Tim O'Shea | Foley Editor |
| Camera | Phillip V. Caruso | Still Photographer |
| Art | Jeffrey Schlatter | Construction Coordinator |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Design |
| Art | Scott P. Murphy | Set Designer |
| Art | Thomas Michael Ryan | Construction Foreman |
| Sound | Clare C. Freeman | ADR Editor |
| Crew | Jack Gill | Stunt Coordinator |
| Art | Barbara Munch | Set Decoration |
| Art | Howard Cummings | Production Design |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Costume & Make-Up | Whitney James | Makeup Artist |
| Art | David Becton | Greensman |
| Sound | Kim B. Christensen | Sound Effects Editor |
| Production | Linda Phillips-Palo | Casting |
| Sound | Bruce Lacey | ADR Editor |
| Camera | Paul C. Babin | Camera Operator |
| Art | Bob Shaw | Art Direction |
| Costume & Make-Up | Patricia Grande | Hairstylist |
| Art | Eugene McCarthy | Property Master |
| Costume & Make-Up | Jennifer Jobst | Key Set Costumer |
| Sound | Kathy Durning | Music Editor |
| Production | Laura Tateishi | Production Coordinator |
| Costume & Make-Up | Winnie D. Brown | Costume Supervisor |
| Crew | Barbara Anne Klein | Stunts |
| Production | Francis Ford Coppola | Producer |
| Crew | Guy Clayton | Special Effects Coordinator |
| Sound | Dianna Stirpe | Dialogue Editor |
| Sound | David A. Cohen | Dialogue Editor |
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