Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and the obligations of his life. He publishes books that will sell, not books that he wants to write. Even worse, he has his old friend working as a butler and Cecelia wants him fired. When Tom tries to get back together with Daisy to renew the feelings that he once felt, Daisy turns the tables on him and leaves to protect both of them.
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Directing | Edward H. Griffith | Director |
Crew | Adela Rogers St. Johns | Additional Writing |
Crew | Edward H. Griffith | Additional Writing |
Directing | George Cukor | Director |
Camera | George J. Folsey | Director of Photography |
Sound | Max Steiner | Original Music Composer |
Production | David O. Selznick | Producer |
Editing | Daniel Mandell | Editor |
Writing | Horace Jackson | Screenplay |
Writing | Philip Barry | Theatre Play |
Sound | Denzil A. Cutler | Sound |
Production | C.J. White | Production Manager |
Directing | Thomas Atkins | Assistant Director |
Art | Van Nest Polglase | Set Decoration |
Costume & Make-Up | Ethel Hogan | Hairstylist |
Costume & Make-Up | Howard Greer | Costume Design |
Directing | Fred Spencer | Assistant Director |
Costume & Make-Up | Mel Berns | Makeup Artist |
Production | Fred Fleck | Unit Manager |
Costume & Make-Up | Walter Plunkett | Costume Design |
Camera | James Daly | Assistant Camera |
Camera | Ernest Bachrach | Still Photographer |
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