Mike Catton was once a world-renowned construction foreman (at least in the construction world), but an accident left him with a serious fear of heights. Unable to climb the big skyscrapers while under construction, he retired and became a truck driver. But when an old friend needs him to help put up a building, and when the old friend gets harassed and threatened by an Evil Corporate Type, he comes out of retirement and assembles the creme de la creme of the construction world. Together, they race against time to finish the building while the Evil Corporate Type tries to stop them.
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| Production | Peter S. Davis | Producer |
| Directing | Steve Carver | Director |
| Production | Lee Majors | Executive Producer |
| Art | Tom Connors | First Assistant Art Direction |
| Crew | Tommy J. Huff | Stunts |
| Production | William N. Panzer | Producer |
| Crew | A.J. Bakunas | Stunts |
| Crew | Roger Shearman Jr. | Cinematography |
| Editing | Jim Beidelman | Assistant Editor |
| Crew | Glynn Rubin | Stunts |
| Costume & Make-Up | Dagmar Loesch | Hair Department Head |
| Production | Neil Machlis | Unit Production Manager |
| Crew | Joe Fineman | Post Production Supervisor |
| Art | James Nasella | Second Assistant Art Director |
| Sound | Dick Vorisek | Sound Re-Recording Assistant |
| Costume & Make-Up | Jim Kail | Makeup Artist |
| Art | Joe Acord | Construction Coordinator |
| Sound | Michel Colombier | Music |
| Costume & Make-Up | Doris Bettencourt | Costume Design |
| Writing | Leigh Chapman | Writer |
| Sound | Robert Canton | Sound Effects Editor |
| Camera | Jim Lucas | Camera Operator |
| Art | Ward Preston | Production Design |
| Costume & Make-Up | Sydney Gilbert | Costume Design |
| Crew | Roger George | Special Effects |
| Sound | Peter Erskine | Musician |
| Crew | Howard A. Small | Transportation Coordinator |
| Production | Richard Luke Rothschild | Location Manager |
| Camera | Gregg Guellow | Best Boy Grip |
| Production | Norm Benson | Production Driver |
| Editing | David E. Blewitt | Editor |
| Editing | James Seidelman | Assistant Editor |
| Production | Gail Melnick | Casting |
| Crew | M. James Arnett | Stunt Coordinator |
| Lighting | Norman Harris | Gaffer |
| Art | Lloyd A. Linnean | Set Decoration |
| Camera | Jim Coe | Still Photographer |
| Camera | Ralph Gerling | Camera Operator |
| Sound | Sally Stevens | Musician |
| Camera | Cary Griffith | Key Grip |
| Sound | Malcolm McNab | Musician |
| Sound | William Griffith | Sound |
| Lighting | Ron Kenyon | Best Boy Electric |
| Sound | Joel Bill | Music Supervisor |
| Camera | Lou Noto | First Assistant Camera |
| Camera | Julian Wilson | Assistant Camera |
| Writing | William N. Panzer | Story Developer |
| Sound | Joe Fineman | Music Editor |
| Directing | Jann Carver | Script Supervisor |
| Writing | Rob Ewing | Story Developer |
| Camera | William D. Barber | Assistant Camera |
| Production | Kris Kromas | Casting Assistant |
| Crew | Carey Loftin | Stunt Driver |
| Crew | Mike Doyle | Transportation Captain |
| Writing | Peter S. Davis | Story Developer |
| Production | Barbara Thomas | Production Secretary |
| Art | Stephen R. Ferry | Property Master |
| Crew | Jud Chalkley | Medical Consultant |
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