At the University of Chicago, a research team that includes brilliant student machinist Eddie Kasalivich experiences a breakthrough: a stable form of fusion that may lead to a waste-free energy source. However, a private company wants to exploit the technology, so Kasalivich and physicist Dr. Lily Sinclair are framed for murder, and the fusion device is stolen. On the run from the FBI, they must recover the technology and exonerate themselves.
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| Writing | J.F. Lawton | Screenplay |
| Writing | Michael Bortman | Screenplay |
| Production | Arne Schmidt | Producer |
| Directing | Andrew Davis | Director |
| Editing | Don Brochu | Editor |
| Editing | Arthur Schmidt | Editor |
| Camera | Frank Tidy | Director of Photography |
| Editing | Dov Hoenig | Editor |
| Production | Andrew Davis | Producer |
| Production | Richard D. Zanuck | Executive Producer |
| Crew | Marian Green | Stunts |
| Production | Carlos H. Sánchez | Associate Producer |
| Production | Maher Ahmad | Associate Producer |
| Production | Teresa Tucker-Davies | Associate Producer |
| Art | Gene Serdena | Set Decoration |
| Editing | Mark Stevens | Editor |
| Art | David J. Bomba | Art Direction |
| Costume & Make-Up | Jodie Lynn Tillen | Costume Design |
| Art | Maher Ahmad | Production Design |
| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Erwin Stoff | Executive Producer |
| Art | Ann Harris | Assistant Art Director |
| Crew | David Isyomin | Digital Effects Supervisor |
| Art | John Mikels | Standby Painter |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Crew | Ken Cabrera | Craft Service |
| Crew | Joni Avery | Stunts |
| Sound | David A. Arnold | Dialogue Editor |
| Crew | Jeff Manimbo | Production Intern |
| Crew | John J. Slove Jr. | Propmaker |
| Crew | Roy Arbogast | Special Effects Coordinator |
| Production | Stephen Lim | Unit Production Manager |
| Art | James Cimbalista | Painter |
| Costume & Make-Up | Fríða Aradóttir | Key Hair Stylist |
| Costume & Make-Up | Patrick Caulfield | Set Costumer |
| Sound | Gregory Cheever | Sound Recordist |
| Camera | Dennis De La Mata | Grip |
| Directing | Matt Earl Beesley | First Assistant Director |
| Art | Joel Prihoda | Leadman |
| Editing | Bob Putynkowski | Color Timer |
| Art | Kathleen Beall | Location Scout |
| Crew | Frank Battaglia | Carpenter |
| Art | Carlos Medina Jr. | Greensman |
| Camera | Frank M. Holgate | Aerial Director of Photography |
| Art | Bruce J. Gfeller | Construction Coordinator |
| Crew | Connie Kallos | Makeup Effects |
| Camera | Bob Rose | Key Grip |
| Costume & Make-Up | Tighe Barry | Set Dressing Artist |
| Crew | William T. Hogan III | Transportation Captain |
| Crew | Michael P. Deal | Transportation Co-Captain |
| Crew | Kent Shelton | Utility Stunts |
| Art | Dana Armonda | Art Department Coordinator |
| Art | Richard Fernandez | Set Designer |
| Camera | George Kohut | Camera Operator |
| Costume & Make-Up | Alexandria Forster | Costume Supervisor |
| Crew | Kieran Woo | Production Controller |
| Crew | Tommy Dorsett | Visual Effects Editor |
| Art | Kirk Corwin | Property Master |
| Crew | Deborah Simmrin | Unit Publicist |
| Camera | Murray Close | Still Photographer |
| Crew | Justine A. Bello | Post Production Assistant |
| Costume & Make-Up | Deena Adair | Hairstylist |
| Costume & Make-Up | Jacqueline S. Beatka | Seamstress |
| Crew | Daniel H. Friedman | Video Assist Operator |
| Crew | Lowell D. Blank | Post Production Supervisor |
| Crew | Janet L. Contursi | Set Medic |
| Crew | George DiLeonardi | Transportation Coordinator |
| Crew | D.B. Griffith | Projection |
| Crew | Walter Scott | Stunt Coordinator |
| Sound | David E. Stone | Supervising Sound Editor |
| Visual Effects | Dennis Davis | Digital Compositors |
| Lighting | John P. Friday | Rigging Gaffer |
| Editing | Renée Bergan | Editorial Production Assistant |
| Sound | Paul Apted | Assistant Sound Editor |
| Sound | Robert J. Anderson Jr. | Sound Mixer |
| Sound | Craig Berkey | Sound Effects Editor |
| Lighting | Alphonse Blumenthal | Gaffer |
| Sound | Arthur Morton | Orchestrator |
| Sound | R.J. Kizer | ADR Supervisor |
| Visual Effects | Thom Randmaa | Visual Effects Producer |
| Lighting | Anthony J. Lullo | Best Boy Electric |
| Editing | R. Orlando Duenas | First Assistant Editor |
| Production | K. Lenna Katich | Production Accountant |
| Sound | Kenneth C. Mantlo | Boom Operator |
| Sound | Kenneth Hall | Music Editor |
| Lighting | Scott Baehrend | Rigging Grip |
| Production | Lisa A. Becker | Production Coordinator |
| Sound | Randy Thom | Sound Designer |
| Visual Effects | James Reedy | Special Effects Supervisor |
| Lighting | Lawrence J. Anderson Jr. | Electrician |
| Visual Effects | David Sanger | Visual Effects Coordinator |
| Production | Erica Arvold | Casting Associate |
| Visual Effects | Nick Davis | Visual Effects Supervisor |
| Camera | Donald Carlson | First Assistant Camera |
| Camera | John S. Robertson | Key Grip |
| Crew | Linda Perlin | Stunts |
| Writing | Rick Seaman | Story |
| Writing | Josh Friedman | Story |
| Writing | Arne Schmidt | Story |
| Sound | Ric Coken | ADR Recordist |
| Sound | Chuck Rapp | ADR Mixer |
| Sound | Sonny Pettijohn | First Assistant Sound Editor |
| Costume & Make-Up | Jane Blank | Costumer |
| Visual Effects | Andre Bustanoby | VFX Artist |
| Crew | William Morts | Stunt Double |
| Visual Effects | Andrew Garcia-Price | Visual Effects Production Assistant |
| Art | Troy Borisy | Assistant Property Master |
| Art | Timothy Burgard | Storyboard Artist |
| Sound | Cliff Latimer | ADR Editor |
| Camera | Fernando M. Briones | Dolly Grip |
| Art | Matt Codd | Conceptual Illustrator |
| Sound | John A. Larsen | Sound Supervisor |
| Camera | Steven Silverstein | Camera Loader |
| Directing | Ken Paull | Second Assistant Director |
| Crew | Michael Ahasay | Special Effects Technician |
| Production | Terri Douglas | ADR Voice Casting |
| Directing | James A. Dennett II | Second Second Assistant Director |
| Sound | Sandy Garcia | Foley Recordist |
| Costume & Make-Up | Gina Panno | Key Set Costumer |
| Visual Effects | Russell j Lyster | VFX Director of Photography |
| Camera | Erich O. Rose | Best Boy Grip |
| Camera | Gregg Gannett | Second Assistant Camera |
| Sound | Vanessa Theme Ament | Foley Artist |
| Sound | Karin Roulo | Foley Mixer |
| Editing | Donah Bassett | Negative Cutter |
| Editing | Erin Michelle Hopkins | Assistant Editor |
| Editing | Jeffrey Kalmus | Color Grading |
| Lighting | Morgan Michael Lewis | Key Rigging Grip |
| Production | Malisa Caroselli | Assistant Accountant |
| Production | Patricia S. Kingery | Payroll Accountant |
| Production | Suzanne De Grandis | First Assistant Accountant |
| Production | Anthony Medina | Art Department Production Assistant |
| Production | Michael Salven | Key Set Production Assistant |
| Crew | Cliff Fleming | Pilot |
| Crew | Joseph M. Brennan | Technical Advisor |
| Production | Laurence Byrne | Assistant Location Manager |
| Production | Brady Breen | Location Assistant |
| Sound | Jerry Goldsmith | Conductor |
| Production | B. Ted Deiker | Assistant Production Coordinator |
| Crew | Don Riozz McNichols | Key Special Effects |
| Production | Don H. Julien | Production Assistant |
| Production | Marcie Friedman | Location Coordinator |
| Production | Sarayu Blue | Extras Casting Assistant |
| Production | Jean Nakahara | Post Production Coordinator |
| Crew | Karin Anderson | Assistant Craft Service |
| Production | Joan Philo | Extras Casting |
| Directing | Matt Earl Beesley | Second Unit Director |
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