Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
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Art | Bruno Cesari | Set Decoration |
Crew | Franco Maria Salamon | Stunt Coordinator |
Writing | Anthony Minghella | Screenplay |
Visual Effects | Dennis Lowe | Visual Effects Supervisor |
Costume & Make-Up | Ann Roth | Costume Design |
Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
Sound | Pat Jackson | Supervising Sound Editor |
Production | Tom Sternberg | Producer |
Sound | Gabriel Yared | Original Music Composer |
Production | David Rubin | Casting |
Art | Stefano Maria Ortolani | Art Direction |
Production | William Horberg | Producer |
Camera | John Seale | Director of Photography |
Sound | Kyrsten Mate | Sound Effects Editor |
Editing | Walter Murch | Editor |
Crew | Sam Conway | Special Effects Coordinator |
Crew | Claudio Pacifico | Stunts |
Directing | Anthony Minghella | Director |
Costume & Make-Up | Elisabetta De Leonardis | Hairstylist |
Art | Roy Walker | Production Design |
Costume & Make-Up | Gary Jones | Costume Design |
Production | Alessandro von Norman | Line Producer |
Production | Steve E. Andrews | Associate Producer |
Production | Sydney Pollack | Executive Producer |
Production | Paul Zaentz | Co-Producer |
Writing | Patricia Highsmith | Novel |
Visual Effects | Richard Conway | Special Effects Supervisor |
Sound | Robert Randles | Music Editor |
Camera | Phil Bray | Still Photographer |
Art | Alessandro Alberti | Assistant Art Director |
Production | Lynn Kamern | Unit Production Manager |
Costume & Make-Up | Tina Earnshaw | Makeup Department Head |
Directing | Dianne Dreyer | Script Supervisor |
Crew | Larry Kaplan | Unit Publicist |
Production | Shaila Rubin | Casting |
Costume & Make-Up | Kay Georgiou | Hair Department Head |
Crew | Tim Monich | Dialect Coach |
Sound | David Parker | Sound Re-Recording Mixer |
Production | Ronna Kress | Casting Associate |
Production | Lydia Dean Pilcher | Co-Producer |
Crew | Giancarlo Mancini | Special Effects Coordinator |
Sound | Walter Murch | Sound Re-Recording Mixer |
Costume & Make-Up | Giorgio Gregorini | Hairstylist |
Sound | Graham Walker | Music Supervisor |
Sound | Ivan Sharrock | Sound Mixer |
Crew | Fabrizio Sforza | Makeup Effects |
Lighting | Morris Flam | Gaffer |
Sound | Mark Berger | Sound Re-Recording Mixer |
Production | Sarah Beardsall | Casting |
Costume & Make-Up | Paolo Mantini | Hair Designer |
Art | John Fenner | Supervising Art Director |
Art | Sabina Lepri | Art Department Assistant |
Production | Antonio Gabrielli | Location Manager |
Sound | Jennifer L. Ware | Sound Effects Editor |
Art | Tony Wright | Storyboard Artist |
Sound | Barbara McBane | Dialogue Editor |
Sound | Richard Quinn | ADR Editor |
Sound | Dianna Stirpe | Dialogue Editor |
Art | Bernie Hearn | Property Master |
Sound | Mark Levinson | ADR Supervisor |
Art | Jeffrey Rollins | Set Dresser |
Crew | Stefano Maria Mioni | Stunts |
Art | Raffaella Giovannetti | Assistant Set Decoration |
Directing | Maria De Leo | Third Assistant Director |
Directing | Federica Ciciarelli | Third Assistant Director |
Camera | John Seale | "A" Camera Operator |
Crew | David Ambrosi | Stunts |
Art | Francesco Postiglione | Assistant Set Decoration |
Crew | Alessandro Ponti | Stunts |
Directing | Gianni Arduini | First Assistant Director |
Art | Deborah Ross | Title Designer |
Camera | Daniele Massaccesi | Steadicam Operator |
Art | Miraphora Mina | Graphic Designer |
Directing | Filippo Fassetta | Third Assistant Director |
Directing | Enrico Marrari | Second Assistant Director |
Camera | Daniele Massaccesi | "B" Camera Operator |
Sound | Donald Banks | Boom Operator |
Camera | James McMillan | Key Grip |
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