A fateful night in 1959, four people die when the bus they are riding crashes. They continue as ghosts; their souls become eternally entwined to the life of a child born at the moment of their deaths as his guardians. Baby Thomas grows up to be a businessman who has memories of his playmates, but assumes they are products of his youthful imagination. When the ghosts realize they need Thomas' help to move on to the afterlife, they decide to make an appearance once more.
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| Sound | Marc Shaiman | Original Music Composer |
| Editing | O. Nicholas Brown | Editor |
| Production | Sean Daniel | Producer |
| Production | Nancy Roberts | Producer |
| Directing | Ron Underwood | Director |
| Camera | Michael W. Watkins | Director of Photography |
| Writing | Brent Maddock | Screenplay |
| Crew | Mic Rodgers | Stunt Coordinator |
| Crew | Michael Runyard | Stunts |
| Crew | Sonja Davis | Stunts |
| Crew | Adam Shankman | Choreographer |
| Crew | John C. Meier | Stunts |
| Visual Effects | Tom Martinek | I/O Supervisor |
| Writing | Brent Maddock | Screenstory |
| Art | Mike Helbig | Set Dresser |
| Art | Hugo Herrera | Greensman |
| Directing | Polly Ann Mattson | Second Second Assistant Director |
| Art | Gary Gagliardo | Construction Foreman |
| Art | Lori Harrison | Set Dresser |
| Production | Dirk Petersmann | Unit Production Manager |
| Directing | Daniel Silverberg | Second Assistant Director |
| Writing | Erik Hansen | Screenplay |
| Production | Erik Hansen | Co-Producer |
| Costume & Make-Up | Jean-Pierre Dorléac | Costume Design |
| Art | John Alvin | Other |
| Art | Steven Lane Ewing | Other |
| Writing | S.S. Wilson | Screenplay |
| Production | James Jacks | Executive Producer |
| Production | Dirk Petersmann | Line Producer |
| Writing | Gregory Hansen | Screenstory |
| Writing | S.S. Wilson | Screenstory |
| Production | Cari-Esta Albert | Executive Producer |
| Costume & Make-Up | James R. Scribner | Makeup Artist |
| Production | Dixie J. Capp | Associate Producer |
| Production | Gregory Hansen | Co-Producer |
| Costume & Make-Up | Ken Chase | Key Makeup Artist |
| Directing | Yudi Bennett | First Assistant Director |
| Costume & Make-Up | Karen Bradley | Makeup Artist |
| Costume & Make-Up | JoAnn Stafford-Chaney | Hairstylist |
| Writing | Gregory Hansen | Screenplay |
| Costume & Make-Up | Dione Taylor | Key Hair Stylist |
| Art | John Muto | Production Design |
| Art | Anne H. Ahrens | Set Decoration |
| Art | Kristin Argue | Other |
| Crew | David Castro, Jr. | Other |
| Art | Gary Heider | Other |
| Art | John M. Holliday | Construction Foreman |
| Art | Chris H. Kelly | Construction Foreman |
| Art | John Moore | Other |
| Crew | John Bullard | Propmaker |
| Art | Horst Grandt | Property Master |
| Art | Ross Harpold | Set Dresser |
| Art | Bill Jackson | Art Department Coordinator |
| Directing | Shawn Hanley | Other |
| Directing | Pamela S. Kuri | Second Second Assistant Director |
| Art | Dean B. Katz | Set Dresser |
| Crew | Allan Johnson | Other |
| Crew | Leopold Mouneau, Jr. | Other |
| Art | Robert L. King | Other |
| Production | Pam Dixon | Casting |
| Art | John Berger | Set Designer |
| Art | Danny Hinzo | Painter |
| Art | James Holden | Set Dresser |
| Art | Douglas E. Maxwell | Leadman |
| Writing | Erik Hansen | Screenstory |
| Art | Dan Webster | Art Direction |
| Art | Amy Feldman | Other |
| Art | Geoffrey Lake | Other |
| Directing | Shannon Wilson | Second Assistant Director |
| Art | John Hammer Maxwell | Set Dresser |
| Directing | Mic Rodgers | Second Unit Director |
| Art | Brad Curry | Other |
| Visual Effects | Janek Sirrs | Visual Effects |
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