A white prospective grad student's affluent family won't pay his way through law school, so he takes tanning pills to darken his skin in order to qualify for an African-American scholarship at Harvard. He soon gets more than he bargained for, as he begins to learn what life is really like for blacks in America.
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| Writing | Carol Black | Screenplay |
| Camera | Jeffrey Jur | Director of Photography |
| Editing | David Finfer | Editor |
| Production | Steve Tisch | Producer |
| Directing | Steve Miner | Director |
| Sound | Tom Scott | Original Music Composer |
| Camera | Michael Becker | Still Photographer |
| Costume & Make-Up | Devora Fischa | Makeup Artist |
| Costume & Make-Up | Enid Arias | Hairstylist |
| Lighting | Paul McIlvaine | Best Boy Electric |
| Art | Elizabeth Flaherty | Art Department Coordinator |
| Camera | Kelly Elder McGowen | Second Assistant Camera |
| Lighting | Karen Bean | Gaffer |
| Production | Donna Smith | Production Manager |
| Art | Anne Tamrazi | Assistant Property Master |
| Directing | Karen Golden | Script Supervisor |
| Camera | Robert L. Blatman | First Assistant Camera |
| Costume & Make-Up | Sharon Simonaire | Costume Design |
| Sound | Christopher Brooks | Supervising Music Editor |
| Production | Dianne Mapp-Cheek | Production Accountant |
| Lighting | Ricky Perez | Electrician |
| Art | Doug Lefler | Storyboard Artist |
| Camera | Khan Griffith | Dolly Grip |
| Crew | Mike Padovich | Transportation Coordinator |
| Sound | John Leveque | Sound Editor |
| Crew | Steve M. Davison | Stunts |
| Camera | Clarence Brown | Grip |
| Sound | David A. Whittaker | Sound Editor |
| Camera | Donne Daniels | Key Grip |
| Crew | Hal Lary | Transportation Captain |
| Crew | Chris Howell | Stunt Coordinator |
| Art | Nina Saxon | Title Designer |
| Crew | Pat Romano | Stunts |
| Production | Joseph A. Liuzzi | Location Manager |
| Art | John Krenz Reinhart Jr. | Construction Coordinator |
| Sound | Steve Sollars | Boom Operator |
| Production | Michelle Solotar | Production Coordinator |
| Art | Deborah Ross | Title Designer |
| Sound | Don Summer | Sound Mixer |
| Art | Michael Reinhart | Construction Foreman |
| Editing | Lois Trent-Bring | Negative Cutter |
| Crew | William H. Burton Sr. | Stunts |
| Crew | Roger George | Special Effects |
| Sound | Karen G. Wilson | Sound Editor |
| Sound | Richard E. Yawn | Foley Editor |
| Sound | Becky Sullivan | ADR Editor |
| Sound | Marvin Walowitz | Sound Editor |
| Sound | Gordon Ecker | Supervising Sound Editor |
| Sound | Sherman Waze | Sound Editor |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Crew | David Burton | Stunts |
| Sound | Shawn Sykora | Assistant Sound Editor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Art | Gregg Fonseca | Production Design |
| Production | Melissa Skoff | Casting |
| Directing | Betsy Magruder | First Assistant Director |
| Production | Neal Marlens | Co-Producer |
| Production | Donna Smith | Line Producer |
| Directing | Stuart B. Hagen | Second Second Assistant Director |
| Production | Bernie Goldmann | Associate Producer |
| Production | Stephen Vaughan | Associate Producer |
| Production | Carol Black | Co-Producer |
| Directing | Josh King | Second Assistant Director |
| Sound | David Anderle | Music Supervisor |
| Art | Dorree Cooper | Set Decoration |
| Art | Larry Fulton | Set Designer |
| Art | Lisa Dean | Set Dresser |
| Art | Don Diers | Art Direction |
| Art | Kirk Corwin | Property Master |
| Art | Gene Serdena | Set Dresser |
| Art | John Krenz Reinhart Jr. | Art Direction |
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