When John Halder's latest novel is enlisted by powerful political figures in the Nazi party to push their agenda, his career and social standing instantly advance. But after learning of the Reich's horrific plans for the future and the devastating effects they will have on people close to him, John must decide whether or not to take a stand and risk losing everything.
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| Directing | Vicente Amorim | Director |
| Production | Jason Isaacs | Executive Producer |
| Production | Sarah Boote | Producer |
| Production | Mark Brooke | Executive Producer |
| Production | Karsten Brünig | Executive Producer |
| Production | Douglas Cummins | Executive Producer |
| Production | Danielle Dajani | Executive Producer |
| Production | Billy Dietrich | Producer |
| Production | Simon Fawcett | Executive Producer |
| Production | Rexal Ford | Executive Producer |
| Production | Peter Hampden | Executive Producer |
| Production | Stephen Hays | Executive Producer |
| Production | Kevin Loader | Producer |
| Production | Dan Lupovitz | Producer |
| Production | Brian O'Shea | Executive Producer |
| Production | Julia Jay Pierrepont III | Executive Producer |
| Production | Miriam Segal | Producer |
| Sound | Simon Lacey | Original Music Composer |
| Camera | Andrew Dunn | Director of Photography |
| Editing | John Wilson | Editor |
| Art | Andrew Laws | Production Design |
| Art | Adrien Asztalos | Art Direction |
| Art | Andreas Olshausen | Supervising Art Director |
| Art | Daniele Drobny | Set Decoration |
| Costume & Make-Up | Györgyi Szakács | Costume Design |
| Costume & Make-Up | Egonné Endrényi | Makeup Artist |
| Costume & Make-Up | Erzsébet Forgács | Makeup Designer |
| Costume & Make-Up | Ágnes Petrovics | Makeup Artist |
| Art | Sándor Katona | Set Decoration Buyer |
| Sound | Antonia Bates | Sound Effects Editor |
| Sound | Paul Cotterell | Sound Re-Recording Mixer |
| Sound | Paul Davies | Supervising Sound Editor |
| Visual Effects | Katja Hollmann | Visual Effects Producer |
| Writing | C.P. Taylor | Theatre Play |
| Writing | John Wrathall | Screenplay |
| Directing | Jessica Hurles-Laws | First Assistant Director |
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