A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition and in a strange country, their experience begins to mirror the Vietnam experience.
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| Editing | Freeman A. Davies | Editor |
| Production | David Giler | Producer |
| Writing | David Giler | Screenplay |
| Camera | Andrew Laszlo | Director of Photography |
| Directing | Walter Hill | Director |
| Production | William J. Immerman | Executive Producer |
| Writing | Walter Hill | Screenplay |
| Sound | Ry Cooder | Original Music Composer |
| Costume & Make-Up | Tom Bronson | Costume Supervisor |
| Art | Robert Gould | Set Decoration |
| Art | John Vallone | Production Design |
| Production | Judith Holstra | Casting |
| Writing | Michael Kane | Screenplay |
| Sound | Ry Cooder | Music Arranger |
| Camera | Dick Montagne | Assistant Camera |
| Editing | Teri E. Dorman | Assistant Editor |
| Production | Gene Levy | Unit Production Manager |
| Editing | Carmel Davies | Assistant Editor |
| Sound | Tony Romero | Production Sound Mixer |
| Sound | James Utterback | Production Sound Mixer |
| Production | Venetia Stevenson | Executive In Charge Of Production |
| Editing | Lisa Zeno Churgin | Assistant Editor |
| Camera | Richard Craig Meinardus | Assistant Camera |
| Production | Lisbeth Wynn-Owen | Production Coordinator |
| Camera | Lynn Lockwood | Assistant Camera |
| Sound | Glenn E. Anderson | Production Sound Mixer |
| Directing | Robert Roe | Second Assistant Director |
| Production | Mary F. Galloway | Location Manager |
| Art | Bruce Kasson | Property Master |
| Camera | John London | Grip |
| Art | Francis N. 'Lucky' Costello | Painter |
| Art | Craig Raiche | Property Master |
| Crew | Max Kleven | Stunts |
| Crew | Rock A. Walker | Stunts |
| Crew | Conrad E. Palmisano | Stunts |
| Crew | Melvin Jones | Stunts |
| Crew | Steve Lombardi | Propmaker |
| Crew | Ronnie Baker | Transportation Coordinator |
| Costume & Make-Up | Dan Moore | Costumer |
| Camera | Tom D. May | Grip |
| Sound | Walter A. Gest | Sound Recordist |
| Production | Judith Bernardoni | Production Accountant |
| Production | Florian Schereck | Assistant Accountant |
| Camera | Jay Davis | Grip |
| Art | Johnny Lattanzio | Paint Coordinator |
| Crew | Gregg Brazzel | Stunts |
| Art | Gus Basso | Greensman |
| Art | Mary Meacham | Title Designer |
| Sound | Allen Sides | Scoring Mixer |
| Editing | Jim Schurmann | Color Timer |
| Production | Bea Lindzon | Extras Casting |
| Directing | Pat Kehoe | First Assistant Director |
| Costume & Make-Up | Michael Germain | Makeup Artist |
| Sound | Gordon Ecker | Supervising Sound Editor |
| Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
| Sound | Stan Gilbert | Dialogue Editor |
| Crew | Lawrence J. Cavanaugh | Special Effects |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Costume & Make-Up | Dagmar Loesch | Hairstylist |
| Sound | Bill Nicholson | Sound Re-Recording Mixer |
| Sound | Wylie Stateman | Sound Editor |
| Sound | Bob Newlan | Assistant Sound Editor |
| Sound | Randy Kelley | Sound Editor |
| Crew | Bennie E. Dobbins | Stunt Coordinator |
| Lighting | Ross A. Maehl | Gaffer |
| Camera | James Etheridge | Camera Operator |
| Directing | Mary Ann Newfield | Script Supervisor |
| Camera | Neil Roach | Camera Operator |
| Sound | Jim Henrikson | Music Editor |
| Camera | James Zenk | Still Photographer |
| Editing | Jack Hooper | Negative Cutter |
| Crew | Lyla Foggia | Unit Publicist |
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