After a disastrous failure to stop a robber gang, the police attempt to redeem themselves through a series of publicity stunts and shootouts.
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| Directing | Johnnie To | Director |
| Production | Cao Biao | Producer |
| Production | John Chong | Executive Producer |
| Production | Johnnie To | Producer |
| Production | Yang Buting | Executive Producer |
| Sound | Ben Cheung Siu-Hung | Original Music Composer |
| Sound | Chung Chi-Wing | Original Music Composer |
| Camera | Cheng Siu-Keung | Director of Photography |
| Editing | David M. Richardson | Editor |
| Production | Chiu Chi-Shing | Unit Manager |
| Writing | Yip Tin-Shing | Writer |
| Writing | Chan Hing-Kai | Writer |
| Directing | Yuen Bun | Action Director |
| Directing | Law Wing-Cheong | Field Director |
| Directing | Pad Chan Wai-Hung | First Assistant Director |
| Directing | Chan Wai-Chu | Second Assistant Director |
| Directing | Kenneth Cheung Moon-Yuen | Script Supervisor |
| Crew | To Hung-Mo | Second Unit Cinematographer |
| Lighting | Wu Kwok-Chiu | Lighting Technician |
| Lighting | Kwong Ting-Fong | Best Boy Lighting Technician |
| Art | Raymond Chan Kam-Ho | Art Direction |
| Costume & Make-Up | Steven Tsang Pak-Chuen | Costume Design |
| Costume & Make-Up | Kitty Chau Cheuk-Wai | Assistant Costume Designer |
| Costume & Make-Up | Elsa Chan Kit-Ling | Wardrobe Coordinator |
| Costume & Make-Up | Midco Chu Wai-Fong | Makeup Artist |
| Costume & Make-Up | Rachel Kong Tak-Yen | Hairstylist |
| Editing | Simon Fung | Assistant Editor |
| Art | Lam Wai-Kin | Property Master |
| Sound | Lee Sin-Kwok | Location Sound Mixer |
| Production | Jiang Tao | Executive Producer |
| Production | Han Sanping | Associate Producer |
| Crew | Shirley Lau Yim-Ngo | Production Controller |
| Crew | Catherine Chan Dao-Ho | Production Controller |
| Production | Shi Dongming | Associate Producer |
| Production | Ding Yuin-Shan | Production Coordinator |
| Production | Jackson Ha Chak-Shun | Production Manager |
| Production | Eric Huen Chi-Kit | Executive Producer |
| Editing | Elaine Chu Suk-Yee | Project Manager |
| Crew | Lu Ching-Ting | Set Runner |
| Camera | Hirotake Okazaki | Still Photographer |
| Visual Effects | Stephen Ma Man-Yin | Visual Effects Director |
| Visual Effects | Peony Lam Pik-Man | Visual Effects Coordinator |
| Sound | May Mok Mei-Wa | Sound Re-Recording Mixer |
| Sound | May Mok Mei-Wa | ADR Recordist |
| Sound | May Mok Mei-Wa | Sound Effects Designer |
| Sound | Charlie Lo Pak-Yue | Sound Effects Designer |
| Sound | Charlie Lo Pak-Yue | Sound Effects Editor |
| Sound | Tommy Yu Ka-Luk | Foley Artist |
| Sound | Kwong Sek-Kei | Foley Artist |
| Sound | Choy King-Fai | Foley Artist |
| Sound | Henry Yam Kwong-Heung | Foley Artist |
| Sound | Au Chun-Wang | Foley Artist |
| Sound | Lam Hon-Chiu | Foley Artist |
| Sound | Fung Wing-Hong | Foley Artist |
| Sound | Yu Chi-Man | Foley Artist |
| Crew | Calmen Lui Lai-Wah | Post Production Consulting |
| Production | Christy Chan Wing-Sai | Post Production Coordinator |
| Sound | Lam Wai-Lun | ADR Recordist |
| Sound | Ng Kwok-Fai | Boom Operator |
| Editing | Aaron Lau Chi-Kit | Assistant Editor |
| Art | Joey Chan Kwong-Hung | Assistant Art Director |
| Directing | Derick Lau Chi-Yeung | Second Assistant Director |
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