A man claiming to be Carol Brady's long-lost first husband, Roy Martin, shows up at the suburban Brady residence one evening. An impostor, the man is actually determined to steal the Bradys' familiar horse statue, a $20-million ancient Asian artifact.
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Directing | Arlene Sanford | Director |
Writing | Sherwood Schwartz | Characters |
Writing | Harry Elfont | Screenplay |
Writing | Deborah Kaplan | Screenplay |
Writing | James Berg | Screenplay |
Production | Alan Ladd Jr. | Producer |
Production | Lloyd J. Schwartz | Producer |
Production | Sherwood Schwartz | Producer |
Sound | Guy Moon | Original Music Composer |
Editing | Anita Brandt-Burgoyne | Editor |
Camera | Mac Ahlberg | Director of Photography |
Costume & Make-Up | Gary Archer | Prosthetics |
Writing | Stan Zimmerman | Screenplay |
Art | Cynthia Kay Charette | Production Design |
Costume & Make-Up | Rosanna Norton | Costume Designer |
Directing | Gregory Jacobs | First Assistant Director |
Directing | Allen Kupetsky | Second Assistant Director |
Directing | Benita Brazier | Script Supervisor |
Crew | Jeannie Epper | Stunts |
Crew | Donna Evans | Stunts |
Writing | Harry Elfont | Story |
Writing | Deborah Kaplan | Story |
Production | Michael Fottrell | Co-Producer |
Production | Kelliann Ladd | Co-Producer |
Production | Deborah Aquila | Casting |
Art | Troy Sizemore | Art Direction |
Art | Bob Kensinger | Set Decoration |
Crew | Noon Orsatti | Stunts |
Camera | David Jensen | Grip |
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