Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.
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| Directing | James L. Brooks | Director |
| Writing | James L. Brooks | Screenplay |
| Production | James L. Brooks | Producer |
| Production | Polly Platt | Executive Producer |
| Sound | Bill Conti | Original Music Composer |
| Camera | Michael Ballhaus | Director of Photography |
| Editing | Richard Marks | Editor |
| Art | Bruce J. Gfeller | Construction Coordinator |
| Crew | Anne Marie Stein | Unit Publicist |
| Sound | Frank Smathers | Dialogue Editor |
| Sound | Dave Kulczycki | Dialogue Editor |
| Sound | Beth Bergeron | Supervising ADR Editor |
| Sound | Jessica Gallavan | ADR Editor |
| Sound | Jeff Rosen | ADR Editor |
| Sound | Charleen Richards-Steeves | ADR Recordist |
| Sound | Cindy Marty | Foley Editor |
| Sound | Mark P. Stoeckinger | Foley Editor |
| Editing | Donah Bassett | Negative Cutter |
| Editing | Bob Hagans | Color Timer |
| Directing | Yudi Bennett | First Assistant Director |
| Directing | David Sardi | Second Assistant Director |
| Art | Mark Wade | Property Master |
| Art | Harold Fuhrman | Set Designer |
| Sound | Joseph F. Brennan | Boom Operator |
| Camera | Dennis Gamiello | Key Grip |
| Camera | John Lowry | Dolly Grip |
| Production | Stuart Neumann | Location Manager |
| Production | Peggy Pridemore | Location Assistant |
| Production | Barbara Harris | ADR Voice Casting |
| Art | Steve Callas | Construction Foreman |
| Lighting | Jerry DeBlau | Best Boy Electric |
| Production | Ellen Chenoweth | Casting |
| Art | Charles Rosen | Production Design |
| Costume & Make-Up | Molly Maginnis | Costume Design |
| Art | Jane Bogart | Set Decoration |
| Costume & Make-Up | Carl Fullerton | Makeup Artist |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Production | David V. Lester | Unit Production Manager |
| Directing | Mary Bailey | Script Supervisor |
| Production | Cynthia Streit | Production Coordinator |
| Camera | Kerry Hayes | Still Photographer |
| Lighting | John W. DeBlau | Gaffer |
| Crew | Jery Hewitt | Stunt Coordinator |
| Camera | Gábor Kövér | First Assistant Camera |
| Camera | David M. Dunlap | Camera Operator |
| Editing | Karen I. Stern | First Assistant Editor |
| Sound | Bob Badami | Music Editor |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Sound | Linda Whittlesey | Sound Effects Editor |
| Sound | Patrick Drummond | Sound Effects Editor |
| Sound | Robert Grieve | Supervising Sound Editor |
| Production | Susan Zirinsky | Associate Producer |
| Production | Kristi Zea | Associate Producer |
| Production | Penney Finkelman Cox | Co-Producer |
| Sound | Jacqueline Cristianini | Dialogue Editor |
| Sound | Thomas Causey | Sound Mixer |
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