Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.
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| Writing | James L. Brooks | Screenplay |
| Camera | Michael Ballhaus | Director of Photography |
| Editing | Richard Marks | Editor |
| Production | Polly Platt | Executive Producer |
| Production | James L. Brooks | Producer |
| Directing | James L. Brooks | Director |
| Sound | Bill Conti | Original Music Composer |
| Sound | Cindy Marty | Foley Editor |
| Sound | Mark P. Stoeckinger | Foley Editor |
| Sound | Beth Bergeron | Supervising ADR Editor |
| Sound | Jeff Rosen | ADR Editor |
| Sound | Jessica Gallavan | ADR Editor |
| Sound | Dave Kulczycki | Dialogue Editor |
| Editing | Bob Hagans | Color Timer |
| Art | Harold Fuhrman | Set Designer |
| Art | Bruce J. Gfeller | Construction Coordinator |
| Sound | Frank Smathers | Dialogue Editor |
| Crew | Anne Marie Stein | Unit Publicist |
| Sound | Charleen Richards-Steeves | ADR Recordist |
| Production | Stuart Neumann | Location Manager |
| Art | Steve Callas | Construction Foreman |
| Production | Barbara Harris | ADR Voice Casting |
| Lighting | Jerry DeBlau | Best Boy Electric |
| Art | Mark Wade | Property Master |
| Camera | John Lowry | Dolly Grip |
| Editing | Donah Bassett | Negative Cutter |
| Directing | David Sardi | Second Assistant Director |
| Directing | Yudi Bennett | First Assistant Director |
| Camera | Dennis Gamiello | Key Grip |
| Production | Peggy Pridemore | Location Assistant |
| Sound | Joseph F. Brennan | Boom Operator |
| Production | Cynthia Streit | Production Coordinator |
| Art | Jane Bogart | Set Decoration |
| Costume & Make-Up | Carl Fullerton | Makeup Artist |
| Camera | Kerry Hayes | Still Photographer |
| Camera | David M. Dunlap | Camera Operator |
| Camera | Gábor Kövér | First Assistant Camera |
| Crew | Jery Hewitt | Stunt Coordinator |
| Costume & Make-Up | Molly Maginnis | Costume Design |
| Editing | Karen I. Stern | First Assistant Editor |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Directing | Mary Bailey | Script Supervisor |
| Art | Charles Rosen | Production Design |
| Sound | Bob Badami | Music Editor |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Production | David V. Lester | Unit Production Manager |
| Sound | Patrick Drummond | Sound Effects Editor |
| Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
| Sound | Robert Grieve | Supervising Sound Editor |
| Sound | Linda Whittlesey | Sound Effects Editor |
| Production | Susan Zirinsky | Associate Producer |
| Production | Penney Finkelman Cox | Co-Producer |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Production | Ellen Chenoweth | Casting |
| Lighting | John W. DeBlau | Gaffer |
| Production | Kristi Zea | Associate Producer |
| Sound | Jacqueline Cristianini | Dialogue Editor |
| Sound | Thomas Causey | Sound Mixer |
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