When Maureen Coyle, a suicidal nun who resembles Norman's former victim, Marion Crane, arrives at the motel, all bets are off and "Mother" is less than happy.
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Directing | Anthony Perkins | Director |
Writing | Charles Edward Pogue | Screenplay |
Production | Hilton A. Green | Producer |
Sound | Carter Burwell | Original Music Composer |
Camera | Bruce Surtees | Director of Photography |
Editing | David E. Blewitt | Editor |
Production | Nancy Nayor | Casting |
Art | Henry Bumstead | Production Design |
Art | Mickey S. Michaels | Set Decoration |
Costume & Make-Up | Peter V. Saldutti | Costume Design |
Costume & Make-Up | Marla Schlom | Costume Design |
Costume & Make-Up | Vivian McAteer | Hairstylist |
Costume & Make-Up | Mark Reedall | Makeup Artist |
Crew | Michael Westmore | Makeup Effects |
Sound | Jeffrey Wilhoit | Foley |
Sound | Michael C. Casper | Sound Re-Recording Mixer |
Sound | Roger Heman Jr. | Sound Re-Recording Mixer |
Sound | John J. Stephens | Sound Re-Recording Mixer |
Sound | John Stacy | Supervising Sound Editor |
Crew | Louis R. Cooper | Special Effects |
Crew | Danny Lester | Special Effects |
Crew | Karl G. Miller | Special Effects |
Crew | Bob Yerkes | Stunt Coordinator |
Visual Effects | Syd Dutton | Visual Effects |
Camera | Rick Neff | Camera Operator |
Camera | Christine M. Loss | Still Photographer |
Camera | Michael Dugan | Underwater Camera |
Costume & Make-Up | Brian O'Dowd | Set Costumer |
Costume & Make-Up | Liza Stewart | Set Costumer |
Directing | Betty A. Griffin | Script Supervisor |
Production | Booker McClay | Publicist |
Writing | Robert Bloch | Original Story |
Production | Don Zepfel | Associate Producer |
Sound | James Thompson | Sound Recordist |
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