The Seasoning House - where young girls are prostituted to the military. An orphaned deaf mute is enslaved to care for them. She moves between the walls and crawlspaces, planning her escape. Planning her ingenious and brutal revenge.
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| Writing | Paul Hyett | Writer |
| Production | Michael Riley | Producer |
| Directing | Paul Hyett | Director |
| Writing | Conal Palmer | Writer |
| Writing | Adrian Rigelsford | Writer |
| Costume & Make-Up | Raquel Azevedo | Costume Design |
| Sound | Paul E. Francis | Music |
| Production | Manuel Puro | Casting |
| Art | Caroline Story | Production Design |
| Camera | Adam Etherington | Director of Photography |
| Sound | Nathaniel Kastoryano | Boom Operator |
| Crew | Clive Shaw | Armorer |
| Visual Effects | Daniel Nielsen | Visual Effects Supervisor |
| Lighting | Dominik Palgan | Electrician |
| Sound | Julia Jones | Foley Editor |
| Visual Effects | Jason de Vyea | Visual Effects Supervisor |
| Camera | Robert Viglasky | Still Photographer |
| Costume & Make-Up | Rosie Lack | Assistant Costume Designer |
| Art | Luis San Martin | Assistant Art Director |
| Art | George Morris | Property Master |
| Directing | Katie Harlow | Script Supervisor |
| Art | John-Paul Frazer | Art Direction |
| Costume & Make-Up | Elle Baird | Makeup Designer |
| Sound | Markus Moll | Supervising Sound Editor |
| Costume & Make-Up | Lynn Doron | Makeup Artist |
| Sound | Milos Momcilovic | Boom Operator |
| Lighting | Nicholas Britt | Best Boy Electric |
| Visual Effects | Matthew Strange | Special Effects Supervisor |
| Visual Effects | Malin Leuchovius | Visual Effects Coordinator |
| Sound | Keith Tinman | Sound Editor |
| Sound | Markus Moll | Sound Re-Recording Mixer |
| Sound | Chris Alford | Foley |
| Production | Eduardo Rodrigalvarez | Production Manager |
| Directing | Lola Dauda | Script Supervisor |
| Camera | James Layton | Steadicam Operator |
| Camera | James Layton | "B" Camera Operator |
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