A gallery of characters in Brooklyn in the 1950s are crushed by their surroundings and selves: a union strike leader discovers he is gay; a prostitute falls in love with one of her clients; a family cannot cope with the fact that their daughter is illegitimately pregnant.
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| Sound | Mark Knopfler | Original Music Composer |
| Writing | Hubert Selby Jr. | Novel |
| Production | Bernd Eichinger | Producer |
| Camera | Stefan Czapsky | Director of Photography |
| Directing | Uli Edel | Director |
| Editing | Peter Przygodda | Editor |
| Production | Jake Eberts | Associate Producer |
| Production | Anna Gross | Associate Producer |
| Production | Dieter Meyer | Line Producer |
| Production | Herman Weigel | Co-Producer |
| Production | G. Mac Brown | Line Producer |
| Crew | Donald John Hewitt | Stunts |
| Production | G. Mac Brown | Unit Production Manager |
| Directing | Don French | First Assistant Director |
| Directing | Nike Zachmanoglou | Continuity |
| Art | Leigh Kyle | Set Dresser |
| Art | Dan Mahon | Set Dresser |
| Crew | Don Picard | Stunts |
| Crew | Mick O'Rourke | Stunts |
| Crew | Danny Aiello III | Stunts |
| Crew | Janet Paparazzo | Stunts |
| Crew | Manny Siverio | Stunts |
| Crew | Paul Bucossi | Stunts |
| Crew | Bill Anagnos | Stunts |
| Camera | Zoran Veselić | First Assistant Camera |
| Camera | Claudia Raschke | Second Assistant Camera |
| Crew | Roy Farfel | Stunts |
| Crew | Phil Neilson | Stunts |
| Sound | Peter R. Adam | Sound Editor |
| Sound | Milan Bor | Sound Re-Recording Mixer |
| Sound | Veronica Manchot | Assistant Dialogue Editor |
| Sound | Danny Michael | Production Sound Mixer |
| Costume & Make-Up | Jennifer Lax | Wardrobe Supervisor |
| Sound | Angelike Gruber | Assistant Sound Editor |
| Camera | K.C. Bailey | Still Photographer |
| Art | Patricia Woodbridge | Assistant Art Director |
| Editing | Anne Stein | Assistant Editor |
| Sound | Ed Parente | Production Sound Mixer |
| Directing | Glen Trotiner | Second Assistant Director |
| Production | Sylvia Fay | Extras Casting |
| Art | Bruce Lee Gross | Lead Set Dresser |
| Directing | Carla Corwin | First Assistant Director |
| Sound | Anthony Starbuck | Boom Operator |
| Costume & Make-Up | Kathryn Bihr | Makeup Designer |
| Editing | Lilli von Otting | Assistant Editor |
| Camera | Philippe Carr-Forster | Camera Operator |
| Art | Will Scheck | Set Dresser |
| Sound | Angelika Deumling | Assistant Sound Editor |
| Crew | Denis Zack | Special Effects Technician |
| Crew | William Harrison | Special Effects Technician |
| Costume & Make-Up | Georgette Künsemüller | Makeup Artist |
| Costume & Make-Up | Richard von Ernst | Assistant Costume Designer |
| Art | David W. Howell | Set Dresser |
| Sound | Eva Claudius | Dialogue Editor |
| Directing | Stefan Scholtissek | Second Assistant Director |
| Costume & Make-Up | Sally Lesser | Costumer |
| Costume & Make-Up | James Sarzotti | Hair Designer |
| Sound | Bernd Schmidl | Foley Artist |
| Crew | Jery Hewitt | Stunt Coordinator |
| Sound | Mel Kutbay | Foley Artist |
| Art | Werner Achmann | Art Direction |
| Camera | Karl-Heinz Vogelmann | Still Photographer |
| Sound | Günther Ruckdeschel | Boom Operator |
| Sound | Jörn Poetzl | Foley Artist |
| Sound | Andreas Schneider | Foley Artist |
| Crew | Howard Samuelsohn | Dialogue Coach |
| Sound | George Gonneau | ADR Supervisor |
| Crew | Tim Gallin | Stunts |
| Crew | Tom Wright | Stunts |
| Directing | Carla Corwin | Second Assistant Director |
| Costume & Make-Up | David C. Robinson | Costumer |
| Costume & Make-Up | Michael Maddi | Special Effects Makeup Artist |
| Crew | Steve Kirshoff | Special Effects Coordinator |
| Camera | Britta Sell | Second Assistant Camera |
| Sound | Guy Fletcher | Musician |
| Art | Mark Haack | Art Direction |
| Writing | Desmond Nakano | Screenplay |
| Art | Leslie A. Pope | Set Decoration |
| Production | Deborah Aquila | Casting |
| Production | Jeffery Passero | Casting |
| Costume & Make-Up | Carol Oditz | Costume Design |
| Art | David Chapman | Production Design |
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