A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.
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| Directing | Sophie Fiennes | Director |
| Costume & Make-Up | Debbie Millington | Costume Designer |
| Production | Katherine Butler | Executive Producer |
| Sound | Steve Fanagan | Sound Designer |
| Directing | Luke Johnston | First Assistant Director |
| Sound | Keith Lindsay | Sound Mixer |
| Camera | Ian McGurrell | Grip |
| Lighting | Stephen McCarthy | Gaffer |
| Costume & Make-Up | Gill Brenann | Hair Designer |
| Costume & Make-Up | Gill Brenann | Makeup Designer |
| Camera | Michael Tummings | Still Photographer |
| Production | Carol Cohen | Line Producer |
| Production | Nima Ghedami | Line Producer |
| Sound | Michael Sujek | Sound Mixer |
| Camera | Charles Simon | Grip |
| Editing | Emily Thomas | Archival Footage Research |
| Editing | Eugene McCrystal | Colorist |
| Crew | Ciara Walsh | Post Production Supervisor |
| Sound | Steve Fanagan | Sound Re-Recording Mixer |
| Sound | Ken Galvin | Sound Re-Recording Mixer |
| Writing | Slavoj Žižek | Writer |
| Sound | Magnus Fiennes | Original Music Composer |
| Camera | Remko Schnorr | Director of Photography |
| Editing | Sophie Fiennes | Editor |
| Art | Lucy van Lonkhuyzen | Production Design |
| Production | James Wilson | Producer |
| Production | Sophie Fiennes | Producer |
| Production | Julia Godzinskaya | Executive Producer |
| Production | Shani Hinton | Executive Producer |
| Production | Katie Holly | Producer |
| Production | Tabitha Jackson | Executive Producer |
| Production | Rachel Lysaght | Line Producer |
| Production | Martin Rosenbaum | Producer |
| Production | Michael Sackler | Executive Producer |
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