A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.
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| Directing | Sophie Fiennes | Director |
| Costume & Make-Up | Debbie Millington | Costume Designer |
| Production | Katherine Butler | Executive Producer |
| Sound | Steve Fanagan | Sound Designer |
| Editing | Emily Thomas | Archival Footage Research |
| Sound | Steve Fanagan | Sound Re-Recording Mixer |
| Sound | Keith Lindsay | Sound Mixer |
| Camera | Michael Tummings | Still Photographer |
| Production | Carol Cohen | Line Producer |
| Crew | Ciara Walsh | Post Production Supervisor |
| Costume & Make-Up | Gill Brenann | Hair Designer |
| Sound | Michael Sujek | Sound Mixer |
| Editing | Eugene McCrystal | Colorist |
| Camera | Charles Simon | Grip |
| Camera | Ian McGurrell | Grip |
| Costume & Make-Up | Gill Brenann | Makeup Designer |
| Lighting | Stephen McCarthy | Gaffer |
| Directing | Luke Johnston | First Assistant Director |
| Production | Nima Ghedami | Line Producer |
| Sound | Ken Galvin | Sound Re-Recording Mixer |
| Writing | Slavoj Žižek | Writer |
| Editing | Sophie Fiennes | Editor |
| Production | Katie Holly | Producer |
| Sound | Magnus Fiennes | Original Music Composer |
| Production | Sophie Fiennes | Producer |
| Production | James Wilson | Producer |
| Production | Rachel Lysaght | Line Producer |
| Art | Lucy van Lonkhuyzen | Production Design |
| Production | Tabitha Jackson | Executive Producer |
| Camera | Remko Schnorr | Director of Photography |
| Production | Shani Hinton | Executive Producer |
| Production | Michael Sackler | Executive Producer |
| Production | Julia Godzinskaya | Executive Producer |
| Production | Martin Rosenbaum | Producer |
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