After Lisa Temple is brutally attacked and suffers from amnesia, it seems her bitter character has changed for the better, which causes her estranged husband Paul to have second thoughts about leaving her. As she rebuilds her life, Lisa and Paul fall in love again. However; there is danger lurking and one last angry memory waiting to surface. Will their love survive?
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| Directing | Alan Smythe | Director |
| Camera | Michael Storey | Director of Photography |
| Editing | Pia Di Ciaula | Editor |
| Production | Ian McDougall | Producer |
| Sound | David Blamires | Original Music Composer |
| Crew | Shelley Cook | Stunts |
| Directing | John Pace | First Assistant Director |
| Production | Carid Urquhart | Producer's Assistant |
| Production | Fred Kamping | Location Manager |
| Sound | Gary Daprato | Foley Recordist |
| Camera | Joe Strazzeri | Best Boy Grip |
| Sound | Tim Archer | Sound Re-Recording Mixer |
| Costume & Make-Up | Barbara Barkey | Makeup Artist |
| Costume & Make-Up | Djina Caron | Makeup Artist |
| Crew | John Stoneham Jr. | Stunts |
| Visual Effects | Gudrun Heinze | Visual Effects Director |
| Camera | Ray Brounstein | Camera Operator |
| Costume & Make-Up | Jenny Arbour | Hairstylist |
| Crew | Sue Parker | Stunts |
| Costume & Make-Up | Luis Sequeira | Costume Designer |
| Crew | John Stoneham Jr. | Stunt Coordinator |
| Production | Susan Kavesh | Production Coordinator |
| Sound | Jody Colero | Music Director |
| Crew | Frank C. Carere | Special Effects |
| Camera | David Pamplin | Key Grip |
| Sound | Alex Partridge | Dialogue Editor |
| Sound | Dan Latour | Sound Mixer |
| Lighting | Gabriele DiChiara | Gaffer |
| Production | Sheralyn McGrath | Executive Producer's Assistant |
| Sound | Clive Turner | Dialogue Editor |
| Sound | Matt Stark | Boom Operator |
| Art | Phillip Topplin | Set Decoration |
| Art | Phillip Topplin | Set Decoration Buyer |
| Art | Danny Burke | Lead Set Dresser |
| Sound | Anthony Lancett | Sound Effects Editor |
| Lighting | Kirby Azuma | Best Boy Electric |
| Editing | Charlotte Disher | Assistant Editor |
| Sound | Mark Wright | Sound Re-Recording Mixer |
| Camera | Colleen Norcross | First Assistant Camera |
| Camera | Michael Iwan | Dolly Grip |
| Art | Peter Miskimmin | Property Master |
| Visual Effects | John Gajdecki | Visual Effects |
| Crew | David Huband | Post Production Supervisor |
| Sound | Sam Feldman | Music Supervisor |
| Production | Bernie Stevenson | Production Executive |
| Crew | Eric Bryson | Stunts |
| Directing | Joanne T. Harwood | Script Supervisor |
| Production | Laurie McLarty | Production Manager |
| Writing | Lee Langley | Screenplay |
| Writing | Lyle Slack | Screenplay |
| Writing | Jim Henshaw | Screenplay |
| Writing | Margot Dalton | Novel |
| Art | David Davis | Production Design |
| Production | Susan Minas | Production Executive |
| Production | Jean Desormeaux | Executive Producer |
| Production | Jim Henshaw | Executive Producer |
| Production | Marsha Chesley | Casting |
| Directing | Annie Bradley | Second Assistant Director |
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