Rise of the Footsoldier follows the inexorable rise of Carlton Leach from one of the most feared generals of the football terraces to becoming a member of a notorious gang of criminals who rampaged their way through London and Essex in the late eighties and early nineties.
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| Writing | Will Gilbey | Writer |
| Directing | Julian Gilbey | Director |
| Writing | Julian Gilbey | Writer |
| Production | Andrew Loveday | Executive Producer |
| Production | David Shead | Producer |
| Production | Ian McIntyre | Producer |
| Sound | Ross Cullum | Music |
| Production | Mike Loveday | Producer |
| Production | Steve Daly | Casting |
| Sound | Sandy McLelland | Music |
| Costume & Make-Up | Hayley Nebauer | Costume Design |
| Production | Julie Dunne | Casting |
| Directing | Scott Bates | First Assistant Director |
| Camera | Ali Asad | Director of Photography |
| Sound | Ben Brazier | Sound Editor |
| Art | Alexandra Toomey | Art Department Assistant |
| Costume & Make-Up | Christine Bateman | Makeup Designer |
| Art | Joshua Osei | Props |
| Art | Madeline Chan | Art Department Assistant |
| Costume & Make-Up | Melanie Szabo | Makeup Artist |
| Crew | Michael Button | Propmaker |
| Art | Maeve Curtis | Art Department Coordinator |
| Art | Ben Green | Construction Manager |
| Production | Claire Kendall-Price | Production Manager |
| Art | Daniela Faggio | Supervising Art Director |
| Art | Matthew Button | Production Design |
| Sound | Jeff Richardson | Dialogue Editor |
| Sound | Lionel Strutt | ADR Coordinator |
| Art | Peter Arnold | Art Direction |
| Sound | Robert Brazier | Foley Editor |
| Sound | Nick Bridge-Butler | Sound Effects Editor |
| Sound | Ross Jarvis | Boom Operator |
| Camera | Brian Udoff | Assistant Camera |
| Production | Amy Clamp | Casting Assistant |
| Production | Anna Kolber | Production Assistant |
| Sound | Mathew Knights | Sound Re-Recording Mixer |
| Lighting | Christian Hayes | Electrician |
| Lighting | Pawel Polak | Electrician |
| Visual Effects | Scott McIntyre | Special Effects Supervisor |
| Production | Julie Dunne | Casting Coordinator |
| Production | Clive Waldron | Production Accountant |
| Sound | Adam Garstone | Sound Recordist |
| Editing | Richard John Taylor | Assistant Editor |
| Production | Emma Maclennan | Post Production Coordinator |
| Production | Emma Maclennan | Production Coordinator |
| Sound | Blair Jollands | Sound Effects Editor |
| Crew | Catherine Hart | Special Effects |
| Lighting | Marc Roodhart | Gaffer |
| Crew | Greg Corke | Armorer |
| Costume & Make-Up | Diana Wyand | Costume Supervisor |
| Costume & Make-Up | Rebecca Gore | Costume Assistant |
| Sound | Rada Danilovic | Sound Effects Editor |
| Editing | Alan Maiden | Online Editor |
| Camera | Tamer Asad | Best Boy Grip |
| Lighting | James Holliday | Electrician |
| Camera | Andy Dorwart | Key Grip |
| Editing | David Fayinka | Assistant Editor |
| Crew | Mike Knights | Special Effects |
| Editing | Kai Van Beers | Digital Colorist |
| Costume & Make-Up | Sarah Pasricha | Assistant Costume Designer |
| Directing | Laure Bregevin | Script Supervisor |
| Production | Clive Trott | Location Manager |
| Crew | Anya Noakes | Unit Publicist |
| Lighting | Rolf Roodhart | Best Boy Electric |
| Camera | Michael Monteiro | Camera Operator |
| Camera | Thomas Asad | Camera Trainee |
| Crew | Rocky Taylor | Stunt Coordinator |
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