In 1941, a Jewish woman on the run with forged papers involuntarily shares a train compartment with a German officer.
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| Directing | Felix Münz | Director |
| Camera | Wiebke Ehrhard | Director of Photography |
| Production | Ute Petermann | Producer |
| Production | Asra Jones | Producer |
| Writing | Felix Münz | Screenplay |
| Crew | Lars Arndt | Set Runner |
| Production | Kolya Schlicht | Producer |
| Camera | Johanna Best | First Assistant "A" Camera |
| Lighting | Niklas Uthe | Lighting Technician |
| Camera | Samuel M'Barek | Second Assistant "A" Camera |
| Production | Asra Jones | Location Manager |
| Costume & Make-Up | Tamina Marquardt | Makeup & Hair |
| Art | Ute Petermann | Production Design |
| Sound | Jan Wilhelm Beyer | Original Music Composer |
| Lighting | Lukas König | Lighting Technician |
| Directing | Stephanie Frohberg | Assistant Director |
| Lighting | Nathalie Linke | Chief Lighting Technician |
| Production | Kolya Schlicht | Location Manager |
| Editing | Lukas Smits | Editor |
| Directing | Markus Meier | Continuity |
| Camera | Jelle Sahmkow | Dolly Grip |
| Camera | Lars Arndt | Still Photographer |
| Visual Effects | Christoph Flegel | VFX Artist |
| Editing | Bianca Zylla | Editor |
| Costume & Make-Up | Susanne Lietzau | Hairstylist |
| Editing | Renè Müller | Color Grading |
| Camera | Niklas Uthe | Still Photographer |
| Crew | Claudia Münz | Catering Head Chef |
| Sound | Christophe Pangels | Sound |
| Sound | Erik Dowideit | Boom Operator |
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