Newly single Brian Connor moves to Maine and buys a long abandoned house in the country. After moving in, he begins to communicate with a woman who lived in the house 50 years ago and who died under mysterious circumstances.
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| Directing | Michael M. Scott | Director |
| Sound | Ian Mackie | Foley Artist |
| Crew | Juliet Smith | Legal Services |
| Sound | Don Harrison | Foley Artist |
| Sound | Chester Bialowas | Sound Designer |
| Editing | Stephen Cheung | Dialogue Editor |
| Editing | David Grave | First Assistant Editor |
| Camera | Adam Sliwinski | Director of Photography |
| Costume & Make-Up | Erin Mackenzie | Makeup Artist |
| Editing | Charles Robichaud | Editor |
| Production | Melissa Perry | Casting |
| Sound | Greg Stewart | Sound Re-Recording Mixer |
| Art | Ric Walkington | Property Master |
| Production | Shana Landsburg | Casting |
| Art | Jill Scott | Production Design |
| Visual Effects | Romald Geoffery | Visual Effects Supervisor |
| Production | Harvey Kahn | Producer |
| Costume & Make-Up | Tana Lynn Moldovanos | Key Makeup Artist |
| Art | Cherie Kroll | Art Direction |
| Sound | Brody Ratsoy | Sound Re-Recording Mixer |
| Production | Alicia Jordan | Casting Assistant |
| Art | Ide Foyle | Set Decoration |
| Camera | Katie Yu | Still Photographer |
| Production | Harvey Kahn | Executive Producer |
| Writing | Duane Poole | Screenplay |
| Production | Jack Grossbart | Executive Producer |
| Costume & Make-Up | Shiva Shabani | Assistant Costume Designer |
| Costume & Make-Up | Rita Mooney | Assistant Hairstylist |
| Production | Michael Shepard | Associate Producer |
| Costume & Make-Up | Rebekka Sorensen | Costume Designer |
| Art | Leesa Hanna | Assistant Set Decoration |
| Camera | Ariane Jonassen | First Assistant "A" Camera |
| Costume & Make-Up | Tina Wilson | Key Costumer |
| Sound | Graeme Coleman | Original Music Composer |
| Production | Michael M. Scott | Executive Producer |
| Camera | Jill MacLauchlan | "A" Camera Operator |
| Camera | Pat Cronin | "B" Camera Operator |
| Directing | Robert S. Weber | Second Assistant Director |
| Camera | Peter Leung | Second Assistant "A" Camera |
| Production | Sara Brown | Extras Casting |
| Costume & Make-Up | Debra Johnson | Key Hair Stylist |
| Production | Gary Saibil | Data Management Technician |
| Camera | Mischa Haman-Dass | First Assistant "B" Camera |
| Sound | Steven Weakes | Production Sound Mixer |
| Camera | Aleks Pichlak | Second Assistant "B" Camera |
| Sound | Paul Novokshonoff | Boom Operator |
| Crew | Chris Wojski | Generator Operator |
| Lighting | Brad Mear | Best Boy Electric |
| Camera | Jules Quesnel | Dolly Grip |
| Production | Yale Kussin | Production Coordinator |
| Production | Mark MacDonald | Second Assistant Production Coordinator |
| Production | Marnie Young | Business Affairs Coordinator |
| Production | Colin House | Assistant Production Coordinator |
| Production | Sarah Pennington | Payroll Accountant |
| Production | Marnie Termuende | Controller |
| Camera | Miguel Gelinas | Key Grip |
| Production | Kathy Eyre Candiago | Production Accountant |
| Production | Geoffrey Dodd | Assistant Location Manager |
| Crew | Tom Blacklock | Special Effects Coordinator |
| Directing | Carol Green-Lundy | Script Supervisor |
| Editing | Gary Shaw | Colorist |
| Crew | Lloyd Adams | Stunt Coordinator |
| Crew | Jim Papadogambros | Transportation Captain |
| Visual Effects | Geoffery Antony | Visual Effects Supervisor |
| Crew | Dawn Knight | Post Production Supervisor |
| Crew | Campbell Watson | Chef |
| Editing | David Grave | Assistant Editor |
| Crew | Glenn Mowatt | Craft Service |
| Editing | David Robinson | Online Editor |
| Crew | Dean Fitzpatrick | Transportation Coordinator |
| Directing | Mike Crain | First Assistant Director |
| Lighting | Ronald Richard | Gaffer |
| Lighting | Mackenzie Dunham | Lighting Technician |
| Lighting | Shea Pollard | Best Boy Electric |
| Production | Allen Lewis | Production Manager |
| Production | Kent Sponagle | Location Manager |
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