Children of Glory will commemorate Hungary's heroic Revolution of 1956, and takes place in Budapest and at the Melbourne Olympic Games in October and November of that year. While Soviet tanks were destroying Hungary, the Hungarian water polo team was winning over the Soviets in the Olympic pool in Melbourne, in what has been described as the bloodiest water polo match in history.
Unfortunately the movie Children of Glory is not yet available on Netflix. Follow us on Facebook to see when Children of Glory becomes available on Netflix!
| Directing | Krisztina Goda | Director |
| Writing | Géza Bereményi | Screenplay |
| Writing | Joe Eszterhas | Screenplay |
| Writing | Éva Gárdos | Screenplay |
| Writing | Réka Divinyi | Screenplay |
| Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
| Production | Tamás Zákonyi S. | Producer |
| Art | Slemer Karolina | Art Department Coordinator |
| Costume & Make-Up | Melinda Domán | Assistant Costume Designer |
| Camera | Tim Wooster | Underwater Camera |
| Costume & Make-Up | Réka Görgényi | Makeup Artist |
| Camera | László Bille | Camera Operator |
| Visual Effects | Gábor Marinov | Visual Effects Supervisor |
| Sound | Mike Dowson | Sound Re-Recording Mixer |
| Lighting | Attila Bilik | Gaffer |
| Visual Effects | Gergõ Gazsy | Visual Effects Supervisor |
| Costume & Make-Up | Judit Halász | Hairstylist |
| Camera | Attila Csoboth | Camera Operator |
| Lighting | Attila Dóczi | Gaffer |
| Crew | János Köporosy | Sound Recordist |
| Sound | Mark Heslop | Supervising Sound Editor |
| Sound | Nick Glennie-Smith | Music |
| Art | Peter Gantner | Set Decoration |
| Art | János Szabolcs | Production Design |
| Camera | János Vecsernyés | Director of Photography |
| Editing | Annamária Szántó Komlóssy | Editor |
| Production | Zsolt Bándi | Casting |
| Art | Zsuzsanna Borvendég | Art Direction |
| Directing | Carmen Tabanyi | Script Supervisor |
| Editing | Éva Gárdos | Editor |
| Art | Judit Csák | Art Direction |
| Sound | Jon Olive | Music Editor |
| Production | Andrew G. Vajna | Producer |
| Camera | Buda Gulyás | Director of Photography |
| Directing | Gabriella Winkler | Script Supervisor |
| Crew | János Csáki | Sound Recordist |
| Editing | Oliver Farkas | Digital Intermediate |
| Camera | Balázs Révész | Steadicam Operator |
| Visual Effects | Gyula Krasnyánszky | Pyrotechnic Supervisor |
| Sound | Paul Govey | Sound Re-Recording Mixer |
| Costume & Make-Up | Klári Szinek | Hairstylist |
| Crew | Iván Pohárnok | Makeup Effects |
| Costume & Make-Up | Zsofia Laczko | Seamstress |
| Sound | Keith Tinman | Sound Effects Editor |
| Camera | Botond Aszalós | Camera Operator |
| Visual Effects | Gábor Kiszelly | Special Effects Supervisor |
| Sound | Thomas Dodgson | Dolby Consultant |
| Editing | Zoltán Kovács | First Assistant Editor |
| Costume & Make-Up | Gabriella Németh | Key Hair Stylist |
| Camera | Zsolt Fehér | First Assistant Camera |
| Sound | Ben Barker | Sound Effects Editor |
| Costume & Make-Up | Balázs Novák | Makeup Artist |
| Costume & Make-Up | Éva Vass | Costume Supervisor |
| Sound | Jack Stew | Foley Artist |
| Art | Gábor Nagy | Set Decoration |
| Production | Sandor Demjan | Executive Producer |
| Production | Clive Parsons | Producer |
| Sound | Ed Colyer | ADR Mixer |
| Sound | Hugo Adams | Foley Editor |
| Sound | Glen Gathard | Assistant Foley Artist |
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