A lifetime of taking shots has ended Rocky’s career, and a crooked accountant has left him broke. Inspired by the memory of his trainer, however, Rocky finds glory in training and takes on an up-and-coming boxer.
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| Art | William J. Cassidy | Production Design |
| Production | Caro Jones | Casting |
| Crew | Bobby Bass | Stunt Coordinator |
| Production | Robert Chartoff | Producer |
| Camera | Steven Poster | Director of Photography |
| Art | William J. Durrell Jr. | Art Direction |
| Sound | Bill Conti | Original Music Composer |
| Crew | Lou Carlucci | Special Effects |
| Crew | Joe Digaetano | Special Effects Coordinator |
| Production | Irwin Winkler | Producer |
| Production | Michael S. Glick | Unit Production Manager |
| Editing | Michael N. Knue | Editor |
| Art | John M. Dwyer | Set Decoration |
| Directing | John G. Avildsen | Director |
| Editing | John G. Avildsen | Editor |
| Crew | Curtis Lupo | Stunt Double |
| Writing | Sylvester Stallone | Writer |
| Art | Charles Sertin | Set Dresser |
| Sound | Peter Michael Sullivan | Sound Effects Editor |
| Sound | Simon Coke | Sound Effects Editor |
| Art | Barton M. Susman | Leadman |
| Camera | Victor Hammer | Additional Photography |
| Editing | Neil Eric Wenger | First Assistant Editor |
| Sound | Ron S. Herbes | Assistant Sound Editor |
| Sound | Steve Livingston | Music Editor |
| Sound | Doc Kane | Foley Mixer |
| Sound | David Behle | Sound Recordist |
| Sound | Joseph Holsen | Sound Effects Editor |
| Sound | Robert Martel | Assistant Sound Editor |
| Sound | Judy Oseransky | Assistant Sound Editor |
| Sound | Katie Rowe | Foley Artist |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Editing | Neil Silver | Assistant Editor |
| Sound | Julia Evershade | Sound Effects Editor |
| Sound | Renée Tondelli | ADR Editor |
| Editing | Robert A. Ferretti | Editor |
| Sound | Stu Bernstein | Sound Effects Editor |
| Editing | Trevor Jolly | Editor |
| Sound | David B. Cohn | Supervising Sound Editor |
| Sound | James Beshears | ADR Supervisor |
| Sound | Sherman Waze | Sound Effects Editor |
| Sound | Allan Bromberg | Sound Effects Editor |
| Sound | Bob O'Brien | Sound Effects Editor |
| Sound | Mark S. Cafolla | Assistant Sound Editor |
| Sound | Gary A. Hecker | Foley Artist |
| Sound | Greg P. Russell | Sound Re-Recording Mixer |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Costume & Make-Up | Katalin Elek | Makeup Artist |
| Editing | Brian Ralph | Negative Cutter |
| Camera | Ben Beaird | Key Grip |
| Editing | Alessandra Carlino | Assistant Editor |
| Editing | Douglas Brumer | Assistant Editor |
| Camera | Robert LaBonge | Camera Operator |
| Art | Donald F. Winter | Construction Coordinator |
| Camera | George Kohut | Camera Operator |
| Production | Jack Jones | Casting Assistant |
| Crew | Clement Scheaffer | Cableman |
| Crew | David Fletcher | Special Effects |
| Crew | Dennis Petersen | Special Effects |
| Camera | Clayton J. Liotta | First Assistant Camera |
| Writing | Sylvester Stallone | Characters |
| Sound | Harry B. Miller III | Sound Effects Editor |
| Editing | Fran Kaplan | Assistant Editor |
| Sound | Samuel C. Crutcher | Sound Effects Editor |
| Sound | Jack Keller | Sound Recordist |
| Production | Missy Pray | Assistant Production Coordinator |
| Camera | Michael A. FauntLeRoy Sr. | First Assistant Camera |
| Camera | Peter Kuttner | First Assistant Camera |
| Costume & Make-Up | Brad Anderson | Costumer |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Sound | Lauren Palmer | ADR Editor |
| Camera | Kathina Szeto | Second Assistant Camera |
| Lighting | James Plannette | Chief Lighting Technician |
| Production | Diane Kirman | Extras Casting |
| Sound | Matthew C. May | First Assistant Sound Editor |
| Production | Laura Tateishi | Production Coordinator |
| Camera | Sam Emerson | Still Photographer |
| Costume & Make-Up | Barton Kent James | Costume Supervisor |
| Costume & Make-Up | Carol Schwartz | Makeup Artist |
| Sound | Ken Johnson | Music Editor |
| Crew | Terry Funk | Stunts |
| Lighting | Danny Buck | Chief Lighting Technician |
| Sound | Forrest Williams | Boom Operator |
| Camera | Anastas N. Michos | Camera Operator |
| Production | Tony Dinizo | Extras Casting |
| Costume & Make-Up | Jay Cannistraci | Makeup Artist |
| Art | Audrey A. Johnson | Assistant Property Master |
| Costume & Make-Up | Ed Fincher | Costumer |
| Costume & Make-Up | Michael Westmore | Special Effects Makeup Artist |
| Costume & Make-Up | Frank Carrisosa | Makeup Artist |
| Camera | Marty Wayne Eichman | Key Grip |
| Lighting | Andrew M. Nelson | Best Boy Electric |
| Production | Lori A. Balton | Assistant Location Manager |
| Art | Kent H. Johnson | Property Master |
| Sound | John P. Fasal | Sound Effects |
| Sound | Debra Dobb | Sound Recordist |
| Production | Barbara Spitz | Casting Assistant |
| Costume & Make-Up | Carole Brown-James | Costume Supervisor |
| Sound | Barry Thomas | Sound Mixer |
| Camera | Stephen V. Isbell | Best Boy Grip |
| Lighting | Byron White | Best Boy Electric |
| Costume & Make-Up | Sugar Blymyer | Hairstylist |
| Editing | Phil Hetos | Color Timer |
| Camera | Charles Lantz | Dolly Grip |
| Costume & Make-Up | Leah Brown | Costumer |
| Production | Meredith Jacobson Marciano | Extras Casting |
| Crew | Mark De Alessandro | Stunt Double |
| Production | Michael S. Glick | Executive Producer |
| Directing | Hope R. Goodwin | Second Assistant Director |
| Directing | Kathryn Weygand | Script Supervisor |
| Production | Tony Munafo | Associate Producer |
| Production | Janice Polley | Location Manager |
| Directing | Clifford C. Coleman | First Assistant Director |
| Directing | Richard Wright | Second Second Assistant Director |
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