A group of elite soldiers sent to infiltrate and extract the lead science team from Pine Gap, Australia's top secret underground military compound, after it comes under attack from unknown forces. The mission is compromised when they encounter a young woman with no memory of who she is or how she came to be there. As they try to escape, the group quickly discovers all is not as it seems and the facility has become a testing ground for something far more sinister.
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| Costume & Make-Up | Lulu McClatchy | Assistant Makeup Artist |
| Art | Anna O'Donnell | Art Department Assistant |
| Visual Effects | Kevin Russell | VFX Artist |
| Art | Pippa Sheen | Art Department Coordinator |
| Camera | Jamie Leckie | Key Grip |
| Production | Emma Sullivan | Production Assistant |
| Production | Lon Haber | Publicist |
| Costume & Make-Up | Jessica Moran | Assistant Makeup Artist |
| Directing | Nathan Hart | Second Assistant Director |
| Visual Effects | David Smith | VFX Artist |
| Costume & Make-Up | Justin Dix | Makeup Effects Designer |
| Costume & Make-Up | Vaso Babic | Special Effects Makeup Artist |
| Camera | Dan Mitton | Dolly Grip |
| Camera | Jake Hill | Additional Grip |
| Writing | Eddie Baroo | Writer |
| Writing | Justin Dix | Writer |
| Directing | Justin Dix | Director |
| Writing | Adam Patrick Foster | Writer |
| Art | Justin Dix | Production Design |
| Directing | Kelly Hucker | Script Supervisor |
| Sound | Andrew McGrath | ADR Engineer |
| Sound | Gretchen Thornburn | Sound Recordist |
| Production | Justin Dix | Producer |
| Writing | Regina Lee | Script Consultant |
| Sound | Ramsay De Marco | ADR Recordist |
| Costume & Make-Up | Mia Kate Russell | Makeup Department Head |
| Costume & Make-Up | Stacey O'Connor | Costumer |
| Sound | Carlo Cosentino | Sound Editor |
| Production | Janni Alexander | Production Accountant |
| Visual Effects | Marty Pepper | Visual Effects |
| Editing | Jon Jorgensen | Assistant Editor |
| Editing | Dave Redman | Editor |
| Camera | James Puli | Steadicam Operator |
| Sound | Cam Eason | Boom Operator |
| Sound | Hayden Collow | Sound Effects Editor |
| Visual Effects | Mark Holman Harris | Visual Effects Supervisor |
| Art | Rolland Pike | Art Direction |
| Production | John Finemore | Producer |
| Sound | Jamie Blanks | Music |
| Editing | Marty Pepper | Colorist |
| Directing | Nathan Croft | First Assistant Director |
| Sound | Jamie Murgatroyd | Music |
| Art | Dean Norman | Construction Manager |
| Visual Effects | Peter Stubbs | Special Effects Supervisor |
| Lighting | Fraser Pilkington | Best Boy Electric |
| Sound | Paul Pirola | Sound Designer |
| Lighting | Colin Williams | Gaffer |
| Production | Peter Rasmussen | Casting Associate |
| Crew | Scott Warwick | Armorer |
| Sound | Adam Hunt | Sound Assistant |
| Production | Louise Mitchell | Casting |
| Costume & Make-Up | Polly Smyth | Costume Designer |
| Production | Nicholas Sherry | Producer |
| Camera | Simon Ozolins | Director of Photography |
| Camera | Steven Bailey | First Assistant Camera |
| Visual Effects | Cameron Smith | Visual Effects Supervisor |
| Lighting | Thom Holt | Best Boy Electric |
| Lighting | Morten Boserup | Electrician |
| Sound | Leah Katz | Dialogue Editor |
| Production | Virginia Kay | Production Manager |
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