A group of elite soldiers sent to infiltrate and extract the lead science team from Pine Gap, Australia's top secret underground military compound, after it comes under attack from unknown forces. The mission is compromised when they encounter a young woman with no memory of who she is or how she came to be there. As they try to escape, the group quickly discovers all is not as it seems and the facility has become a testing ground for something far more sinister.
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| Camera | Dan Mitton | Dolly Grip |
| Camera | Jamie Leckie | Key Grip |
| Camera | Jake Hill | Additional Grip |
| Production | Lon Haber | Publicist |
| Costume & Make-Up | Lulu McClatchy | Assistant Makeup Artist |
| Visual Effects | Kevin Russell | VFX Artist |
| Visual Effects | David Smith | VFX Artist |
| Art | Pippa Sheen | Art Department Coordinator |
| Costume & Make-Up | Justin Dix | Makeup Effects Designer |
| Costume & Make-Up | Vaso Babic | Special Effects Makeup Artist |
| Art | Anna O'Donnell | Art Department Assistant |
| Production | Emma Sullivan | Production Assistant |
| Costume & Make-Up | Jessica Moran | Assistant Makeup Artist |
| Directing | Nathan Hart | Second Assistant Director |
| Directing | Justin Dix | Director |
| Writing | Justin Dix | Writer |
| Writing | Adam Patrick Foster | Writer |
| Writing | Eddie Baroo | Writer |
| Visual Effects | Cameron Smith | Visual Effects Supervisor |
| Editing | Dave Redman | Editor |
| Production | John Finemore | Producer |
| Sound | Jamie Blanks | Music |
| Costume & Make-Up | Mia Kate Russell | Makeup Department Head |
| Lighting | Thom Holt | Best Boy Electric |
| Lighting | Morten Boserup | Electrician |
| Art | Justin Dix | Production Design |
| Production | Nicholas Sherry | Producer |
| Visual Effects | Marty Pepper | Visual Effects |
| Art | Dean Norman | Construction Manager |
| Lighting | Colin Williams | Gaffer |
| Production | Peter Rasmussen | Casting Associate |
| Sound | Jamie Murgatroyd | Music |
| Costume & Make-Up | Polly Smyth | Costume Designer |
| Lighting | Fraser Pilkington | Best Boy Electric |
| Camera | Steven Bailey | First Assistant Camera |
| Camera | Simon Ozolins | Director of Photography |
| Production | Justin Dix | Producer |
| Art | Rolland Pike | Art Direction |
| Visual Effects | Peter Stubbs | Special Effects Supervisor |
| Camera | James Puli | Steadicam Operator |
| Production | Louise Mitchell | Casting |
| Visual Effects | Mark Holman Harris | Visual Effects Supervisor |
| Costume & Make-Up | Stacey O'Connor | Costumer |
| Sound | Cam Eason | Boom Operator |
| Sound | Leah Katz | Dialogue Editor |
| Directing | Kelly Hucker | Script Supervisor |
| Sound | Andrew McGrath | ADR Engineer |
| Crew | Scott Warwick | Armorer |
| Sound | Paul Pirola | Sound Designer |
| Editing | Jon Jorgensen | Assistant Editor |
| Sound | Gretchen Thornburn | Sound Recordist |
| Directing | Nathan Croft | First Assistant Director |
| Sound | Carlo Cosentino | Sound Editor |
| Sound | Hayden Collow | Sound Effects Editor |
| Production | Virginia Kay | Production Manager |
| Production | Janni Alexander | Production Accountant |
| Sound | Adam Hunt | Sound Assistant |
| Editing | Marty Pepper | Colorist |
| Writing | Regina Lee | Script Consultant |
| Sound | Ramsay De Marco | ADR Recordist |
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