Lt. Dave Robicheaux, a detective in New Iberia, Louisiana, is trying to link the murder of a local hooker to New Orleans mobster Julie (Baby Feet) Balboni, who is co-producer of a Civil War film. At the same time, after Elrod Sykes, the star of the film, reports finding another corpse in the Atchafalaya Swamp near the movie set, Robicheaux starts another investigation, believing the corpse to be the remains of a black man who he saw being murdered 35 years before.
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| Camera | Bruno de Keyzer | Director of Photography |
| Production | Lisa Mae Fincannon | Casting |
| Production | Deborah Dobson Bach | Producer |
| Production | Michael Fitzgerald | Producer |
| Art | Merideth Boswell | Production Design |
| Directing | Bertrand Tavernier | Director |
| Production | Penelope Glass | Executive Producer |
| Sound | Marco Beltrami | Original Music Composer |
| Production | Gulnara Sarsenova | Executive Producer |
| Writing | James Lee Burke | Novel |
| Writing | Jerzy Kromolowski | Screenplay |
| Editing | Larry Madaras | Editor |
| Editing | Thierry Derocles | Editor |
| Writing | Mary Olson-Kromolowski | Screenplay |
| Editing | Roberto Silvi | Editor |
| Production | Jeanne McCarthy | Casting |
| Production | Frédéric Bourboulon | Producer |
| Editing | Cindy Bond | Digital Intermediate Producer |
| Art | Sara L. Holman | Art Department Coordinator |
| Costume & Make-Up | Marcia Evers | Seamstress |
| Camera | Chris Squires | Steadicam Operator |
| Visual Effects | Alicia Johnson | Visual Effects Coordinator |
| Art | Kelly Curley | Art Direction |
| Costume & Make-Up | Caryn Frankenfield | Set Costumer |
| Lighting | James Trapper McEvoy | Rigging Grip |
| Costume & Make-Up | Kathy Kiatta | Costume Design |
| Lighting | Wells A. Smith | Rigging Grip |
| Crew | Stephen Bourgeois | Special Effects Coordinator |
| Costume & Make-Up | Allison Gordin | Makeup Artist |
| Costume & Make-Up | Kellie Robinson | Makeup Artist |
| Costume & Make-Up | Remi Savva | Makeup Artist |
| Editing | Jesse Wagler | Digital Intermediate |
| Production | Nicole Abellera Hallman | Casting Associate |
| Art | John Patterson | Construction Coordinator |
| Crew | David K. Nami | Special Effects Coordinator |
| Sound | Jason Ruder | Music Editor |
| Camera | Henry Tirl | Steadicam Operator |
| Visual Effects | David Sosalla | Visual Effects Supervisor |
| Crew | Neil Stockstill | Special Effects Coordinator |
| Sound | Jacqueline Simms | Music Supervisor |
| Sound | Tim LeBlanc | Sound Re-Recording Mixer |
| Costume & Make-Up | Donna Spahn | Hair Department Head |
| Visual Effects | Ladd Lanford | Visual Effects Producer |
| Sound | Heather Gross | Sound Effects Editor |
| Sound | David Bach | Sound Re-Recording Mixer |
| Sound | Olivier Dô Hùu | Sound Re-Recording Mixer |
| Production | Shannon DeAntonio | Casting Associate |
| Sound | Johnny Caruso | Music Editor |
| Sound | Trevor Ward | Dolby Consultant |
| Costume & Make-Up | Yolanda Mercadel | Key Hair Stylist |
| Art | Elizabeth Keenan | Set Decoration |
| Costume & Make-Up | Leeann Radeka | Costume Supervisor |
| Editing | Florent Danny Retz | First Assistant Editor |
| Directing | Samuel W. Sullivan | Script Supervisor |
| Lighting | Ferdinand Duplantier Jr. | Rigging Gaffer |
| Sound | Bridget O'Driscoll | Supervising Sound Editor |
| Sound | Mark Allen | Sound Effects Editor |
| Costume & Make-Up | Tarra D. Day | Makeup Department Head |
| Editing | Alicia Johnson | Digital Intermediate |
| Sound | Paul Ledford | Sound Mixer |
| Sound | Kira Roessler | Dialogue Editor |
| Sound | Christopher Moriana | Foley Artist |
| Sound | Catherine Harper | Foley Artist |
| Sound | Manuel Vidal | Dialogue Editor |
| Art | Keith Walters | Property Master |
| Crew | Jim Robin | Driver |
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