After Marnie Watson kills her abusive husband in self-defense, she is condemned to house arrest... only to discover that the house is possessed by the enraged and violent spirit of her dead husband.
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Directing | Eric Red | Director |
Writing | Eric Red | Writer |
Production | Sarah Black | Producer |
Production | Ed Elbert | Producer |
Production | Jonathan Sanger | Producer |
Camera | Ken Kelsch | Director of Photography |
Editing | Anthony Redman | Editor |
Production | Nancy Foy | Casting |
Art | Márton Ágh | Production Design |
Art | Judit Varga | Art Direction |
Costume & Make-Up | Bridget O'Neill | Makeup Department Head |
Production | Stephen L'Heureux | Producer |
Art | Richard Tenewitz | Construction Coordinator |
Crew | Rachael Weinzimer | Property Master |
Sound | Tony Margulies | Foley |
Sound | Stephen Hunter Flick | Supervising Sound Editor |
Sound | Peter Michael Sullivan | Sound Re-Recording Mixer |
Crew | Robert G. Willard | Special Effects Coordinator |
Visual Effects | Matthew Gratzner | Visual Effects Supervisor |
Visual Effects | David Sanger | Visual Effects Producer |
Crew | Zoltán Gulyás Kiss | Stunt Coordinator |
Lighting | Brian Pryzpek | Gaffer |
Lighting | Péter Sidló | Gaffer |
Sound | Lisa A. Arpino | Music Editor |
Costume & Make-Up | Éva Vass | Costume Design |
Sound | John Frizzell | Original Music Composer |
Crew | Robert Chapin | Digital Supervisor |
Production | Steven Schneider | Co-Executive Producer |
Art | József Kiss | Construction Manager |
Art | Victor Littlejohn | Props |
Camera | István Gottmann | Assistant Camera |
Camera | Ákos Gulyás | Assistant Camera |
Camera | Károly Kamerda | Assistant Camera |
Lighting | Chris Zizzo | Best Boy Electric |
Camera | Attila Szücs | Dolly Grip |
Lighting | Péter Pozsonyi | Electrician |
Camera | Zsolt Big Nagy | Epk Camera Operator |
Camera | Rob Koch | First Assistant "A" Camera |
Camera | Gusztáv Kirsch | Focus Puller |
Camera | Vilmos Keszler | Grip |
Camera | Liz Sales | Second Assistant "A" Camera |
Camera | Gábor Garai | Second Assistant Camera |
Costume & Make-Up | Kelly Marazzi | Hairstylist |
Costume & Make-Up | Tina LaSpina | Key Makeup Artist |
Costume & Make-Up | Réka Görgényi | Makeup Artist |
Costume & Make-Up | Eileen Kastner-Delago | Makeup Artist |
Costume & Make-Up | Paul Jones | Makeup Effects Designer |
Production | Bryan Riley | Casting Associate |
Production | Lee Genick | Extras Casting |
Costume & Make-Up | Melinda Domán | Assistant Costume Designer |
Costume & Make-Up | Shelby Saboy | Key Costumer |
Costume & Make-Up | Veronika Szigeti | Key Costumer |
Crew | Ferenc Gombás | Pyrotechnician |
Crew | Corey Helmer | Pyrotechnician |
Crew | Ferenc Hábetler | Pyrotechnician |
Crew | Norbert Orosz | Pyrotechnician |
Crew | Attila Török | Pyrotechnician |
Crew | Attila Vásári | Pyrotechnician |
Visual Effects | Ferenc Török | Pyrotechnic Supervisor |
Visual Effects | Matt Kutcher | Special Effects Supervisor |
Crew | Lori Freitag-Hild | Compositor |
Visual Effects | Jeffrey Jasper | Digital Compositor |
Visual Effects | Matt Kelly | Digital Compositor |
Visual Effects | James Pastorius | Digital Compositor |
Crew | Michael Theurer | Digital Producer |
Visual Effects | Llyr Tobias Johansen | Visual Effects Coordinator |
Directing | Michelangelo Csaba Bolla | First Assistant Director |
Directing | Peter Pálka | First Assistant Director |
Directing | Orsolya Vercz | Script Supervisor |
Editing | George Papuashvili | Additional Editor |
Editing | Dávid Jancsó | Assistant Editor |
Editing | Michael Nouryeh | Associate Editor |
Editing | Gilbert Carreras | Color Timer |
Editing | Paul Allia | Colorist |
Editing | Benedek Kabán | Colorist |
Editing | Adam Hawkey | Digital Intermediate Colorist |
Editing | Brian Beard | Digital Intermediate Editor |
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