A cybercrime investigator tracks a man suspected of force-feeding women to death.
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Directing | Brett Leonard | Director |
Writing | Kieran Galvin | Writer |
Writing | Patrick Thompson | Idea |
Writing | Alex O'Loughlin | Idea |
Editing | Mark Bennett | Editor |
Costume & Make-Up | Helen Mather | Costume Design |
Art | Jessamy Llewelyn | Production Design |
Camera | Steve Arnold | Director of Photography |
Crew | John Walton | Stunt Coordinator |
Crew | Mike Duncan | Stunts |
Writing | Patrick Thompson | Story |
Production | Chris Foster | Executive Producer |
Production | Sandy Stevens | Production Manager |
Production | Leonard Coster | Production Supervisor |
Crew | David Trethewey | Special Effects |
Production | Alex O'Loughlin | Co-Producer |
Production | Jack Thompson | Executive Producer |
Sound | Geoff Michael | Music |
Art | Lisa Scope | Location Scout |
Production | John Lee | Associate Producer |
Sound | Gregg Leonard | Music |
Production | Melissa Beauford | Producer |
Production | Greg Quail | Executive Producer |
Production | Patrick Thompson | Co-Producer |
Directing | Sarah Muir | Continuity |
Production | John Gregory | Executive Producer |
Directing | Kristin Witcombe | Continuity |
Writing | Alex O'Loughlin | Story |
Crew | Jan Christian Frugård | Post Production Assistant |
Directing | Gillian Stein | Script Supervisor |
Production | Brendan Fitzgerald | Unit Manager |
Costume & Make-Up | Michelle Chung | Makeup Artist |
Camera | David Carrette | Additional Photography |
Costume & Make-Up | Emily Hunt | Makeup Artist |
Costume & Make-Up | Debbie Muller | Makeup Artist |
Crew | Mike Duncan | Stunts |
Lighting | Brian Cole | Electrician |
Costume & Make-Up | Erin Leaman | Makeup Artist |
Costume & Make-Up | Sherry Hubbard | Assistant Makeup Artist |
Art | Suzanne Auerswald | Props |
Camera | Andrew Davey | Additional Photography |
Costume & Make-Up | Gab Facchinei | Makeup Artist |
Costume & Make-Up | Marea Fowler | Makeup Artist |
Costume & Make-Up | Nick Nicolaou | Prosthetic Makeup Artist |
Crew | Leonard Coster | Post Production Supervisor |
Directing | John Clabburn | Second Assistant Director |
Art | John Snee | Art Department Assistant |
Lighting | Andrew Davey | Electrician |
Crew | Grant Biffin | Makeup Effects |
Art | Becky Dickinson | Set Dresser |
Art | Anne Robinson | Art Department Assistant |
Directing | Michael Samer | Third Assistant Director |
Crew | Matt Chance | Compositor |
Visual Effects | Jamal Knight | Digital Compositor |
Art | Michel Westoll | Art Department Assistant |
Art | Kurtis Richmond | Main Title Designer |
Costume & Make-Up | Sam Jinks | Makeup Artist |
Costume & Make-Up | Paul Katte | Prosthetic Makeup Artist |
Visual Effects | Jodie Camilleri | Visual Effects Producer |
Visual Effects | Ben Folkman | VFX Supervisor |
Visual Effects | Melanie Marcello | Visual Effects Coordinator |
Camera | Robert Agganis | Steadicam Operator |
Camera | Brian Cole | Additional Photography |
Costume & Make-Up | Jo Cotter | Makeup Supervisor |
Sound | Gregg Leonard | Music Supervisor |
Art | Megan Riakos | Property Master |
Visual Effects | Kate Auld | Digital Compositor |
Crew | Paul Katte | Makeup Effects |
Crew | Nick Nicolaou | Makeup Effects |
Crew | John Walton | Stunt Coordinator |
Costume & Make-Up | Nicole Schipilliti | Assistant Makeup Artist |
Directing | Gordon Westman | First Assistant Director |
Art | Jamie Gerlach | Art Department Coordinator |
Art | Tisha Lazaro | Graphic Designer |
Editing | Mark Doney | Online Editor |
Editing | Warren Lynch | Colorist |
Camera | Peter Carrette | Still Photographer |
Editing | Nicole Bou-Samra | Assistant Editor |
Lighting | Jimmy Page | Best Boy Electric |
Sound | Nicholas Byrnes | Foley Editor |
Production | Brendan Fitzgerald | Unit Manager |
Art | Suzanne Auerswald | Set Dresser |
Art | Bertie Blackman | Art Department Assistant |
Production | Candace McMillan | Post Coordinator |
Sound | Helen Brown | Foley Artist |
Sound | Jake Brown | Boom Operator |
Camera | Tom Gleeson | Additional Photography |
Production | Annmaree Bell | Production Secretary |
Sound | Peter Cormack | Foley Editor |
Crew | John Robinson | Makeup Effects |
Art | Kate Auld | Main Title Designer |
Camera | Inaki De Ubago | Second Assistant Camera |
Editing | Jeff Gaunt | Online Editor |
Visual Effects | Elie Jamaa | Visual Effects |
Directing | Joshua Watkins | Second Assistant Director |
Art | Felix Blackman | Graphic Designer |
Crew | Tim Jones | Compositor |
Visual Effects | Kurtis Richmond | Matte Painter |
Crew | Dan Weavell | Stunt Double |
Crew | Brycen Horne | Second Unit |
Camera | Brycen Horne | Focus Puller |
Production | Rhiannon Beattie | Production Assistant |
Production | Fiona Dunford | Production Assistant |
Camera | Inaki De Ubago | Assistant Camera |
Editing | Matt Bennett | Online Editor |
Crew | Tony Garland | Armorer |
Production | Sophie Dick | Production Coordinator |
Editing | Laurie Hughes | Assistant Editor |
Sound | John Dennison | Sound Supervisor |
Sound | Bruce Emery | Dolby Consultant |
Sound | Luke Young | Foley Editor |
Camera | Liam Resnekov | Assistant Camera |
Lighting | Andrew Robertson | Gaffer |
Editing | Colin Renshaw | Online Editor |
Sound | Mark Cornish | Sound Recordist |
Editing | Jamal Knight | Online Editor |
Sound | Matt Connolly | Sound Designer |
Sound | Tony Vaccher | Recording Supervision |
Editing | Antony Haberl | Online Editor |
Production | Steven Rosen | Production Accountant |
Sound | Duncan McAllister | Foley Recordist |
Sound | Pete Jones | Sound Designer |
Sound | Steve Lambeth | Dialogue Editor |
Sound | John Dennison | Recording Supervision |
Sound | Warren Pearson | Sound Supervisor |
Costume & Make-Up | Colin Wilson | Makeup Artist |
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