Until now, Zak Gibbs' greatest challenge has been to find a way to buy a car. But when he discovers an odd wristwatch amidst his father's various inventions and slips it on -- something very strange happens. The world around him seems to come to a stop, everything and everybody frozen in time. Zak quickly learns how to manipulate the device and he and his quick-witted and beautiful new friend, Francesca, start to have some real fun.
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| Visual Effects | Karl Rumpf | Visual Effects Coordinator |
| Costume & Make-Up | Richard Snell | Key Makeup Artist |
| Visual Effects | Lynn Basas | Modelling Supervisor |
| Art | Chuck Coffman | Set Dresser |
| Visual Effects | Philip Sisk | Digital Compositor |
| Crew | Kino Scialabba | Visual Effects Art Director |
| Visual Effects | Tiffany Smith | Visual Effects Coordinator |
| Costume & Make-Up | Joy Zapata | Hair Department Head |
| Visual Effects | Ken Sjogren | Digital Compositor |
| Visual Effects | Christopher Duddy | VFX Director of Photography |
| Costume & Make-Up | Linda Arnold | Key Hair Stylist |
| Art | Michael C. Magno | Set Dresser |
| Visual Effects | Ramprasad Sampath | Visual Effects Technical Director |
| Visual Effects | Kenneth Littleton | Digital Compositor |
| Art | Jay Koiwai | Standby Painter |
| Crew | David Altenau | Digital Effects Supervisor |
| Visual Effects | Andrew Honacker | Pre-Visualization Supervisor |
| Crew | Jason Piccioni | Digital Effects Supervisor |
| Visual Effects | Eric Swenson | VFX Director of Photography |
| Art | Cindy Murphy | Art Department Assistant |
| Visual Effects | Serena Rainbow Naramore | Roto Supervisor |
| Visual Effects | Renée Tymn | Digital Compositor |
| Visual Effects | Karen Klein | Digital Compositor |
| Visual Effects | Christopher Lance | Digital Compositor |
| Visual Effects | Tony Noel | Digital Compositor |
| Visual Effects | Kim O'Donnell | Digital Compositor |
| Writing | Andy Hedden | Writer |
| Writing | Rob Hedden | Writer |
| Production | Mary Gail Artz | Casting |
| Production | Gale Anne Hurd | Producer |
| Production | Barbara Cohen | Casting |
| Directing | Jonathan Frakes | Director |
| Costume & Make-Up | Deborah Everton | Costume Design |
| Production | Julia Pistor | Producer |
| Visual Effects | Michael L. Fink | Visual Effects Supervisor |
| Directing | Judi Brown | Script Supervisor |
| Sound | Tony Lamberti | Sound Effects Editor |
| Camera | Claudette Barius | Still Photographer |
| Crew | Aprile Lanza Boettcher | Scenic Artist |
| Camera | Lawrence Karman | Steadicam Operator |
| Production | Deborah J. Page | Location Manager |
| Crew | Lynn Garrido | Special Effects Coordinator |
| Camera | Jeffrey Greeley | Camera Operator |
| Sound | Randy Kelley | Sound Effects Editor |
| Crew | Richard O. Helmer | Special Effects Coordinator |
| Costume & Make-Up | Steve Constancio | Set Costumer |
| Crew | David Mortimer | Unit Publicist |
| Art | Joel Ariniello | Set Designer |
| Camera | Michael J. Walker | Camera Operator |
| Costume & Make-Up | Kenny Myers | Makeup Department Head |
| Crew | Rick Avery | Stunt Coordinator |
| Crew | Michael Menapace | Transportation Coordinator |
| Editing | Jeff Canavan | Editor |
| Art | Pam Cartmel | Art Department Coordinator |
| Camera | David Gasperik | Camera Operator |
| Editing | Peter E. Berger | Editor |
| Art | Kevin Kavanaugh | Art Direction |
| Art | Brana Rosenfeld | Set Decoration |
| Sound | Lon Bender | Sound Designer |
| Crew | Lubo Hristov | Visual Effects Art Director |
| Crew | Gary Monak | Special Effects Coordinator |
| Crew | Lucas Moore | Studio Teachers |
| Art | Marek Dobrowolski | Production Design |
| Art | Rodney Armanino | Construction Coordinator |
| Art | Alan Allinger | Construction Foreman |
| Sound | Harry Cohen | Sound Effects Editor |
| Visual Effects | Jacqui Lopez | Visual Effects Producer |
| Sound | Geoffrey G. Rubay | Supervising Sound Editor |
| Production | Diane L. Sabatini | Production Supervisor |
| Art | Randall S. Coe | Construction Foreman |
| Sound | Bruce Tanis | Sound Effects Editor |
| Crew | Steve Rhee | Visual Effects Editor |
| Costume & Make-Up | Maggie Bailey | Set Costumer |
| Art | Natalie Richards | Assistant Art Director |
| Production | Robert Brooks Mendel | Location Manager |
| Visual Effects | Gayle Busby | Visual Effects Producer |
| Production | Lisa Blok-Linson | Location Manager |
| Crew | Hi-Hat | Choreographer |
| Visual Effects | Steve Wright | Digital Compositor |
| Camera | Tim Suhrstedt | Director of Photography |
| Crew | Leigh Hennessy | Stunts |
| Art | John Mann | Storyboard Artist |
| Camera | Paul Hughen | Second Unit Director of Photography |
| Sound | Zack Davis | ADR Supervisor |
| Sound | Mike Szakmeister | Supervising Dialogue Editor |
| Sound | Vic Radulich | Dialogue Editor |
| Sound | Jamshied Sharifi | Original Music Composer |
| Art | Bill MacSems | Property Master |
| Sound | Mark C. Grech | Boom Operator |
| Crew | Freddy Bouciegues | Stunts |
| Crew | Joey Box | Utility Stunts |
| Directing | Rosemary C. Cremona | Second Assistant Director |
| Camera | Paul V. Ferrazzi | First Assistant "A" Camera |
| Directing | Rick Avery | Second Unit Director |
| Directing | Carla Bowen | Second Unit First Assistant Director |
| Art | Thomas Betts | Set Designer |
| Sound | David E. Fluhr | Sound Re-Recording Mixer |
| Crew | Hubie Kerns Jr. | Stunt Driver |
| Lighting | Damon Doherty | Rigging Grip |
| Production | Jennifer Bender | Extras Casting |
| Art | David Rottenberg | Assistant Property Master |
| Production | Carol Sue Byron | Production Accountant |
| Writing | J. David Stem | Writer |
| Production | David B. Householter | Unit Production Manager |
| Lighting | Matt Bardocz | Best Boy Electric |
| Costume & Make-Up | Carlos Rosario | Assistant Costume Designer |
| Writing | David N. Weiss | Writer |
| Production | Albie Hecht | Executive Producer |
| Editing | Donald Freeman | Colorist |
| Art | Fireball Tim Lawrence | Storyboard Artist |
| Directing | Ruby Stillwater | Second Second Assistant Director |
| Production | Leanna Sheldon | Casting Associate |
| Sound | James Sall | Music Coordinator |
| Costume & Make-Up | Vivian Baker | Makeup Artist |
| Editing | J.P. "Brendan" Bernardo | Assistant Editor |
| Directing | Ian Woolf | First Assistant Director |
| Art | Jennifer Dawson | Assistant Property Master |
| Crew | Robert Allen | Set Medic |
| Camera | Paul Goodstein | Key Grip |
| Sound | Jim Stuebe | Sound Mixer |
| Camera | Matt Guiza | Second Assistant Camera |
| Crew | Joni Avery | Stunts |
| Production | Jennifer Campbell | Production Coordinator |
| Sound | Geoffrey G. Rubay | Sound Designer |
| Sound | Robin Harlan | Foley Artist |
| Sound | Randy Singer | Foley Mixer |
| Camera | Thomas J. Ruffner | Dolly Grip |
| Sound | Sarah Monat | Foley Artist |
| Editing | Michael T. Wilson | Assistant Editor |
| Camera | Clint J. Borden | Dolly Grip |
| Lighting | Paul W. McIlvane | Chief Lighting Technician |
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