Five medical students want to find out if there is life after death. They plan to stop one of their hearts for a few seconds, thus simulating death, and then bring the person back to life.
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| Costume & Make-Up | Ve Neill | Makeup Artist |
| Directing | Joel Schumacher | Director |
| Writing | Peter Filardi | Writer |
| Sound | Jim Weidman | Music Editor |
| Directing | Pamela Alch | Script Supervisor |
| Sound | Richard Rudolph | Music Supervisor |
| Production | Mali Finn | Casting |
| Editing | Robert Brown | Editor |
| Camera | Jan de Bont | Director of Photography |
| Production | Michael Douglas | Producer |
| Production | Peter Filardi | Executive Producer |
| Sound | Richard C. Franklin | Supervising Sound Editor |
| Crew | Bill Erickson | Stunt Coordinator |
| Production | Shari Leibowitz | Production Coordinator |
| Production | Scott Rudin | Executive Producer |
| Production | Michael I. Rachmil | Executive Producer |
| Costume & Make-Up | Yolanda Toussieng | Hairstylist |
| Art | Eugenio Zanetti | Production Design |
| Production | Stephen McEveety | Unit Production Manager |
| Costume & Make-Up | Susan Becker | Costume Design |
| Sound | James Newton Howard | Original Music Composer |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Art | Anne Kuljian | Set Decoration |
| Production | Rick Bieber | Producer |
| Art | Jim Dultz | Art Direction |
| Crew | Michael Burnett | Makeup Effects |
| Crew | Chantal Feghali | Post Production Supervisor |
| Production | Jacolyn Baker | Location Manager |
| Camera | Calmar Roberts | First Assistant Camera |
| Camera | Gene Kearney | Key Grip |
| Crew | Martin T. Hill | Transportation Captain |
| Directing | John T. Kretchmer | First Assistant Director |
| Editing | Phil Hetos | Color Timer |
| Camera | Michael Scott | Camera Operator |
| Crew | Ramon Pahoyo | Craft Service |
| Sound | Anna Behlmer | Sound Recordist |
| Art | Greg John Callas | Construction Coordinator |
| Sound | Geoffrey Patterson | Boom Operator |
| Sound | Angie Luckey | Assistant Sound Editor |
| Art | Richard Hoffenberg | Construction Foreman |
| Costume & Make-Up | Marlene Hajdu | Set Costumer |
| Camera | Christine M. Loss | Still Photographer |
| Crew | Michael Denering | Scenic Artist |
| Art | William A. Petrotta | Property Master |
| Art | Laurence Byrne | Art Department Assistant |
| Crew | William F. Hogan | Transportation Co-Captain |
| Lighting | Moose Enright | Electrician |
| Art | Stephen Homsy | Set Designer |
| Costume & Make-Up | Rosemarie Fall | Costume Supervisor |
| Production | Ray Zimmerman | Production Accountant |
| Production | Susan Trembly | Publicist |
| Sound | Shawn Murphy | Sound Mixer |
| Crew | Armand Paoletti | Transportation Coordinator |
| Lighting | Ted J. Kredo | Best Boy Electric |
| Editing | Jim Prior | Additional Editing |
| Sound | David MacMillan | Production Sound Mixer |
| Sound | Paul Timothy Carden | Sound Editor |
| Visual Effects | Peter Donen | Visual Effects Supervisor |
| Sound | John Roesch | Foley Artist |
| Art | Michael R. Gannon | Assistant Property Master |
| Production | Megan McConnell | Casting Assistant |
| Sound | Marty Paich | Conductor |
| Production | Marsha Zvonkin | Assistant Accountant |
| Production | Tammy Karabas | Assistant Production Coordinator |
| Sound | Petra Bach | ADR Editor |
| Crew | Rick LeFevour | Stunt Double |
| Camera | Nathaniel James Dunn | Best Boy Grip |
| Production | Barbara L. Roche | Extras Casting |
| Directing | Gary Schilz | Second Assistant Director |
| Crew | Richard L. Hill | Special Effects Technician |
| Sound | Ed Golya | ADR Mixer |
| Sound | Greg Orloff | Foley Mixer |
| Camera | Lou Weinert | Assistant Camera |
| Camera | Steve Adcock | Second Assistant Camera |
| Editing | Pattye Rogers | Assistant Editor |
| Lighting | Ed Ayer | Chief Lighting Technician |
| Sound | Carolyn Tapp | Foley Recordist |
| Editing | Gary Burritt | Negative Cutter |
| Production | Rocky Buzzini | Production Assistant |
| Crew | Bobby Porter | Stunt Double |
| Crew | Larry Nicholas | Stunt Double |
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