When a broken hearted boy loses the treasured wooden nativity set that links him to his dead father, his worried mother persuades a lonely ill-tempered woodcarver to create a replacement, and to allow her son to watch him work on it.
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Directing | Bill Clark | Director |
Editing | Mark Burton | First Assistant Editor |
Production | Alastair Burlingham | Executive Producer |
Editing | Henry Bateman | EPK Editor |
Camera | Emmanuel Kadosh | Director of Photography |
Crew | Kate Brontë-Stewart | Floor Runner |
Crew | Mikael Carlsson | Executive Music Producer |
Production | Sarah Wheale | Production Coordinator |
Directing | Cathy Doubleday | Script Supervisor |
Crew | Gavin Woods | Chef |
Production | Tom Fenwick Smith | Production Runner |
Production | Philippe Martinez | Producer |
Sound | Guy Farley | Original Music Composer |
Writing | Susan Wojciechowski | Book |
Production | Thomas Mattinson | Producer |
Directing | Simon Morris | Second Assistant Director |
Sound | Sven Taits | Sound Re-Recording Mixer |
Visual Effects | Kit Monkman | Visual Effects Supervisor |
Lighting | Nimi Getter | Gaffer |
Visual Effects | Lewis Saunders | Digital Compositor |
Camera | Henry Bateman | Epk Camera Operator |
Production | Paula Da Costa | Production Secretary |
Crew | Paul Lowe | Stunt Double |
Sound | Adrian Rhodes | Sound Editor |
Writing | Bill Clark | Writer |
Crew | Katie Shahrokh | Post-Production Manager |
Art | Stuart Kearns | Art Direction |
Costume & Make-Up | Amelia Brauer | Hair Designer |
Costume & Make-Up | Amelia Brauer | Makeup Designer |
Crew | Stephen Barker | Post Production Supervisor |
Visual Effects | Ainslie Harris | Digital Compositor |
Crew | Fiona Mackay | Post Production Assistant |
Production | Catherine Russell | Production Secretary |
Crew | Morag Webster | Unit Medic |
Art | Tony Graysmark | Construction Manager |
Production | Tom Swayne | Casting Assistant |
Production | Alan Latham | Producer |
Art | Simon Waters | Production Design |
Art | Tom Whitehead | Art Direction |
Sound | Adrian Rhodes | Sound Re-Recording Mixer |
Visual Effects | Michael Ghelfi | Digital Compositor |
Lighting | James Smith-Pryor | Best Boy Electric |
Sound | Phil Hope | Music Supervisor |
Production | John Hubbard | Casting |
Sound | Colin Cooper | ADR Mixer |
Sound | Phil Freudenfeld | Foley Editor |
Sound | Andrew Rowe | Sound Assistant |
Visual Effects | Andrew Fensom | Digital Compositor |
Crew | Leanne Flinn | Video Assist Operator |
Sound | Rick Gould | Foley Artist |
Sound | Nigel Mills | Supervising Sound Editor |
Camera | Nick Ray | Grip |
Sound | Steve Mair | Musician |
Sound | Tim Hands | Supervising Sound Editor |
Sound | Derek Norman | Sound Recordist |
Sound | Gavin Rose | Assistant Sound Editor |
Editing | Justin Eely | Online Editor |
Production | Scott Eaton | Assistant Production Coordinator |
Crew | Jack Yiokoumi | Chef |
Production | Jonathan Weisgal | Executive Producer |
Editing | David Freeman | Editor |
Production | Dan Hubbard | Casting |
Costume & Make-Up | Maria Price | Costume Design |
Costume & Make-Up | Karen Evans | Makeup Artist |
Directing | David Daniels | First Assistant Director |
Crew | Howard Weaver | Scenic Artist |
Production | Ros Hubbard | Co-Producer |
Sound | Simon Brown | Boom Operator |
Crew | John Mateer | Post Production Consulting |
Production | Donna Grey | Line Producer |
Art | Alex Merchant | Art Direction |
Directing | Carley Lane | Third Assistant Director |
Sound | Colin Cooper | Foley Mixer |
Camera | Ben Perry | Assistant Camera |
Costume & Make-Up | Heather Howell | Costume Supervisor |
Costume & Make-Up | Pookie Russell | Costume Assistant |
Production | Burdette Anderson | Executive In Charge Of Production |
Editing | Tim Waller | Senior Colorist |
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