Hard times have fallen on the Transylvanian House of Dracula. To help pay the taxes, Castle Dracula has been converted into the Hotel Transylvania. Dracula himself is aging and toothless, being cared for by his granddaughter Nocturna. When Nocturna books a disco group to play The Claret Room and winds up falling in love with one of the backup guitarists, a mortal named Jimmy, she notices that she is able to see her reflection when she dances, so she decides to follow Jimmy to New York in search of mortality.
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Directing | Harry Hurwitz | Director |
Writing | Harry Hurwitz | Screenplay |
Writing | Nai Bonet | Story |
Editing | Ian Maitland | Editor |
Camera | Mac Ahlberg | Director of Photography |
Camera | Robert Harmon | Still Photographer |
Production | Vernon P. Becker | Producer |
Production | Nai Bonet | Producer |
Production | Irwin Yablans | Executive Producer |
Sound | Norman Bergen | Original Music Composer |
Sound | Reid Whitelaw | Original Music Composer |
Art | Steve Davita | Art Direction |
Art | Jack Krueger | Art Direction |
Costume & Make-Up | Pamela Jenrette | Makeup Artist |
Costume & Make-Up | Vinnie LoBrutto | Hairstylist |
Costume & Make-Up | Gigi Williams | Makeup Artist |
Production | David L. Wolfson | Production Manager |
Sound | Jack Higgins | Sound Mixer |
Sound | Anthony Santa Croce | Boom Operator |
Visual Effects | Bob Le Bar | Animation |
Directing | Joan Puma | Script Supervisor |
Costume & Make-Up | Laura Bonet | Costumer |
Costume & Make-Up | Ellen Lutter | Wardrobe Supervisor |
Sound | Norman Bergen | Music Arranger |
Sound | Norman Bergen | Orchestrator |
Sound | Joel Goldsmith | Sound Recordist |
Sound | Reid Whitelaw | Music Arranger |
Camera | David Boyd | Second Assistant Camera |
Lighting | Stefan Czapsky | Gaffer |
Camera | Robert K. Feldmann | Key Grip |
Lighting | Craig Nelson | Best Boy Electric |
Camera | David Schmier | First Assistant Camera |
Camera | Jeffrey Sudzin | Key Grip |
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