After experiencing a traumatic misfortune, Jasmine French, a wealthy woman from New York, moves to San Francisco to live with her foster sister Ginger and the firm purpose of getting a new life, but she will be haunted by anxiety and memories of the past.
Unfortunately the movie Blue Jasmine is not yet available on Netflix. Follow us on Facebook to see when Blue Jasmine becomes available on Netflix!
| Production | Pietro Lorino, Jr. | Production Accountant |
| Sound | Thomas Kodros | Dolby Consultant |
| Camera | Michael Best | Grip |
| Lighting | John Lacy | Best Boy Electric |
| Camera | Gregory M. Childers | Grip |
| Crew | Sandy Reed | Craft Service |
| Production | Gaetano Akiya | Payroll Accountant |
| Art | Kelli Lundy | Set Decorating Coordinator |
| Costume & Make-Up | Marco Piemontese | Assistant Costume Designer |
| Camera | Jeph Folkins | Second Assistant Camera |
| Costume & Make-Up | Karen Bradley | Assistant Makeup Artist |
| Costume & Make-Up | Robert Mrazik | Assistant Hairstylist |
| Crew | James Chandler | Craft Service |
| Sound | Matthew Haasch | Foley Editor |
| Production | Deborah Alexander | Producer's Assistant |
| Camera | Patrick McArdle | First Assistant Camera |
| Directing | Ted Leonard | Second Second Assistant Director |
| Crew | Elise Ganz | Studio Teacher |
| Crew | Michael Primmer | Cableman |
| Production | Laura F. Haynes | Assistant Production Coordinator |
| Art | Mike Helbig | Set Dresser |
| Camera | Don L. Henderson | Dolly Grip |
| Lighting | Brook Johnson | Rigging Grip |
| Crew | Bob Loeffler | Security Coordinator |
| Art | David Hendrickson | Art Department Coordinator |
| Crew | Jim Chesney | Transportation Coordinator |
| Crew | Joe Feeney | Transportation Co-Captain |
| Production | Paul J. Park | Assistant Accountant |
| Camera | Aaron Kirby | Camera Loader |
| Crew | Doug Hunt | Video Assist Operator |
| Art | John Lister | Set Dresser |
| Art | Louis Visco | Set Dresser |
| Crew | Anthony R. Sacco | Transportation Captain |
| Costume & Make-Up | Nancy Servin | Tailor |
| Art | Anna Rogers | Assistant Property Master |
| Art | Qris Fry | Construction Coordinator |
| Camera | Robert 'Boomer' McCann | Best Boy Grip |
| Camera | Richard A. Hunt | Grip |
| Art | Doni McMillan | Leadman |
| Camera | Chris Sanders | Grip |
| Lighting | Chris Shellenberger | Rigging Gaffer |
| Crew | Carla Meyer | Dialect Coach |
| Camera | Gregory Collis | Grip |
| Crew | Erik Hattan | Transportation Co-Captain |
| Lighting | Pedro Hernández | Key Rigging Grip |
| Production | Heather MacLean | Location Assistant |
| Art | Joel Morgante | Construction Foreman |
| Crew | Mark Bosia | Set Medic |
| Production | Letty Aronson | Producer |
| Production | Juliet Taylor | Casting |
| Camera | Javier Aguirresarobe | Director of Photography |
| Editing | Alisa Lepselter | Editor |
| Production | Edward Walson | Producer |
| Directing | Woody Allen | Director |
| Production | Adam B. Stern | Executive Producer |
| Art | Santo Loquasto | Production Design |
| Production | Patricia Kerrigan DiCerto | Casting |
| Production | Stephen Tenenbaum | Producer |
| Production | Leroy Schecter | Executive Producer |
| Editing | Morgan Neville | First Assistant Editor |
| Sound | Brendan Jamieson O'Brien | Boom Operator |
| Directing | Virginia Saenz McCarthy | Script Supervisor |
| Sound | Robert Hein | Sound Re-Recording Mixer |
| Sound | David Wahnon | Sound Effects Editor |
| Art | Michael E. Goldman | Art Direction |
| Camera | Dave Childers | Key Grip |
| Sound | Sylvia Menno | Dialogue Editor |
| Camera | Will Arnot | Camera Operator |
| Lighting | Scott H. Ramsey | Gaffer |
| Directing | Cindy A. Taylor | Second Assistant Director |
| Sound | Nelson Stoll | Sound Mixer |
| Lighting | Steve Condiotti | Gaffer |
| Costume & Make-Up | Peggy Schierholz | Hair Department Head |
| Production | Scott Kordish | Production Supervisor |
| Production | Helen Robin | Co-Producer |
| Camera | Jessica Miglio | Still Photographer |
| Costume & Make-Up | Robin Fredriksz | Key Makeup Artist |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Art | David Hendrickson | Graphic Designer |
| Costume & Make-Up | Gretchen Davis | Makeup Department Head |
| Art | Douglas Huszti | Art Direction |
| Costume & Make-Up | Suzy Benzinger | Costume Designer |
| Directing | Danielle Rigby | First Assistant Director |
| Camera | Will Arnot | Steadicam Operator |
| Visual Effects | Jake Braver | Visual Effects Supervisor |
| Production | Jack Rollins | Co-Executive Producer |
| Writing | Woody Allen | Screenplay |
| Sound | Robert Hein | Supervising Sound Editor |
| Sound | Brian Copenhagen | Boom Operator |
| Production | Helen Robin | Unit Production Manager |
| Production | Debbie Brubaker | Unit Production Manager |
| Sound | Glenfield Payne | Sound Effects Editor |
| Art | Patrick Ludden | Property Master |
| Camera | Gary Martone | Key Grip |
| Costume & Make-Up | Yaneya Rovira | Costume Supervisor |
| Directing | John M. Morse | First Assistant Director |
| Production | Nina Henninger | Casting |
| Production | Emily Pierceall | Production Coordinator |
| Sound | Thomas Varga | Sound Mixer |
| Sound | Brendan O'Brien | Boom Operator |
| Art | Ann Miller | Property Master |
| Sound | Jay Peck | Foley Artist |
| Directing | Brad Robinson | Second Assistant Director |
| Costume & Make-Up | Rory Powers | Costume Supervisor |
| Costume & Make-Up | Lona Vigi | Key Hair Stylist |
| Art | Chad Owens | Assistant Art Director |
| Art | Kris Boxell | Set Decoration |
| Visual Effects | Jim Rider | Visual Effects Supervisor |
| Costume & Make-Up | Leslie Weir | Costume Supervisor |
| Production | Scott Kordish | Production Coordinator |
| Art | Regina Graves | Set Decoration |
| Costume & Make-Up | Lori Hicks | Makeup Department Head |
| Production | Jonathan Shedd | Location Manager |
| Editing | Kate Rose Itzkowitz | Assistant Editor |
| Camera | Merrick Morton | Still Photographer |
| Art | Chad Owens | Set Designer |
| Production | Christie Mullen | Location Manager |
| Costume & Make-Up | Yvette Rivas | Hair Department Head |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!