A romantic comedy about a man, a woman and a football team. Based on Nick Hornby's best selling autobiographical novel, Fever Pitch. English teacher Paul Ashworth believes his long standing obsession with Arsenal serves him well. But then he meets Sarah. Their relationship develops in tandem with Arsenal's roller coaster fortunes in the football league, both leading to a nail biting climax.
Unfortunately the movie Fever Pitch is not yet available on Netflix. Follow us on Facebook to see when Fever Pitch becomes available on Netflix!
| Production | Nick O'Hagan | Line Producer |
| Production | Nik Powell | Executive Producer |
| Sound | Boo Hewerdine | Original Music Composer |
| Sound | Neill MacColl | Original Music Composer |
| Camera | Chris Seager | Director of Photography |
| Costume & Make-Up | Mary-Jane Reyner | Costume Design |
| Art | Michael Carlin | Production Design |
| Writing | Nick Hornby | Screenplay |
| Writing | Nick Hornby | Novel |
| Production | Amanda Posey | Producer |
| Production | Liora Reich | Casting |
| Art | Karen Wakefield | Art Direction |
| Directing | David Evans | Director |
| Production | Stephen Woolley | Executive Producer |
| Editing | Scott Thomas | Editor |
| Costume & Make-Up | Charmaine Fuller | Hairstylist |
| Art | Noel Cowell | Standby Property Master |
| Costume & Make-Up | Charmaine Fuller | Makeup Artist |
| Directing | Mick Ward | Second Assistant Director |
| Costume & Make-Up | Penny Smith | Hairstylist |
| Directing | Richard Whelan | First Assistant Director |
| Crew | Emanuel Boumard | Carpenter |
| Art | Steve Carter | Assistant Art Director |
| Art | Simon Hutchinson | Painter |
| Sound | Jim Greenhorn | Sound Mixer |
| Sound | Garry Fiferman | Sound Re-Recording Mixer |
| Visual Effects | Tim Wellspring | Visual Effects Coordinator |
| Sound | Steve Mayer | Boom Operator |
| Sound | Stewart Henderson | Dialogue Editor |
| Sound | Peter Gleaves | ADR Mixer |
| Visual Effects | Mark Nelmes | Visual Effects |
| Art | Mike Power | Property Master |
| Visual Effects | Paddy Eason | Digital Effects Producer |
| Sound | Chris Nuttall | Sound |
| Art | Douglas Ingram | Storyboard Artist |
| Art | Hank Schumacher | Construction Manager |
| Sound | Simon Firsht | Boom Operator |
| Crew | Roger Kiff | Carpenter |
| Art | Lance Smith | Painter |
| Sound | Patrick O'Neill | Supervising Sound Editor |
| Art | Tony Staitham | Sign Painter |
| Sound | Michael Corden | Sound Editor |
| Sound | Zane Hayward | Foley Artist |
| Crew | Jim Frankham | Carpenter |
| Art | Jonni Fitzgerald | Art Department Assistant |
| Crew | Graham Hills | Special Effects Technician |
| Visual Effects | Alison O'Brien | Visual Effects Producer |
| Art | Guy Rutter | Painter |
| Sound | Aad Wirtz | Sound |
| Visual Effects | Tim Baxter | Visual Effects |
| Sound | Tim Partridge | Dolby Consultant |
| Crew | Jonathan Berger | Legal Services |
| Crew | Steve Mercer | Editorial Staff |
| Crew | Gary Powell | Stunts |
| Lighting | Dave Owen | Best Boy Electric |
| Lighting | Mark Funnell | Rigging Gaffer |
| Lighting | Gary Parnham | Electrician |
| Lighting | Andy Cole | Electrician |
| Production | Benjamin Greenacre | Location Manager |
| Editing | Kim Norris | Negative Cutter |
| Visual Effects | Dennis Michelson | Visual Effects |
| Camera | Alf Tramontin | Steadicam Operator |
| Lighting | Gary Nagle | Electrician |
| Camera | Laurie Sparham | Still Photographer |
| Camera | Nick Wall | Still Photographer |
| Production | Bill Barringer | Location Manager |
| Directing | Angela Wharton | Script Supervisor |
| Directing | Sara Desmond | Second Assistant Director |
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