A scientist from the failed Philadelphia Experiment leads a team of Navy SEALs back in time to the Cretaceous Period to rescue the first team he sent back during the 1940s. Things go wildly awry though, when on his return he accidentally brings a giant, man-eating dinosaur back through the portal and into modern-day, downtown Los Angeles.
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| Production | David Michael Latt | Producer |
| Camera | Alexander Yellen | Director of Photography |
| Directing | Griff Furst | Director |
| Writing | Paul Bales | Screenplay |
| Editing | Nick Everhart | Editor |
| Art | Brandon Kihl | Production Design |
| Sound | Ralph Rieckermann | Original Music Composer |
| Production | David Rimawi | Executive Producer |
| Editing | Mark Atkins | Editor |
| Production | Jeff Cagle | Casting |
| Visual Effects | Ross Otterman | Visual Effects Producer |
| Visual Effects | S. Kai Bovaird | Visual Effects Supervisor |
| Costume & Make-Up | Tara Lang | Key Makeup Artist |
| Visual Effects | Allan Baxendale | Creature Design |
| Costume & Make-Up | Mim Carroll | Costume Design |
| Crew | Robin Petgrave | Aerial Coordinator |
| Editing | Ross H. Martin | Assistant Editor |
| Production | Erik Lynch | Production Assistant |
| Crew | Robin Petgrave | Pilot |
| Editing | Narbeh Tatoussian | Colorist |
| Editing | Bryan Snodgrass | EPK Editor |
| Editing | Kate Noonan | Assistant Editor |
| Crew | Gustavo A. Giron Sr. | Pilot |
| Camera | Scott Wheeler | First Assistant Camera |
| Crew | Steve Goldenberg | Post Production Assistant |
| Camera | Jihane Mrad Balaa | Second Assistant Camera |
| Camera | Glenn Miller | Dolly Grip |
| Camera | Bianca Bahena | First Assistant Camera |
| Camera | Orlando Ordonez | Best Boy Grip |
| Camera | Nathaniel Magnuson | Still Photographer |
| Camera | Trenton McRae | Key Grip |
| Camera | James Hammond | Additional First Assistant Camera |
| Camera | Mark Atkins | Director of Photography |
| Lighting | Hinishi Tomonori | Best Boy Electric |
| Camera | Bryan Krass | Grip |
| Camera | Marcus Kellum | Steadicam Operator |
| Camera | Christina N. Jin | Grip |
| Production | Jeff Cagle | Production Coordinator |
| Lighting | Ben Demaree | Gaffer |
| Visual Effects | Scott Wheeler | Additional Visual Effects |
| Visual Effects | Elliot Rudmann | Visual Effects Production Assistant |
| Art | James Vieira | Props |
| Visual Effects | Andrew Lewitin | Visual Effects |
| Art | Robert Wesley Knight | Sculptor |
| Sound | Lisa Ries | Sound Mixer |
| Sound | Brett Bach | Sound Supervisor |
| Directing | Xavier S. Puslowski | First Assistant Director |
| Sound | Bali Bock | Boom Operator |
| Directing | Nick Day | Second Assistant Director |
| Visual Effects | Julie Taylor | Creature Design |
| Visual Effects | Neal Kennemore | Creature Design |
| Sound | Brett Bach | Sound Designer |
| Visual Effects | David Michael Latt | Additional Visual Effects |
| Crew | Danny Maldonado | Post Production Supervisor |
| Sound | Brett Bach | ADR Recordist |
| Visual Effects | Marcel Dejure | Creature Design |
| Art | Joy Shulman | Set Dresser |
| Crew | Karine Grigorian | Post Production Supervisor |
| Production | Anthony Fankhauser | Line Producer |
| Production | Paul Bales | Associate Producer |
| Sound | Lisa Ries | Dialogue Editor |
| Visual Effects | Scott Mueller | Creature Design |
| Visual Effects | Robert Giddens | Creature Design |
| Crew | Yoshio Kohashi | Visual Effects Editor |
| Visual Effects | Ken Locsmandi | Visual Effects Supervisor |
| Visual Effects | Miki Jelicic | Visual Effects Production Assistant |
| Production | Jeff Cagle | Unit Production Manager |
| Visual Effects | Tony Buffa | Creature Design |
| Sound | Bali Bock | Sound Mixer |
| Sound | Brett Bach | ADR Mixer |
| Art | Nino Zagaroli | Property Master |
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