Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his partner, a former sheriff.
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Directing | Alan Parker | Director |
Writing | Chris Gerolmo | Screenplay |
Sound | Trevor Jones | Original Music Composer |
Camera | Peter Biziou | Director of Photography |
Directing | Aldric La'Auli Porter | First Assistant Director |
Directing | Brenda Kalosh | Second Assistant Director |
Camera | Mike Roberts | Camera Operator |
Sound | Danny Michael | Sound Recordist |
Production | Judith Lyn Brown | Production Coordinator |
Camera | Eamonn O'Keeffe | First Assistant Camera |
Art | Ron Stone | Property Master |
Art | Gretchen Rau | Assistant Set Decoration |
Art | David Brace | Leadman |
Art | James C. Feng | Assistant Art Director |
Art | Steve Arnold | Assistant Art Director |
Art | John Bromell | Set Dresser |
Art | Polar Bear Shaw | Set Dresser |
Sound | Anthony Starbuck | Boom Operator |
Directing | Carol D. Bonnefil | Second Second Assistant Director |
Editing | Glenn Cunningham | First Assistant Editor |
Sound | Robert J. Litt | Sound Re-Recording Mixer |
Sound | Elliot Tyson | Sound Re-Recording Mixer |
Sound | Rick Kline | Sound Re-Recording Mixer |
Production | Barbara Harris | ADR Voice Casting |
Sound | Bill Phillips | Supervising Sound Editor |
Sound | Hal Sanders | Sound Editor |
Sound | Bruce Lacey | Sound Editor |
Sound | John Phillips | Sound Editor |
Sound | David Grannis | Assistant Sound Editor |
Camera | Les Percy | Key Grip |
Camera | Mike Moad | Dolly Grip |
Costume & Make-Up | Cynthia L. Hamilton | Assistant Costume Designer |
Crew | Roger Dietz | Scenic Artist |
Art | E.W. Bradford | Construction Coordinator |
Art | Jerry G. Henery | Construction Foreman |
Crew | Jerry Jackson | Transportation Coordinator |
Crew | Rick Davis | Transportation Captain |
Editing | Gary Burritt | Negative Cutter |
Crew | Richard E. Butler | Stunts |
Costume & Make-Up | Ellen Lutter | Costume Supervisor |
Production | Robert F. Colesberry | Producer |
Production | Frederick Zollo | Producer |
Editing | Gerry Hambling | Editor |
Production | Howard Feuer | Casting |
Production | Juliet Taylor | Casting |
Costume & Make-Up | Paul LeBlanc | Hair Designer |
Art | Philip Harrison | Production Design |
Art | Geoffrey Kirkland | Production Design |
Art | John Willett | Art Direction |
Art | Jim Erickson | Set Decoration |
Costume & Make-Up | Aude Bronson-Howard | Costume Design |
Costume & Make-Up | David Forrest | Makeup Designer |
Production | Tom Razzano | Unit Production Manager |
Crew | Stan Parks | Special Effects Coordinator |
Crew | John Robotham | Stunt Coordinator |
Crew | Steve Kelso | Stunts |
Editing | Mayin Lo | Assistant Editor |
Sound | Paul Hulme | Sound Engineer |
Crew | Maida N. Morgan | Thanks |
Crew | Nicholas Paleologos | Thanks |
Directing | Robin Squibb | Script Supervisor |
Crew | David Linck | Unit Publicist |
Sound | Pieter Hubbard | Sound Editor |
Camera | Bob Leitelt | Grip |
Lighting | Dennis J. Lootens | Electrician |
Lighting | Willie Mann | Best Boy Electric |
Costume & Make-Up | Helen P. Butler | Costume Supervisor |
Camera | David Appleby | Still Photographer |
Crew | Kym Washington Longino | Stunts |
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