FBI agent Barney Coopersmith is assigned to protect former Mafia figure turned informant Vincent Antonelli. In the witness protection program one is supposed to keep a low profile, but that is something that Antonelli has trouble doing. Coopersmith certainly has his hands full keeping Antonelli away from the Mafia hitmen who want to stop him testifying, not to mention the nightclubs...
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Directing | Herbert Ross | Director |
Writing | Nora Ephron | Writer |
Crew | Norman Fessler | Stand In |
Directing | Ariel Levy | First Assistant Director |
Sound | Ira Newborn | Original Music Composer |
Camera | John Bailey | Director of Photography |
Editing | Robert M. Reitano | Editor |
Editing | Stephen A. Rotter | Editor |
Production | Hank McCann | Casting |
Art | Charles Rosen | Production Design |
Art | Richard Berger | Art Direction |
Art | Donald J. Remacle | Set Decoration |
Costume & Make-Up | Joseph G. Aulisi | Costume Design |
Production | Anthea Sylbert | Producer |
Production | Andrew Stone | Executive Producer |
Production | Herbert Ross | Producer |
Production | Goldie Hawn | Executive Producer |
Production | Nora Ephron | Executive Producer |
Production | Joseph M. Caracciolo | Co-Producer |
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