Two romantically-engaged corporate spies team up to manipulate a corporate race to corner the market on a medical innovation that will reap huge profits and enable them to lead an extravagant lifestyle together.
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Production | Jennifer Fox | Producer |
Production | Laura Bickford | Producer |
Directing | Tony Gilroy | Director |
Production | Kerry Orent | Producer |
Sound | James Newton Howard | Original Music Composer |
Writing | Tony Gilroy | Writer |
Directing | Michael Pitt | Second Assistant Director |
Visual Effects | Richard Friedlander | Visual Effects Producer |
Visual Effects | Glenn Allen | Visual Effects Producer |
Sound | Warren Shaw | Sound Re-Recording Mixer |
Sound | Michael Barry | Sound Re-Recording Mixer |
Production | John Gilroy | Co-Producer |
Production | Ryan Kavanaugh | Executive Producer |
Visual Effects | Alan E. Bell | Visual Effects Supervisor |
Production | Christopher Goode | Co-Producer |
Visual Effects | Eric J. Robertson | Visual Effects Supervisor |
Production | Christopher Goode | Unit Production Manager |
Crew | Jennifer Lamb | Stunts |
Crew | Janet Paparazzo | Stunts |
Crew | Michael Bloomberg | Thanks |
Crew | Stephanie Finochio | Stunts |
Camera | Robert Elswit | Director of Photography |
Editing | John Gilroy | Editor |
Production | Ellen Chenoweth | Casting |
Costume & Make-Up | Kerrie Smith | Hair Department Head |
Editing | James W. Harrison III | First Assistant Editor |
Art | Lauren DeTitta | Art Department Coordinator |
Art | Michael Curry Jr. | Construction Foreman |
Art | Gerald DeTitta | Leadman |
Art | Sandy Hamilton | Property Master |
Crew | Edward Drohan | Special Effects Coordinator |
Costume & Make-Up | Thomas Stokes | Costume Supervisor |
Art | Kevin Thompson | Production Design |
Costume & Make-Up | Lizz Scalice | Hairstylist |
Sound | Warren Shaw | Supervising Sound Editor |
Crew | Jeff Brink | Special Effects Coordinator |
Costume & Make-Up | Mary Jo 'MJ' McGrath | Costume Supervisor |
Sound | James J. Sabat Jr. | Sound Recordist |
Lighting | Andy Day | Gaffer |
Costume & Make-Up | Albert Wolsky | Costume Design |
Costume & Make-Up | Chris Bingham | Key Makeup Artist |
Crew | Jery Hewitt | Stunt Coordinator |
Sound | Nic Ratner | Music Editor |
Sound | Stuart Stanley | Sound Editor |
Costume & Make-Up | Danielle Cadorette | Tailor |
Art | Michael Herlihy | Construction Coordinator |
Sound | Dan Korintus | Dialogue Editor |
Camera | P. Scott Sakamoto | Steadicam Operator |
Production | Robert T. Striem | Location Manager |
Crew | Al Cerullo | Pilot |
Sound | Pete Anthony | Orchestrator |
Art | Stephen H. Carter | Art Direction |
Art | George DeTitta Jr. | Set Decoration |
Sound | Bill Sweeney | Foley Editor |
Lighting | Ralph G. Crowley | Best Boy Electric |
Crew | Malcolm Reid | Carpenter |
Sound | Paulette Victor Lifton | ADR Supervisor |
Lighting | Charlie Grubbs | Rigging Gaffer |
Camera | Charlie Marroquin | Key Grip |
Art | Leann Murphy | Art Department Coordinator |
Sound | Linda Murphy | Boom Operator |
Costume & Make-Up | Leslie Fuller | Makeup Artist |
Directing | Steve Apicella | First Assistant Director |
Directing | Mary Cybulski | Script Supervisor |
Crew | Mark Ciccone | Pilot |
Sound | Brian Ross | Music Supervisor |
Camera | Jeff Kunkle | Dolly Grip |
Crew | Peter Bucossi | Stunts |
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