Two romantically-engaged corporate spies team up to manipulate a corporate race to corner the market on a medical innovation that will reap huge profits and enable them to lead an extravagant lifestyle together.
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| Directing | Tony Gilroy | Director |
| Writing | Tony Gilroy | Writer |
| Production | Laura Bickford | Producer |
| Production | Jennifer Fox | Producer |
| Production | Kerry Orent | Producer |
| Sound | James Newton Howard | Original Music Composer |
| Production | Christopher Goode | Co-Producer |
| Production | John Gilroy | Co-Producer |
| Production | Ryan Kavanaugh | Executive Producer |
| Production | Christopher Goode | Unit Production Manager |
| Directing | Michael Pitt | Second Assistant Director |
| Visual Effects | Alan E. Bell | Visual Effects Supervisor |
| Visual Effects | Richard Friedlander | Visual Effects Producer |
| Visual Effects | Glenn Allen | Visual Effects Producer |
| Visual Effects | Eric J. Robertson | Visual Effects Supervisor |
| Sound | Michael Barry | Sound Re-Recording Mixer |
| Sound | Warren Shaw | Sound Re-Recording Mixer |
| Crew | Michael Bloomberg | Thanks |
| Crew | Janet Paparazzo | Stunts |
| Crew | Jennifer Lamb | Stunts |
| Crew | Stephanie Finochio | Stunts |
| Camera | Robert Elswit | Director of Photography |
| Editing | John Gilroy | Editor |
| Production | Ellen Chenoweth | Casting |
| Art | Kevin Thompson | Production Design |
| Art | Stephen H. Carter | Art Direction |
| Art | George DeTitta Jr. | Set Decoration |
| Costume & Make-Up | Albert Wolsky | Costume Design |
| Costume & Make-Up | Chris Bingham | Key Makeup Artist |
| Costume & Make-Up | Leslie Fuller | Makeup Artist |
| Costume & Make-Up | Lizz Scalice | Hairstylist |
| Costume & Make-Up | Kerrie Smith | Hair Department Head |
| Directing | Steve Apicella | First Assistant Director |
| Art | Michael Curry Jr. | Construction Foreman |
| Art | Gerald DeTitta | Leadman |
| Art | Lauren DeTitta | Art Department Coordinator |
| Art | Sandy Hamilton | Property Master |
| Art | Michael Herlihy | Construction Coordinator |
| Art | Leann Murphy | Art Department Coordinator |
| Crew | Malcolm Reid | Carpenter |
| Sound | Dan Korintus | Dialogue Editor |
| Sound | Linda Murphy | Boom Operator |
| Sound | James J. Sabat Jr. | Sound Recordist |
| Sound | Warren Shaw | Supervising Sound Editor |
| Sound | Stuart Stanley | Sound Editor |
| Sound | Bill Sweeney | Foley Editor |
| Sound | Paulette Victor Lifton | ADR Supervisor |
| Crew | Jeff Brink | Special Effects Coordinator |
| Crew | Edward Drohan | Special Effects Coordinator |
| Crew | Jery Hewitt | Stunt Coordinator |
| Lighting | Ralph G. Crowley | Best Boy Electric |
| Lighting | Andy Day | Gaffer |
| Lighting | Charlie Grubbs | Rigging Gaffer |
| Camera | Charlie Marroquin | Key Grip |
| Camera | P. Scott Sakamoto | Steadicam Operator |
| Costume & Make-Up | Danielle Cadorette | Tailor |
| Costume & Make-Up | Mary Jo 'MJ' McGrath | Costume Supervisor |
| Costume & Make-Up | Thomas Stokes | Costume Supervisor |
| Editing | James W. Harrison III | First Assistant Editor |
| Production | Robert T. Striem | Location Manager |
| Sound | Pete Anthony | Orchestrator |
| Sound | Nic Ratner | Music Editor |
| Sound | Brian Ross | Music Supervisor |
| Crew | Al Cerullo | Pilot |
| Crew | Mark Ciccone | Pilot |
| Directing | Mary Cybulski | Script Supervisor |
| Camera | Jeff Kunkle | Dolly Grip |
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