Set in 1974, a pair of '60s radicals rely on their bomb-making skills on their way to becoming capitalists.
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| Directing | Charles Matthau | Director |
| Costume & Make-Up | Kate Abraham | Set Costumer |
| Sound | Joseph LoDuca | Music |
| Costume & Make-Up | Jayne Laube | Makeup Artist |
| Visual Effects | Jamison Scott Goei | Visual Effects Supervisor |
| Editing | Lee Grubin | First Assistant Editor |
| Art | Steve Broussard | Construction Coordinator |
| Crew | Cynthia Nibler | Property Master |
| Sound | Lise Richardson | Music Editor |
| Crew | Collin Butrum | Transportation Coordinator |
| Writing | Charles Matthau | Adaptation |
| Production | Charles Matthau | Producer |
| Costume & Make-Up | Leslie Ann Paterra | Makeup Artist |
| Camera | Kim C. Simms | Still Photographer |
| Writing | Elmore Leonard | Novel |
| Production | Nancy Nayor | Casting |
| Art | Tom Southwell | Production Design |
| Directing | Lesley King | Script Supervisor |
| Costume & Make-Up | Emilie Cockels | Hairstylist |
| Costume & Make-Up | Brittany Pask | Costume Supervisor |
| Costume & Make-Up | Ingrid Ferrin | Costume Design |
| Crew | Courtney Miller | Choreographer |
| Sound | Gary Coppola | Sound Re-Recording Mixer |
| Costume & Make-Up | Catherine Childers | Hairstylist |
| Crew | Tom Lowell | Stunt Coordinator |
| Camera | John J. Connor | Director of Photography |
| Production | Allison Bader | Casting |
| Costume & Make-Up | Dawn Mattocks | Makeup Artist |
| Visual Effects | David Burton | Visual Effects Supervisor |
| Camera | Randy Nolen | Camera Operator |
| Production | George Constas | Location Manager |
| Art | Selina van den Brink | Set Decoration |
| Art | Jody Gaber | Art Department Coordinator |
| Lighting | John Farr | Gaffer |
| Editing | William Steinkamp | Editor |
| Costume & Make-Up | Elisabeth Fry | Makeup Department Head |
| Visual Effects | Pam Hammarlund | Visual Effects Producer |
| Costume & Make-Up | Kimberly Leitz | Set Costumer |
| Sound | Darrell Hall | Music Editor |
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