An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
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Production | Colin MacCabe | Executive Producer |
Directing | Stanley Kwan | Director |
Writing | Elmond Yeung Chi-Sam | Writer |
Camera | Christopher Doyle | Director of Photography |
Editing | Lou Xu | Assistant Editor |
Editing | Mimi Leung | Assistant Editor |
Production | Benny Wong Chung-Yam | Associate Producer |
Sound | Yo Yo Yu | Music |
Directing | Thomas Chow Wai-Kwan | Assistant Director |
Production | Paula Jalfon | Producer |
Directing | Maurice Li | Assistant Director |
Sound | Vincent Fong | Sound Mixer |
Production | Tony Rayns | Consulting Producer |
Production | Wang Biao | Production Manager |
Production | Tuen-Ping Wang | Production Manager |
Production | Esther Johnson | Production Manager |
Directing | Liu Han-Ming | Assistant Director |
Sound | Chan Hon-Bong | Sound Mixer |
Editing | Wake Wong | Assistant Editor |
Camera | Fu-Keung Chiu | Camera Operator |
Editing | Wong Cheung Hei | Assistant Editor |
Production | Penny Spencer | Production Manager |
Writing | Edward Lam | Writer |
Directing | Katie Kwan Siu-Wai | Assistant Director |
Editing | Maurice Li | Editor |
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